Najbolj znano delo umetnika Pierre Roy je Composition with Weights and Measures (1932), ki se nahaja v muzeju Izraelski muzej v mestu Jeruzalem. Z Still Life (1938) in Invitation to the Voyage (Invitation au voyage) (1929) se dopolnjujejo tri dela, ki jih vsi prepoznajo. Naš katalog vsebuje 3 del avtorja Pierre Roy; spodaj je 3 del, ki jih svet najbolj obišče, od katerih vsaka vključuje leto nastanka, muzej, ki jo hrani, in razlog za njen pomen.
Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno oktober 2026. Vsako podobno delo na tej strani je mogoče naročiti kot muzejsko kakovostno ročno slikano oljno reprodukcijo ali umetniški natisk v izbrani velikosti.
2 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Pierre Roy | Slike iz tega seznama |
|---|---|---|---|
 Izraelski muzej |
Jeruzalem | 2 | Composition with Weights and Measures, Invitation to the Voyage (Invitation au voyage) |
 Art Institute of Chicago |
Chicago | 1 | Still Life |
Pierre Roy je slika barvo le 10 let, od 1929 do 1938: spremljajte to dekado leto za letom, skozi slike, ki so mu prinesle ime.
Composition with Weights and Measures (1932), Izraelski muzej, Jeruzalem. Nato sledeta Still Life (1938) in Invitation to the Voyage (Invitation au voyage) (1929).
52 let: delo Composition with Weights and Measures iz leta 1932, pri čemer je Pierre Roy rodil/a v 1880.
V našem katalogu je navedenih 3 del avtorja Pierre Roy, datiranih od 1929 do 1938.
Večina njih se nahaja v Izraelski muzej (Jeruzalem) in Art Institute of Chicago (Chicago). Zgornja tabela navaja muzeje posamezno.
Najstarejšo delo na tej strani je iz Invitation to the Voyage (Invitation au voyage) (1929), najnovejše pa iz Still Life (1938).
Surrealism, kot to pokažejo slike na tej strani.
Composition with Weights and Measures in Invitation to the Voyage (Invitation au voyage) so med 2 dela na tej strani, ki jih hrani Izraelski muzej, Jeruzalem.
Da. Vsako sliko na tej strani lahko naročite kot muzejsko kakovostno ročno naslikano oljno reprodukcijo ali umetniški natisk v izbrani velikosti neposredno s strani posamezne slike.
Born in 1880, Pierre Roy was a French surrealist painter. He was the eldest of four children, born to the secretary of the management board of the Musée d'Arts de Nantes, and his siblings were all amateur painters. After obtaining his baccalauréat at a local school, he worked for a firm of architects before enrolling at the Ecole des Beaux-Arts in Paris. Following a period of disappointment with his studies, he left to work on designs for the 1900 Paris Exposition. In 1905, he committed himself to painting, beginning his exhibition history in 1906 at the Salon of the Société Nationale des Beaux-Arts (SNBA).
Roy's career saw him exhibiting with the Société des Artistes Indépendants in 1907, 1908, 1913, and 1914. A significant moment in his career occurred in 1925 when he participated in the first exhibition of surrealist painters alongside figures such as Giorgio de Chirico, Max Ernst, and Pablo Picasso. He held his first solo exhibition in 1926 and was appointed as a naval artist for a five-year term in 1933. Beyond his canvas work, he created stage sets, advertising posters, and several covers for Vogue magazine.
Roy is recognized for his surrealist compositions, characterized by the realistic painting of ordinary objects. His works often feature items such as:
These objects are arranged in unexpected ways within his compositions. His work has been displayed in various international locations, including New York, London, and Hawaii. Notable pieces held in public collections include Danger dans l'escalier (Danger on the stairs) and L'Heure d'été (Daylight Saving Time) at the Museum of Modern Art in New York, and A Naturalist's Study at the Tate Modern in London. Other works reside in the Art Institute of Chicago, the Philadelphia Museum of Art, and the Musée des Beaux-arts in Nantes.