Untitled (1956) je najbolj znano sliko avtorja Zakhar Hatsyatryan, ki se nahaja v muzeju Nacionalna galerija v Jeravanu v mestu Jerevan. Untitled (1954) in Untitled (1960) sta naslednji dve dela, ki jih svet najbolje pozna. Od 80 del umetnika Zakhar Hatsyatryan v našem katalogu so tu tista 55, ki jih zbiratelji in obiskovalci muzejev najpogosteje opazujejo, vključno z letnico, muzejom in zgodbojo vsakega dela.
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1 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Zakhar Hatsyatryan | Slike iz tega seznama |
|---|---|---|---|
 Nacionalna galerija v Jeravanu |
Jerevan | 55 | Untitled, Untitled, Untitled |
Untitled (1956), Nacionalna galerija v Jeravanu, Jerevan. Nato sledeta Untitled (1954) in Untitled (1960).
32 let: delo Untitled iz leta 1956, pri čemer je Zakhar Hatsyatryan rodil/a v 1924.
Untitled, Untitled, Untitled, Untitled, Untitled, Untitled, Untitled, Untitled, Untitled in Untitled. Zgornja lestica prikazuje leto in muzej za vsako od njih.
V našem katalogu je navedenih 80 del avtorja Zakhar Hatsyatryan, datiranih od 1954 do 2004.
Večina njih se nahaja v Nacionalna galerija v Jeravanu (Jerevan). Zgornja tabela navaja muzeje posamezno.
V obdobju 1970s: 24 od 55 del na tej strani izvira iz tega obdobja, med katerimi je Untitled.
Najstarejšo delo na tej strani je iz Untitled (1954), najnovejše pa iz Untitled (2004).
Untitled, Untitled in Untitled so med 55 dela na tej strani, ki jih hrani Nacionalna galerija v Jeravanu, Jerevan.
Zakhar Hatsyatryan was born in the village of Sarnakunq, within the Sisian region. His early years were interrupted by the onset of the Great Patriotic War, a time that pulled him away from his schooling and toward the front lines. When the conflict ended, he returned to his homeland to begin a formal study of art. In 1946, he entered the Yerevan Fine Arts College after Panos Terlemezyan, eventually graduating in 1948. His hands, once shaped by the necessities of war, turned instead to the deliberate movements of the brush.
His life was marked by a steady presence in the Armenian and Russian art communities. He did not merely paint; he taught, serving as a professor at the Armenian State Pedagogical University after Khachatur Abovyan. His commitment to his peers and his history led him to serve as the Chairman of the Veterans’ Association of St. Petersburg and as the President of the Council of war artists veterans in Saint Petersburg. He carried the weight of his experiences into his work, a man who understood both the stillness of a landscape and the heavy reality of history.
The recognition he received reflected a lifetime of disciplined practice and service. His contributions were noted through several specific honors:
The work of Zakhar Hatsyatryan remains held within the National Gallery of Armenia, Yerevan, where many of his pieces reside. His output spanned several decades, with recorded works dating from 1954 to 2004. One notable piece from his early period is an untitled work from 1956. His paintings are not merely objects of observation but are pieces of a life lived through significant shifts in the landscape of the twentieth century. He passed away in his 92nd year, leaving behind a body of work that remains a part of the visual history of his people.
