Tom Roberts, 1856 – 1931

Tom Roberts: The 40 Most Famous Paintings

Slumbering sea, Mentone (1887) is the most famous painting by Tom Roberts, held by the Narodna galerija Viktorije in Melbourne. Self portrait (1924) and Portrait of Louis Abrahams (1886) are the next two works the world knows best. From the 40 works of Tom Roberts in our catalogue, here are the 40 that collectors and museum visitors look at most, with the year, the museum and the story of each.

Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated oktober 2026. Every masterpiece on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, at the size you choose.

Portrait of Tom Roberts
Tom Roberts · 1856 – 1931
Born · died
1856 – 1931, Dorchester, Dorset
Movement
Impressionism
Works in our catalogue
40
Most famous
Slumbering sea, Mentone (1887)
Most works at
Art Gallery of New South Wales

Top 10: Tom Roberts's best-known paintings

Slumbering sea, Mentone (1887) by Tom Roberts
1

Slumbering sea, Mentone

1887 · Acrylic On Canvas · Narodna galerija Viktorije, Melbourne

“Slumbering Sea, Mentone,” painted in 1887 by Tom Roberts, is more than just a depiction of a coastal scene; it's a carefully constructed meditation on light, color, and the burgeoning sense of national identity within Australia. This work, housed at the National Gallery of Victoria, offers a captivating glimpse into the heart of the Heidelberg School’s artistic philosophy – a movement that sought to capture the unique spirit of the…

Self portrait (1924) by Tom Roberts
2

Self portrait

1924 · Oil On Canvas · Art Gallery of New South Wales, Sydney

In this intimate oil on canvas, the artist Tom Roberts presents a "Self portrait" that offers a quiet moment of introspection. Created about 1924, the work captures the artist in his later years, presenting the subject as an elderly man. It is a bust-length portrait, focusing the viewer's attention on the character and presence of the sitter rather than his surroundings.

Portret gospe Tom Roberts (1910) by Tom Roberts
6

Portret gospe Tom Roberts

1910 · Olje na platnu · National Portrait Gallery, Canberra

Portrait of Mrs Tom Roberts – A Window Into Heidelberg Impressionism The painting “Portrait of Mrs Tom Roberts,” created in 1910 by the celebrated Australian artist Tom Roberts, stands as a testament to the burgeoning Heidelberg School movement and its fascination with capturing the ephemeral beauty of the Victorian landscape. More than just a likeness of Elizabeth Sarah (Lillie) Roberts—née Williamson—the portrait embodies a profound connection between womanhood and artistic…

Andante (1889) by Tom Roberts
7

Andante

1889 · Painting · Art Gallery of South Australia, Adelaide

To gaze upon Tom Roberts' "Andante" is to step into a moment suspended in time—a quiet chamber where the only sound seems to be the gentle, melancholic spill of music. This evocative scene captures a man absorbed in the act of playing the piano, his posture suggesting both deep concentration and profound contentment. The composition itself draws the viewer inward, inviting them to share in this private performance. It is…

Gray day in spring, Venice (1884) by Tom Roberts
8

Gray day in spring, Venice

1884 · Oil · National Gallery of Australia, Canberra

In the delicate interplay of shadow and soft illumination, Gray day in spring, Venice emerges as a breathtaking window into a bygone era. Painted by the Australian master Tom Roberts in 1884, this expansive work transports the viewer to the winding canals of Italy during that fleeting, magical hour when dusk begins to settle over the Adriatic. The scene is not merely a depiction of architecture, but an atmospheric study…

Turning the soil (Sketch for The charcoal burners) (1886) by Tom Roberts
9

Turning the soil (Sketch for The charcoal burners)

In the quiet, rhythmic labor of Turning the soil (Sketch for The charcoal burners), we find a profound meditation on the relationship between humanity and the land. Created in 1886 by the visionary Australian Impressionist Tom Roberts, this preparatory sketch serves as a soulful window into a moment of shared toil. The scene unfolds with three figures embedded within a rugged landscape, their bodies engaged in the heavy, essential task…

The rest of the Tom Roberts ranking, 11 to 40

James T. Donovan (1892) by Tom Roberts
#12

James T. Donovan

1892 · National Portrait Gallery

James T Donovan (1861–1922), journalist, Catholic historian and amateur singer, was born into an Irish Catholic family in Sydney. His father had a shop that was the first…

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Sir James Reading Fairfax (1898) by Tom Roberts
#16

Sir James Reading Fairfax

1898 · National Portrait Gallery

James Reading Fairfax (1834-1919), son of Sydney Morning Herald founder John Fairfax (1804-1877), was the second Fairfax boy to join his father

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Edward Trenchard by Tom Roberts
#20

Edward Trenchard

Narodna galerija Viktorije

In this 1890 oil on canvas, Tom Roberts captures the presence of Edward Trenchard. The man sits within a stately, traditional interior, surrounded by the quiet dignity of…

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Harbourscape (1890) by Tom Roberts
#26

Harbourscape

1890 · National Gallery of Australia

In the vast canon of Australian Impressionism, few works capture the ephemeral magic of a moment as poignantly as Tom Roberts’ Harbourscape. This remarkably small oil panel, a…

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Cloud study by Tom Roberts
#29

Cloud study

Narodna galerija Viktorije

The work titled Cloud study is a small, intimate piece by the artist Tom Roberts. Measuring 12.1 x 20.7cm, it exists as a quiet fragment of observation. The…

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Shearing the rams (1890) by Tom Roberts
#34

Shearing the rams

1890 · Narodna galerija Viktorije

In the golden light of the late nineteenth century, Tom Roberts captured more than just a moment in time; he immortalized the very soul of a burgeoning nation.…

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Coming South (1886) by Tom Roberts
#36

Coming South

1886 · Narodna galerija Viktorije

In the quiet, evocative depths of Tom Roberts’ Coming South (1886), we are invited to step aboard a vessel suspended between two worlds. This masterful oil on canvas…

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Bailed up (1927) by Tom Roberts
#37

Bailed up

1927 · Art Gallery of New South Wales

Tom Roberts’ evocative canvas, Bailed up, transports the viewer deep into the heart of the Australian wilderness. This painting is not merely a depiction of travel; it is…

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The subjects Tom Roberts painted most

The four subjects that return most often among these masterpieces, with the finest example of each.

Where to see Tom Roberts's paintings

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Tom Roberts Paintings from this list
Art Gallery of New South Wales, SydneyArt Gallery of New South Wales Sydney 15 Self portrait, Adagio, Fog, Thames Embankment
National Portrait Gallery, CanberraNational Portrait Gallery Canberra 7 Practising the Minuet (Miss Hilda Spong), Portret gospe Tom Roberts, Sir William Charles Windeyer
Narodna galerija Viktorije, MelbourneNarodna galerija Viktorije Melbourne 5 Slumbering sea, Mentone, Edward Trenchard, Cloud study
National Gallery of Australia, CanberraNational Gallery of Australia Canberra 4 Gray day in spring, Venice, Turning the soil (Sketch for The charcoal burners), Harbourscape
Museum of New Zealand Te Papa Tongarewa, WellingtonMuseum of New Zealand Te Papa Tongarewa Wellington 2 Hutt Valley, In Quarantine, Wellington
Art Gallery of South Australia, AdelaideArt Gallery of South Australia Adelaide 1 Andante
Kraljeva zbirka, LondonKraljeva zbirka London 1 The Big Picture
Bristol Museum - Art Gallery, BristolBristol Museum - Art Gallery Bristol 1 The Temple of Dendera, Upper Egypt

Tom Roberts through the decades: one masterpiece for each

  1. 1880s
    Slumbering sea, Mentone (1887) by Tom Roberts
    No. 1 of 40

    Slumbering sea, Mentone

    Age 24 – 33 · Narodna galerija Viktorije

    “Slumbering Sea, Mentone,” painted in 1887 by Tom Roberts, is more than just a depiction of a coastal scene; it's a carefully constructed meditation on light, color, and…

  2. 1890s
    Adagio (1893) by Tom Roberts
    No. 4 of 40

    Adagio

    Age 34 – 43 · Art Gallery of New South Wales
  3. 1900s
    Hutt Valley (1900) by Tom Roberts
    No. 17 of 40

    Hutt Valley

    Age 44 – 53 · Museum of New Zealand Te Papa Tongarewa
  4. 1910s
    Portret gospe Tom Roberts (1910) by Tom Roberts
    #6 of 40

    Portret gospe Tom Roberts

    Age 54 – 63 · National Portrait Gallery

    Portrait of Mrs Tom Roberts – A Window Into Heidelberg Impressionism The painting “Portrait of Mrs Tom Roberts,” created in 1910 by the celebrated Australian artist Tom Roberts,…

  5. 1920s
    Self portrait (1924) by Tom Roberts
    Rank 2 / 40

    Self portrait

    Age 64 – 73 · Art Gallery of New South Wales

    In this intimate oil on canvas, the artist Tom Roberts presents a "Self portrait" that offers a quiet moment of introspection. Created about 1924, the work captures the…

Tom Roberts's paintings: frequently asked questions

What is the most famous Tom Roberts painting?Show the answer

Slumbering sea, Mentone (1887), Narodna galerija Viktorije, Melbourne. Next come Self portrait (1924) and Portrait of Louis Abrahams (1886).

At what age did Tom Roberts paint Slumbering sea, Mentone?Show the answer

31 years old: Slumbering sea, Mentone dates from 1887 and Tom Roberts was born in 1856.

Which are the 10 most famous Tom Roberts paintings?Show the answer

Slumbering sea, Mentone, Self portrait, Portrait of Louis Abrahams, Adagio, Practising the Minuet (Miss Hilda Spong), Portret gospe Tom Roberts, Andante, Gray day in spring, Venice, Turning the soil (Sketch for The charcoal burners) and Fog, Thames Embankment. The ranking above gives the year and the museum of each.

How many paintings by Tom Roberts are there?Show the answer

Our catalogue lists 40 works by Tom Roberts, dated from 1883 to 1927.

Where can I see the most famous Tom Roberts paintings?Show the answer

Most of them are in Art Gallery of New South Wales (Sydney), National Portrait Gallery (Canberra) and Narodna galerija Viktorije (Melbourne). The table above lists the museums one by one.

In which period did Tom Roberts paint the best-known works?Show the answer

In 1890s: 12 of the 40 works on this page date from then, among them Adagio.

What is the earliest famous Tom Roberts painting, and the latest?Show the answer

The earliest on this page is Rejected (1883), the latest Bailed up (1927).

What subjects did Tom Roberts paint?Show the answer

Landscape (6), Australia (4) and Boats (3), among the 40 works on this page.

What did Tom Roberts paint on, and with what?Show the answer

Oil On Canvas: 5 of the 40 works on this page.

Which movement does Tom Roberts's art belong to?Show the answer

Impressionism and Australian impressionism, as the paintings on this page show.

What Tom Roberts paintings does the Art Gallery of New South Wales hold?Show the answer

Self portrait, Adagio and Fog, Thames Embankment are among the 15 works on this page held by the Art Gallery of New South Wales, Sydney.

Where can I buy a Tom Roberts reproduction?Show the answer

Yes. Every painting on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, in the size you choose, from the painting's own page.

Tom Roberts: biography

Pionir avstralske svetlobe: Življenje in umetnost Toma Robertsa

Rodjen v Dorchesterju v Angliji, 8. marca 1856, se bo Thomas William Roberts kasneje spremenil v ključno figuro pri razvoju ločene avstralske umetniške identitete. Njegovo zgodnje otroštvo je zaznamovalo seljenje družine v Melbourne leta 1869, potovanje, ki je nepopravljivo oblikovalo njegovo umetniško vizijo. Obsežne pokrajine in edinstična svetloba Avstralije so v njem obžglo strast do zajemanja bistva njegove sprejemljene domovine. Sprva kot asistent fotografa je Roberts izpilil svoje opazovalne veščine in razvil oko za kompozicijo – lastnosti, ki bodo postale značilnost njegovih slavnih slik. Hkrati je sledil formalnemu umetniškemu izobraževanju pod vodstvom Louisa Buvelota, katerega vpliv mu je vgradil ljubezen do slikanja pejzažev in temelje tradicionalnih tehnik. Vendar pa je šele potovanje v Evropo leta 1881 resnično razširilo Robertsove umetniške obzorja.

Kovanje avstralskega impresionizma

Robertsov čas v Evropi, še posebej študij na Kraljevi akademiji v Londonu, ga je izpostavil najnovejšim umetniškim tokovom, vključno z razvijajočim se impresionističnim gibanjem. Vpojil je tehnike slikanja na prostem – dela neposredno v naravi – ter se osredotočil na zajemanje bežujočih trenutkov svetlobe in atmosfere. Ob vrnitvi v Avstralijo leta 1885 ni prinesel le tehničnih veščin, temveč tudi vročo željo po ustvarjanju umetnosti, ki bi bila avtentično avstralska. Ta ambicija ga je vodila v sodelovanje z drugimi umetniki, Frederickom McCubbinom, Arthurjem Streetonom in Charlesom Conderjem, s čimer so tvorili jedro tistega, kar bo postalo znano kot šola Heidelberg ali avstralski impresionizem. Skupina je ustanovila umetniška kampišča v Box Hillu in Eaglemontu, pri čemer je sprejela življenjski slog, posvečen opazovanju in slikanju avstralskega busa. To niso bile le umetniške prizadevanja; to so bila izjave kulturne neodvisnosti, ki so zavrnile evropske konvencije v korist praznovanja edinstvenega značaja njihove države. Razstava »9 by 5 Impression Exhibition« leta 1889, ki je prikazovala majhne slike na pokrovih cedrovih škatlic za cigarete, je bila drzna izjava te nove umetniške vizije – izziv vzpostavljenim normam in ključni trenutek v zgodovini avstralske umetnosti.

Nacionalne pripovesti in trajna dediščina

Čeprav je bil globoko predan načelom impresionizma, Roberts se ni zadovoljil z zgolj kopiranjem pejzažev. Želel je ustvariti »nacionalne pripovesti« – slike, ki prikazujejo prizore vsakdanjega avstralskega življenja in častijo njegove ljudi. , morda njegovo najslavnejše delo, utemeljuje to ambicijo. Slika je močna predstavitev podeželskega dela, ki zajema energijo in družabnost strižencev ob delu. Ni le zapis dogodka; je proslavljanje avstralske moškosti in pomembnosti pastirskega panogove. , s svojo dinamično kompozicijo in sončnim vzdušjem, podobno zajema bistven trenutek avstralskega življenja – skupino pastirjev, ki gredo z goveji čez ravni. , čeprav manj slavnična, ponuja prepričljiv vpogled v realnost življenja na meji, saj prikazuje kočijo, ki so jo ogrebali bushrangerji. Ta dela niso bila le estetsko prijetna; bila so poskusi, da se skozi umetnost določi, kaj pomeneti biti Avstralec. Poleg teh ikonografskih slik je Roberts prispeval tudi kot portretist in leta 1903 dokončal The Big Picture, monumentalno del, naročeno za obeleževanje odprtja prvega avstralskega parlamenta – vizualni zapis rojstva države.

Skrbnik za avstralsko umetnost

Vpliv Toma Robertsa se je širil daleč presegal njegove lastne slike. Bil je neustrašni zagovornik razvoja avstralske umetniške scene, ki je aktivno promovirala dela svojih kolegov in spodbujala ustanavljanje nacionalnih institucij za podporo in razstavljanje avstralskih talentov. S svojo strastjo je verjel v pomembnost ustvarjanja ločene avstralske umetniške identitete – tiste, ki odraža edinstike pokrajine, ljudi in izkušnje države. Bil je prvi, ki je javno zagovarjal ustanovitev Avstralske nacionalne galerije portretov, saj je prepoznal moč portretizma pri zajemanju duha naroda. Njegova predanost negovanju živahne umetniške kulture je utrdila njegov položaj ne le kot vodilnega umetnika, temve videnega vodje, ki je pomagal oblikovati pot zgodovini avstralske umetnosti. Njegova dediščina še vedno navdihuje generacije umetnikov in ostaja spomen moči umetnosti, da definira in proslavi nacionalno identiteto.

Zbirke in nadaljnje raziskovanje

  • Raziščite umetniška dela Toma Robertsa na WahooArt.com.
  • Izvedite več o njegovem življenju in delu preko vsebine na Wikipediji o Tomu Robertsu.
  • Oglejte si zbirko avstralske umetnosti Nacionalne galerije Vitoria, vključno z deli Robertsa, v centru Ian Potter Centre v Federation Square, Melbourne.
  • Poglobljeno raziskujte njegovo biografijo in umetniški razvoj preko virov, kot je Avstralski biografski slovar.

All 40 works by Tom Roberts →