Gherardo Starnina, 1354 – 1413

Slike autora Gherardo Starnina: 33 najpoznatijih dela, rangiranih

Najpoznatije delo umetnika Gherardo Starnina je Dormition of the Virgin (1408), koje se nalazi u muzeju Philadelphia Museum of Art, Filadelfija. Uz Archangel Michael (1404) i Christ as Salvator Mundi (1405), to su tri dela koja svi prepoznaju. Naš katalog sadrži 33 dela umetnika Gherardo Starnina; ovih 33 ispod su dela koja svet najčešće posmatra, svako sa navedenom godinom nastanka, muzejom u kojem se čuva i razlogom zašto je značajno.

Rangirano prema našem koeficijentu popularnosti, koji kombinuje pretrage, posete i porudžbine za svako delo. Ažurirano октобар 2026. Svako remek-delo na ovoj stranici može se naručiti kao ručno oslikana uljana reprodukcija muzejskog kvaliteta ili kao umetnička štampa, u dimenzijama koje odaberete.

Portret Gherardo Starnina
Gherardo Starnina · 1354 – 1413
Rođen · umro
1354 – 1413, Florence
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33
Najpoznatije
Dormition of the Virgin (1408)
Najviše dela u
Städel Museum

10 najpoznatijih slika umetnika Gherardo Starnina

Dormition of the Virgin (1408) čiji je Gherardo Starnina
1

Dormition of the Virgin

1408 · Tempera On Panel · Philadelphia Museum of Art, Filadelfija

The scene depicts the Dormition of the Virgin Mary, a crowded assembly of figures gathered around a central reclining form. The composition is dense, with bodies layered closely together against a flat, patterned gold background. Deep blues, vibrant reds, and ochre tones define the garments of the apostles and angels. Each figure is marked by a circular golden halo, creating a rhythmic repetition of shapes across the panel. The lighting…

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Gherardo Starnina, slike od 11 do 33

Thebaid (detail) (1410) čiji je Gherardo Starnina
#22

Thebaid (detail)

1410 · Galerija Ufizi

Thebaid (detail) is a tempera on wood panel executed by Gherardo Starnina around 1410. The work originated from a commission by one of the Mendicant Orders. It is…

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St Vincent (1410) čiji je Gherardo Starnina
#28

St Vincent

1410 · Muzej finih umetnosti u Bostonu

The St Vincent painting by Gherardo Di Jacopo Starnina is a remarkable piece of art that showcases the artist's skill and attention to detail. Created in 1410, this…

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Thebaid (1410) čiji je Gherardo Starnina
#33

Thebaid

1410 · Galerija Ufizi

Thebaid is a tempera on wood painting executed by Gherardo Starnina. Created in 1410, this work was produced on the commission of one of the Mendicant Orders. The…

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Motivi koje je Gherardo Starnina najčešće slikao

Četiri teme koje se najčešće pojavljuju među ovim remek-delima, sa najboljim primerom za svaku od njih.

Gde videti slike umetnika Gherardo Starnina

8 muzeja u kojima se nalazi najviše slika sa ove stranice.

Muzej Grad Radovi umetnika Gherardo Starnina Slike iz ovog spiska
Städel Museum, FrankfurtStädel Museum Frankfurt 4 Christ as Salvator Mundi, Archangel Gabriel, Virgin Annunciate
Muzej finih umetnosti u Bostonu, BostonMuzej finih umetnosti u Bostonu Boston 4 Jeremiah with Two Angels, Isaiah with Two Angels, Saint Stephen
Galerija Ufizi, FirencaGalerija Ufizi Firenca 3 Thebaid (detail), Thebaid (detail), Thebaid
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 2 Two Evangelists, St. Matthew (Two Evangelists)
Philadelphia Museum of Art, FiladelfijaPhiladelphia Museum of Art Filadelfija 1 Dormition of the Virgin
Museo Nazionale di Villa Guinigi, LuccaMuseo Nazionale di Villa Guinigi Lucca 1 Archangel Michael
The Nelson-Atkins Museum of Art, Kansas CityThe Nelson-Atkins Museum of Art Kansas City 1 Adoration of the Magi
Cleveland Museum of Art, KlivlendCleveland Museum of Art Klivlend 1 Madonna and Child

Najpoznatija dela Gherardo Starnina po godinama

Gherardo Starnina je stvarao jedva 11 godina, od 1400 do 1410: pratite svaku deceniju godinu po godinu, kroz dela koja su mu donela slavu.

  1. 1400
  2. 1400
  3. 1403
  4. 1404
  5. 1404
  6. 1405
  7. 1405
  8. 1405
  9. 1405
  10. 1405
  11. 1405
  12. 1405
  13. 1406
  14. 1407
  15. 1407
  16. 1407
  17. 1408
    Dormition of the Virgin (1408) čiji je Gherardo Starnina
    Rang 1 od 33

    Dormition of the Virgin

    Godine: 54 · Philadelphia Museum of Art

    The scene depicts the Dormition of the Virgin Mary, a crowded assembly of figures gathered around a central reclining form. The composition is dense, with bodies layered closely…

  18. 1410
  19. 1410
  20. 1410
    Saint Stephen (1410) čiji je Gherardo Starnina
    #12 od 33

    Saint Stephen

    Godine: 56 · Muzej finih umetnosti u Bostonu
  21. 1410
    Madonna and Child with Musical Angels (1410) čiji je Gherardo Starnina
    Rang 20 od 33

    Madonna and Child with Musical Angels

    Godine: 56 · J. Paul Getty Museum

    The scene unfolds in the presence of the Madonna and Child with Musical Angels, a work that breathes with the spirit of the Florentine school. Here, Gherardo Starnina…

  22. 1410
    Thebaid (detail) (1410) čiji je Gherardo Starnina
    Rang 22 od 33

    Thebaid (detail)

    Godine: 56 · Galerija Ufizi

    Thebaid (detail) is a tempera on wood panel executed by Gherardo Starnina around 1410. The work originated from a commission by one of the Mendicant Orders. It is…

  23. 1410
  24. 1410
    St Vincent (1410) čiji je Gherardo Starnina
    #28 od 33

    St Vincent

    Godine: 56 · Muzej finih umetnosti u Bostonu

    The St Vincent painting by Gherardo Di Jacopo Starnina is a remarkable piece of art that showcases the artist's skill and attention to detail. Created in 1410, this…

  25. 1410
    Thebaid (1410) čiji je Gherardo Starnina
    Rang 33 od 33

    Thebaid

    Godine: 56 · Galerija Ufizi

    Thebaid is a tempera on wood painting executed by Gherardo Starnina. Created in 1410, this work was produced on the commission of one of the Mendicant Orders. The…

Pitanja o slikama umetnika Gherardo Starnina

Koje je najpoznatije delo umetnika Gherardo Starnina?Prikaži odgovor

Dormition of the Virgin (1408), Philadelphia Museum of Art, Filadelfija. Sledeći su Archangel Michael (1404) i Christ as Salvator Mundi (1405).

Koliko je godina imao/la Gherardo Starnina kada je slika Dormition of the Virgin nastala?Prikaži odgovor

54 godina: Dormition of the Virgin datira iz 1408, a Gherardo Starnina je rođen/a 1354.

Koja su 10 najboljih slika umetnika Gherardo Starnina?Prikaži odgovor

Dormition of the Virgin, Archangel Michael, Christ as Salvator Mundi, Archangel Gabriel, Virgin Annunciate, Salvator Mundi, The Angel of the Annunciation and the Virgin Annunciate, Adoration of the Magi, Madonna and Child, A Bishop Saint and Saint Lawrence i Jeremiah with Two Angels. Gornji rang prikazuje godinu i muzej za svako od njih.

Koliko je slika stvorio/la Gherardo Starnina?Prikaži odgovor

Naš katalog sadrži 33 dela umetnika Gherardo Starnina, datiranih od 1400 do 1410.

Gde se nalaze najpoznatija dela umetnika Gherardo Starnina?Prikaži odgovor

Većina njih se nalazi u Städel Museum (Frankfurt), Muzej finih umetnosti u Bostonu (Boston) i Galerija Ufizi (Firenca). U tabeli iznad su muzeji navedeni jedan po jedan.

Kada je Gherardo Starnina naslikao svoja najpoznatija dela?Prikaži odgovor

U periodima 1410: 8 od ukupno 33 dela na ovoj stranici datiraju iz tog vremena, od čega je Jeremiah with Two Angels.

Koja su najranija i najnovija poznata dela Gherardo Starnina?Prikaži odgovor

Najstarije delo na ovoj stranici je iz Madonna and Child (1400), a najnovije iz Jeremiah with Two Angels (1410).

Šta je Gherardo Starnina najčešće slikao?Prikaži odgovor

People (3), Figures (2) i Medieval art (2), od ukupno 33 dela na ovoj stranici.

Koji je medij Gherardo Starnina najčešće koristio/la?Prikaži odgovor

Tempera On Panel: 5 od ukupno 33 dela na ovoj stranici.

Koje slike umetnika Gherardo Starnina mogu videti u muzeju Städel Museum?Prikaži odgovor

Christ as Salvator Mundi, Archangel Gabriel i Virgin Annunciate su među 4 dela na ovoj stranici koja se nalaze u Städel Museum, Frankfurt.

Mogu li da kupim reprodukciju slike od Gherardo Starnina?Prikaži odgovor

Da. Svaku sliku sa ove stranice možete naručiti kao ručno oslikano ulje na platnu muzejskog kvaliteta ili kao umetnički print, u veličini koju odaberete, direktno sa stranice te slike.

O Gherardo Starnina

The Soul of the Venetian Renaissance: The Life of Gherardo di Jacopo Starnina

In the golden twilight of the Middle Ages, as the rigid structures of the Gothic era began to soften under the warmth of burgeoning humanism, there emerged a painter whose brush captured the very essence of spiritual devotion and intricate beauty. Gherardo di Jacopo Starnina, known to history by the affectionate moniker “Starnina,” stands as a vital bridge in the evolution of Italian art. Born in Florence around 1354, his early years were steeped in the prestigious traditions of the Florentine school. As an apprentice to the renowned Agnolo Gaddi, Starnina was immersed in a world where the emotional depth of Giotto met the delicate, lyrical elegance of Simone Martini. This formative period instilled in him a lifelong duality: a profound commitment to realistic observation paired with an unwavering devotion to the spiritual narrative.

The trajectory of Starnina’s life took a transformative turn when he migrated toward Venice around 1380. This move was not merely a change in geography but a shift in artistic atmosphere. In Venice, the light was different, more luminous and atmospheric, and the burgeoning trade brought new textures and colors to the artist's palette. It was here that Starnina truly found his voice, establishing himself as a master of detail and a painter of profound faith. His work began to reflect the unique Venetian sensibility—a blend of rich, decorative splendor and a deep, contemplative stillness that invited the viewer into a state of prayerful meditation.

Mastery of Detail and the Sacred Narrative

To gaze upon a Starnina masterpiece is to enter a world where every fold of fabric and every subtle gesture carries weight. He was not an artist preoccupied solely with grand, sweeping movements; rather, he found the divine in the minute. His technique was characterized by a remarkable attention to texture and nuance, a hallmark that would define the Venetian Renaissance style. In works such as Virgin with Child and Saints, one can witness his ability to weave together angelic figures and holy saints within a composition that feels both mathematically structured and emotionally fluid. He utilized color not just as a means of representation, but as a tool to convey the sanctity of his subjects.

His contributions to sacred spaces remain some of his most enduring legacies. The frescoes adorning the Basilica di San Frediano and the collections within the Museo di Bassano serve as windows into a lost era of craftsmanship. Starnina’s ability to render the Thebaid—the desert landscapes inhabited by hermits—demonstrates his skill in blending landscape with spiritual struggle, using light and shadow to evoke the isolation and piety of the saints. His work on the façades and interiors of religious institutions showcased a mastery of perspective that, while still rooted in Gothic tradition, pointed toward the revolutionary advancements of the coming centuries.

A Lasting Legacy in Art History

While the names of later Venetian giants like Titian or Tintoretto often dominate the historical discourse, the significance of Starnina cannot be overstated. He provided the essential foundation upon which the later masters built their triumphs. By integrating the emotional intensity of his Florentine training with the luminous, decorative richness of Venice, he helped create a new visual language for the Renaissance. His life’s work represents a period of transition, where the symbolic rigidity of the past was gracefully yielding to a more human-centric, observant way of seeing the world.

The enduring impact of Gherardo di Jacopo Starnina can be summarized through several key artistic contributions:

  • Stylistic Synthesis: The seamless blending of Florentine emotional realism with Venetian decorative splendor.
  • Devotional Precision: A unique ability to use intricate detail and texture to enhance the spiritual impact of religious iconography.
  • Historical Continuity: Serving as a crucial link between the late Gothic tradition and the dawn of the High Renaissance.
  • Architectural Integration: The masterful execution of large-scale frescoes and mosaics that transformed sacred spaces into immersive spiritual environments.

Today, when we study the works of Starnina, we are not merely looking at relics of the 15th century; we are witnessing the birth of a new way of perceiving the divine through the lens of human beauty and meticulous artistry.