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          • Едвард Берн-Џонс
          • Najpopularnije slike
          kolekcionarski folio

          Едвард Берн-Џонс Najpopularnije slike

          The 25 artworks by Едвард Берн-Џонс our visitors ask for most, ranked by popularity and presented one by one, with the specification and the price of each hand-painted reproduction.

          Edition 2026 · 25 artworks Each artwork painted to order
          Platno od lana · Certifikat autentičnosti · Dostava širom sveta Едвард Берн-Џонс · 1833 – 1898

          The Heart of the Rose

          View the most popular artwork of Едвард Берн-Џонс ranked #1: The Heart of the Rose
          1890 · William Morris Gallery, Walthamstow · original 95 x 131 cm

          Explore Burne-Jones’ "The Heart of the Rose" – a stunning Pre-Raphaelite masterpiece! Detailed artistry, mystical symbolism & dramatic lighting evoke reverence. Discover this iconic 1890 artwork.

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          Same size as the original$553131 × 95 cm Commission at original size

          King Cophetua and the Beggar Maid

          View the most popular artwork of Едвард Берн-Џонс ranked #2: King Cophetua and the Beggar Maid
          1884 · Тхе Тате Бритен, Лоndon · original 135 x 293 cm

          Edward Burne-Jones’s "King Cophetua and the Beggar Maid" (1884) is a Pre-Raphaelite masterpiece depicting a mythical love story through opulent detail and rich color. Explore this Victorian romance, a stunning example of artistic beauty to own.

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          Study for

          View the most popular artwork of Едвард Берн-Џонс ranked #3: Study for
          1870 · Walker Art Gallery, Liverpool · original 813 x 588 cm

          Witness the captivating 'Study for The Sirens' by Edward Burne-Jones – a pre-Raphaelite masterpiece brimming with mythical figures and intricate detail. Explore its history & artistic significance.

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          Fair Rosamond and Queen Eleonor

          View the most popular artwork of Едвард Берн-Џонс ranked #4: Fair Rosamond and Queen Eleonor
          1861 · Yale Center for British Art, New Haven

          Edward Burne-Jones's "Fair Rosamund and Queen Eleanor" (1861) depicts a romantic scene of love, betrayal, and royal intrigue, showcasing the Pre-Raphaelite artist’s masterful storytelling.

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          No. 4 of 635 artworks by Едвард Берн-Џонс
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          The garden of Pan

          View the most popular artwork of Едвард Берн-Џонс ranked #5: The garden of Pan
          1887 · Nacionalna galerija Viktorije, Melbourne · original 152 x 186 cm

          Edward Burne-Jones’s "The Garden of Pan" captures a serene Pre-Raphaelite vision of idyllic leisure with three nude figures in a woodland setting. Explore this evocative 1887 painting and discover its rich symbolism.

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          No. 5 of 635 artworks by Едвард Берн-Џонс
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          Design for

          View the most popular artwork of Едвард Берн-Џонс ranked #6: Design for
          1872 · William Morris Gallery, Walthamstow

          'The Flight Into Egypt' showcases Burne-Jones’s early exploration of linear style, mirroring the final stained glass window commissioned for Winchester Cathedral. This intricate cartoon reveals meticulous planning before transferring it onto glass, embodying the Arts and Crafts movement's dedication to artistic precision.

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          The Golden Stairs (also known as 'The King's Wedding' or 'Music on the Stairs')

          View the most popular artwork of Едвард Берн-Џонс ranked #7: The Golden Stairs (also known as 'The King's Wedding' or 'Music on the Stairs')
          1876 · Tate Galerija, London

          Step into the enchanting world of Edward Burne-Jones's 'The Golden Stairs.' This Pre-Raphaelite masterpiece, brimming with elegance and musical allure, captures a timeless scene of women descending a lavish staircase – a visual delight to own.

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          Отказ од самоубиства Ла Бели Изуде

          View the most popular artwork of Едвард Берн-Џонс ranked #8: Отказ од самоубиства Ла Бели Изуде

          Отказ од самоубиства Ла Бели Изуде је вестринска слика Едварда Колеја Берне-Џонса из Прерафаелитског доба, која приказује покушај самоубиства жене и мужја. Погледајте висококвалитетну репродукцију ове класичне творбе!

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          No. 8 of 635 artworks by Едвард Берн-Џонс
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          The Wheel of Fortune

          View the most popular artwork of Едвард Берн-Џонс ranked #9: The Wheel of Fortune
          1875 · Muzej d'Orsej, Paris
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          Clara von Bork

          View the most popular artwork of Едвард Берн-Џонс ranked #10: Clara von Bork
          1860 · Tate Galerija, London · original 34 x 18 cm

          Discover Edward Burne-Jones's stunning 'Clara von Bork,' a Pre-Raphaelite watercolor portrait of grace and elegance, capturing Victorian beauty with delicate detail and rich color.

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          Design for

          View the most popular artwork of Едвард Берн-Џонс ranked #11: Design for
          1872 · William Morris Gallery, Walthamstow · original 105 x 100 cm

          A stunning watercolor design by Burne-Jones depicting the Nativity scene, inspired by Morris & Co.'s stained glass windows. A beautiful piece of Victorian art capturing a timeless story.

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          Same size as the original$469100 × 105 cm Commission at original size

          Lady Windsor

          View the most popular artwork of Едвард Берн-Џонс ranked #12: Lady Windsor

          An elegant woman in a flowing gown captures the graceful Pre-Raphaelite essence of this stunning painting by Edward Coley Burne-Jones, inviting you to bring a touch of Victorian sophistication into your home.

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          No. 12 of 635 artworks by Едвард Берн-Џонс
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          The Car of Love, or Love

          View the most popular artwork of Едвард Берн-Џонс ranked #13: The Car of Love, or Love
          1800 · Auckland Art Gallery Toi o Tāmaki, Oklend · original 39 x 16 cm

          The painting draws heavily from Burne-Jones’s personal experiences and embodies the Pre-Raphaelite fascination with medieval symbolism.

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          Night

          View the most popular artwork of Едвард Берн-Џонс ranked #14: Night
          1870 · Tate Galerija, London · original 79 x 56 cm

          Experience the ethereal beauty of Edward Coley Burne-Jones's 'Night,' a masterpiece from the Pre-Raphaelite movement depicting a woman soaring through a starry sky – a stunning watercolor at Tate Gallery London.

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          Same size as the original$28656 × 79 cm Commission at original size

          Phyllis and Demophoön

          View the most popular artwork of Едвард Берн-Џонс ranked #15: Phyllis and Demophoön

          Edward Burne-Jones' ethereal 'Phyllis and Demophon,' a Pre-Raphaelite masterpiece depicting tragic love amidst lush greenery, captures Botticelli’s influence and evokes timeless longing—explore this stunning reproduction and bring Victorian beauty into your home.

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          No. 15 of 635 artworks by Едвард Берн-Џонс
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          Pygmalion and the Image I - The Heart Desires

          View the most popular artwork of Едвард Берн-Џонс ranked #16: Pygmalion and the Image I - The Heart Desires

          Experience the romantic allure of Edward Burne-Jones’s ‘Pygmalion and the Image I - The Heart Desires,’ a Pre-Raphaelite masterpiece depicting contemplation beside sculpted figures. Admire this stunning oil painting and discover exquisite handmade reproductions.

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          No. 16 of 635 artworks by Едвард Берн-Џонс
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          Cupid finding Psyche: winged cupid standing over body of Psyche asleep below a fountain, roses on a trellis behind

          View the most popular artwork of Едвард Берн-Џонс ranked #17: Cupid finding Psyche: winged cupid standing over body of Psyche asleep below a fountain, roses on a trellis behind
          1866 · Britanski muzej, London

          Experience the ethereal beauty of Edward Coley Burne-Jones's Cupid Finding Psyche, a Pre-Raphaelite masterpiece capturing a tender mythological moment through luminous colors and romantic Victorian idealism.

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          No. 17 of 635 artworks by Едвард Берн-Џонс
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          The Temple of Love

          View the most popular artwork of Едвард Берн-Џонс ranked #18: The Temple of Love
          Tate Galerija, London

          Experience 'The Temple of Love' by Edward Burne-Jones, a breathtaking Pre-Raphaelite masterpiece depicting Cupid and Psyche in a richly ornamented temple. This iconic Victorian artwork captures romanticism with luminous color and exquisite detail – discover your own timeless treasure.

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          No. 18 of 635 artworks by Едвард Берн-Џонс
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          Heart of the Rose

          View the most popular artwork of Едвард Берн-Џонс ranked #19: Heart of the Rose
          1889 · Roy Miles gallery, London

          Immerse yourself in Burne-Jones' 'Heart of the Rose,' a Pre-Raphaelite dreamscape featuring angelic figures and a central woman holding a rose. Experience exquisite detail & symbolism in this iconic 1890 masterpiece – now available as a hand-painted reproduction.

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          King Cophetua and the Beggar Maid

          View the most popular artwork of Едвард Берн-Џонс ranked #20: King Cophetua and the Beggar Maid
          1884 · Tate Galerija, London · original 290 x 136 cm
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          The perseus series the doom fulfilled

          View the most popular artwork of Едвард Берн-Џонс ranked #21: The perseus series the doom fulfilled
          1885

          Experience the dramatic beauty of Edward Burne-Jones’s "The Doom Fulfilled," a captivating Pre-Raphaelite painting depicting Perseus and Andromeda in a serene yet ominous scene. Admire this exquisite oil reproduction and bring a touch of Victorian fantasy into your home.

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          The Baleful Head

          View the most popular artwork of Едвард Берн-Џонс ranked #22: The Baleful Head
          1886 · Staatsgalerie, Štutgart · original 155 x 130 cm

          A Portrait Steeped in Mythic Resonance: Exploring Burne-Jones’ “The Baleful Head.” This Pre-Raphaelite masterpiece depicts a woman safeguarding her infant, mirroring St. George slaying the dragon—a testament to Victorian moral philosophy and masterful oil painting technique.

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          No. 22 of 635 artworks by Едвард Берн-Џонс
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          Same size as the original$758130 × 155 cm Commission at original size

          Love Among the Ruins

          View the most popular artwork of Едвард Берн-Џонс ranked #23: Love Among the Ruins
          1894

          A romantic embrace unfolds amidst ancient stones in this evocative Pre-Raphaelite masterpiece by Edward Coley Burne-Jones that invites you to bring the timeless beauty of the Victorian era into your own collection.

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          Studija za poslednji san Artura u Avalonu

          View the most popular artwork of Едвард Берн-Џонс ranked #24: Studija za poslednji san Artura u Avalonu
          1881 · William Morris Gallery, Walthamstow · original 172 x 57 cm

          Poznata srpska umetnost Pre-rafaelitizma! Pogledajte Studiju za poslednji san Artura u Avalonu od Eda Koli Burne-Jona, velikog umetnika i dekoratora koji je oblikovao estetiku viktorijskog doba.

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          No. 24 of 635 artworks by Едвард Берн-Џонс
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          Same size as the original$44857 × 172 cm Commission at original size

          St Paul, window from the Chapel of Cheadle Royal Hospital, Manchester

          View the most popular artwork of Едвард Берн-Џонс ranked #25: St Paul, window from the Chapel of Cheadle Royal Hospital, Manchester
          1892 · Nacionalna galerija Viktorije, Melbourne · original 122 x 45 cm

          St Paul window from Cheadle Royal Hospital showcases Burne-Jones's artistry – a stunning stained glass depiction of St. Paul, reflecting Victorian elegance and religious devotion.

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          No. 25 of 635 artworks by Едвард Берн-Џонс
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          The artist

          Едвард Берн-Џонс

          1833 – 1898

          Portret Едвард Берн-Џонс
          Osnovne informacije
          • Works on APS635
          • Viberomantičan
          • Copyright statusPublic domain
          • Museums on APSMuzej d'Orsej, Тхе Тате Бритен, Nacionalna galerija Viktorije, Auckland Art Gallery Toi o Tāmaki, Birmingham Museum and Art Gallery
          • Lifespan65 years
          • Also known asЕдвард Коли Берн-Џонс, Едвард Коли Барн-Џонс, Сер Едвард Коли Берн-Џонс, Sir Edward Coley Burne-Jones, Sir Edward Coley Burne-Jones, Bt
          • Top-ranked workThe Heart of the Rose
          • Top 3 worksThe Heart of the Rose, King Cophetua and the Beggar Maid, Study for
          Biography

          The Life of Edward Coley Burne-Jones

          Edward Coley Burne-Jones entered the world on 28 August 1833 in Birmingham, United Kingdom. His arrival was marked by a quiet, heavy loss; his mother, Elizabeth Jones, passed away within six days of his birth. He grew up in a house shaped by the trade of his father, Edward Richard Jones, who worked as a frame-maker. This early environment was one of craftsmanship and wood, where the physical structures of art were built long before the paintings themselves were conceived.

          The boy who would become Sir Edward Coley Burne-Jones, 1st Baronet, was raised by his father and a housekeeper named Ann Sampson. His childhood was not one of grand gestures, but of a steady, contemplative nature nurtured by those who cared for him. He moved from the industrial atmosphere of Birmingham toward the academic halls of Oxford, a path that would eventually lead him away from his original intentions for the church and toward the study of visual forms. His life was a slow accumulation of interests, from the theological to the decorative, all rooted in the quiet observations of his early years.

          Early Life, Family and Training

          The industrial pulse of Birmingham shaped his earliest years. Born in 1833, his childhood was marked by the loss of his mother, Elizabeth, who died only six days after his birth. He grew up in a house managed by his father, Edward Richard Jones, a frame-maker, and the family housekeeper, Ann Sampson. This quiet, domestic environment provided the foundation for a temperament that leaned toward contemplation. He spent his formative days in the shadow of the city's growing manufacturing, a setting far removed from the medieval worlds he would later inhabit on canvas.

          His formal training began in the classrooms of King Edward VI Grammar School. From 1848 to 1852, he moved into more technical studies at the Birmingham School of Art. It was here that the precision of his hand began to take shape. His path, however, was not initially set on the easel. He moved toward the study of theology at Exeter College, Oxford. This academic pursuit of the divine and the sacred would later find its way into his imagery, though his focus shifted from the pulpit to the brush.

          The Brotherhood and Artistic Circles

          At Oxford, the quiet halls of Exeter College brought him into the orbit of William Morris. They found common ground in poetry and a shared pull toward the medieval, a connection that would define much of his later life. This friendship was not merely social; it was a shared pursuit of a specific kind of beauty that looked backward to find a way forward. They were part of a group known as the Birmingham Set, a circle of friends who shared these intellectual and aesthetic interests, creating a space where art and literature could lean into one another.

          His path led him to an apprenticeship under Dante Gabriel Rossetti, a move that anchored him within the Pre-Raphaelite Brotherhood. This association meant more than just a shared style; it was an immersion into a way of seeing that rejected the polished, academic traditions of the time. His early work often carried the weight of Rossetti’s influence, particularly in the way he handled shadows and the heavy, soulful presence of his figures. He did not simply follow the movement; he moved through it, eventually finding a way to translate these shared ideals into his own distinct visual language.

          Technique and Artistic Style

          His hand moved with a specific, quiet precision. Much of his process relied on the Indian ink wash technique, a method he refined during his time at Exeter College. He did not simply apply color; he built it through layers. By meticulously layering washes of ink, he achieved a sense of tonal subtlety and created complex textures that gave his surfaces a certain depth. This approach allowed him to capture a light that felt soft and diffused, rather than harsh or direct.

          The figures in his compositions often possess an attenuated quality. They are elongated and graceful, moving through spaces that feel carefully arranged. His work sits at a crossroads of different sensibilities, blending the detailed, sincere focus of the Pre-Raphaelites with the decorative leanings of Aestheticism and the layered meanings of Symbolism. He favored delicate compositions that drew heavily from medievalism, yet the results felt distinct from the era he looked toward. Instead of mere imitation, he sought to distill the essence of myth and legend into a visual language of quiet, melancholic grace.

          • The Wheel of Fortune (1875)
          • The Golden Stairs (1876)
          • The Garden of Pan (1887)
          • The Star of Bethlehem (1888)

          Patrons, Workshop and Commissions

          The partnership with William Morris moved his work from the canvas into the very fabric of daily life. Together, they established the firm Morris & Co., a place where the boundaries between fine art and functional objects blurred. He spent much of his time designing patterns for textiles and wallpapers, as well as furniture that felt rooted in a different age. His hand appeared in many domestic spaces, shaping the objects people touched and lived among.

          Light became a primary medium through his stained glass designs. These windows were placed in numerous churches and cathedrals, turning stone interiors into spaces of color and narrative. He approached glass with a specific understanding of how light passes through it, treating each pane as a piece of a larger story. In 1881, his reach extended to private estates, where he provided designs for the Vinland House and the Vinland Estate.

          • Stained glass designs for the Vinland House and Vinland Estate, 1881

          Key Works and Masterpieces

          In 1861, he produced Fair Rosamond and Queen Eleonor, a work that captures a quiet tension between two women. The scene is set within an opulent chamber, where the crimson of a dress meets the somber presence of a queen. Scattered books and fine ceramics sit in the background, while a wall clock marks the passing time. The light is soft and diffused, settling on the figures as they navigate a moment of impending loss.

          His 1875 painting, The Wheel of Fortune, moves away from quiet interiors into a more allegorical space. It depicts a mythological scene where fate is spun by a capricious wheel. The canvas uses a palette of rich reds, deep blues, and shimmering golds to build the atmosphere. There is a visual tension created by the contrast between the cool tones surrounding the central figure and the warmer hues of the wheel itself.

          Other significant works include:

          • The Golden Stairs, exhibited in 1876
          • The garden of Pan, painted in 1887

          The 1887 work The garden of Pan shows a shift toward mythic leisure. His later paintings often became more introspective, moving toward a more abstract approach to form. He used an Indian ink wash technique to achieve tonal subtlety, layering washes to create texture and depth in his compositions.

          Later Years and Death

          The final decade of his life saw a steady accumulation of formal recognition. In 1894, he was created a baronet, a title that marked his standing within the British social and artistic hierarchy. His influence reached beyond the English Channel, and in 1897, he was elected to the Royal Academy of Science, Letters and Fine Arts of Belgium. These honors arrived even as his work became more introspective, moving toward a more abstract approach to form and a heightened sense of melancholy.

          As a leading figure of the Aesthetic Movement, his focus remained on the pursuit of beauty. His later paintings often explored themes of loss and the search for spiritual meaning. He continued to produce work until his death on 17 June 1898. His passing marked the end of a career that had bridged the gap between the early Pre-Raphaelite ideals and the shifting sensibilities of the late Victorian era.

          Legacy and Enduring Influence

          The traces of his hand remain in the way detail and symbolism meet. His work carries the weight of Pre-Raphaelite ideals, focusing on a specific kind of beauty and a meticulous attention to the small things. Through his partnership with Morris & Co., he helped bring a renewed focus to traditional crafts, moving art away from the canvas and into the textures of daily life. This work helped change how people viewed the importance of design in textiles and furniture.

          His presence is felt in the light passing through stained glass. These windows, found in many churches and cathedrals, remain significant examples of Victorian artistry. He used color and line to turn glass into a way of telling stories. The influence of his specific aesthetic can be seen in the work of many artists who came after him, following the paths he helped clear through his own experiments with form and myth.

          • The Wheel of Fortune
          • The Golden Stairs
          • The Garden of Pan
          • The Star of Bethlehem

          Where to See the Works Today

          To see his hand in person, one might start in Walthamstow at the William Morris Gallery, which holds nine of his works. The space offers a quiet look at the pieces he created alongside Morris. In Birmingham, the Birmingham Museum and Art Gallery keeps six of his paintings, including St Paul from 1862. These works sit within a building that reflects the industrial history of the city where he was born.

          London also holds a significant presence of his output. The Tate Gallery contains six of his paintings, allowing for a close look at his use of line and color. For those traveling further afield, the Musée d'Orsay in Paris houses The Wheel of Fortune, painted in 1875. This oil on canvas shows the way he handled light and the tension of the subject matter.

          • The Golden Stairs, Tate Gallery, London
          • The Wheel of Fortune, Musée d'Orsay, Paris
          • Stella Vespertina, William Morris Gallery, Walthamstow
          • The Heart of the Rose, William Morris Gallery, Walthamstow
          • Danae and the Brazen Tower, Ashmolean Museum, Oxford

          Pitanja i odgovori

          Koja dela umetnika Едвард Берн-Џонс imaju najviše pregleda?

          Statistika o delima umetnika Едвард Берн-Џонс dostupna je na njegovoj stranici Statistika.

          Mogu li da sortiram dela umetnika Едвард Берн-Џонс prema boji?

          Stranica Spektar boja organizuje dela umetnika Едвард Берн-Џонс prema boji.

          Postoji li hronološki prikaz dela umetnika Едвард Берн-Џонс?

          Stranica Hronologija dela umetnika prikazuje dela umetnika Едвард Берн-Џонс poređana hronološki, godinu po godinu.

          Autor: Uredništvo WahooArt.com Ažurirano dana 14. октобар 2026.
          Kviz za kolekcionare
          1. У којем граду је рођен Едвард Берн-Џонс?

          2. Ко је био Берн-Џонсов близак пријатељ из времена у Колеџу Ексетер у Оксфорду?

          3. Коју фирму је Берн-Џонс суосноздао са Вилијамом Моррисом?

          4. Којим се занимао Едвард Берн-Џонсов отац, Едвард Ричард Џонс?

          5. У којој години је Берн-Џонс постао баронет?

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