Ivan Kramskoj's most famous painting is Portret ženske, in the Tretyakovska galerija, Moskva. With Krist v pustinji and Christ in the Wilderness, it completes the three works everyone recognises. Our catalogue lists 109 works by Ivan Kramskoj; the 100 below are the ones the world looks at most, each with its year, the museum that holds it and why it matters.
Ranked by our popularity score, which combines the searches, visits and orders for each work. Updated oktober 2026. Every masterpiece on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, at the size you choose.
avtorja Ivana Kramskoja predstavlja tiho, introspektivno srečanje z mlado žensko. To delo, datirano okoli leta 1885, zajema edinstven trenutek miru. Subjekt gleda z občutkom notranje refleksije, njena prisotnost pa prostor polni z težko, razmišljeno energijo. Gre za študijo značaja in pogleda, kjer se znotrajšnja življenjska izkušnja posameznika zdi, kot bi pritiskala proti površini platna.
'Krist v pustinji' je znamenito delo Ivana Nikolaeviča Kramskoja, ki prikazuje Isusa KRISTA med njegovim 40-dnevnim postom v pustinji, kot je opisano v evangelijumu po Mateju (Matej 4,1-11). To globoko emotivno platno je bilo dokončano leta 1872, danes pa se nahaja v znameniti Tretyakov galeriji v Moskvi.
The heavy silence of the desert hangs over Christ in the Wilderness, a profound religious painting that captures a moment of profound spiritual isolation. Created by the Russian artist Ivan Kramskoi, the work emerges from the year 1872. It presents a scene of deep contemplation, where the weight of the divine meets the stark reality of the physical world. The figure of Christ sits amidst a desolate landscape, caught in…
The gaze of the sitter in Portrait of a Woman meets the viewer with a quiet, unsettling strength. Painted by the Russian artist Ivan Kramskoi, this work captures a moment of profound stillness. Though the title suggests a specific person, she remains a mystery to history. She is widely recognized as an unknown subject, a woman whose identity remains veiled by time and the artist's own silence. This sense of…
The Empress Maria Feodorovna sits in a quiet, commanding stillness, her figure emerging from a dark, indistinct background that pushes her presence into the immediate space of the viewer. She is draped in a gown of luminous whites and creams, the fabric heavy with the weight of silk and the delicate, intricate textures of fine lace. A deep crimson sash cuts across her torso, providing a sharp, singular contrast to…
In the realm of nineteenth-century Russian Realism, few works capture the delicate intersection of innocence and burgeoning intellect as poignantly as Ivan Nikolaevich Kramskoy’s Portrait of a Girl. Painted in 1870, this masterpiece transcends a mere physical likeness, offering instead a window into a soul caught in the quiet transition of childhood. The subject, presented within an elegant oval frame that evokes the intimacy of a cherished heirloom, sits with…
The oil portrait depicts Yevgeny Lamansky, an elderly man seated in a three-quarter length pose. He is positioned slightly off-center within a room defined by a desk and leather-bound books. The subject possesses prominent white mutton-chop whiskers and a smooth silk waistcoat beneath a heavy, dark suit. His hands are positioned near a desk, holding a pen and papers. The lighting originates from the upper left, casting shadows that define…
The painting titled Somnambula was executed by the artist Ivan Nikolaevich Kramskoy. This work is an oil on canvas created in 1871. The object is a painting that measures 135 cm in height and 86 cm in width.
In the quiet, commanding presence of Ivan Nikolaevich Kramskoy’s Portrait of Princess Catherine Alekseevny Vasilchikova, we encounter more than just a likeness; we enter a moment of frozen dignity from the heart of 1867 Russia. The painting serves as a masterful window into the mid-19th century, capturing the essence of a noblewoman whose very posture speaks of an era defined by rigid social hierarchies and refined elegance. As the viewer…
A dignified and somber realist portrait, this work captures a middle-aged man in a moment of quiet introspection. Positioned in a three-quarter length composition, the subject faces the viewer's right, yet his gaze meets the observer with a steady, penetrating clarity. The lighting is low-key, emerging from a shadowy, indistinct background to illuminate the face and a crisp white collar. This chiaroscuro effect creates a profound sense of three-dimensionality, pulling…
The air in the room feels heavy, thick with the silent authority of a man who has navigated the complexities of empire. Count Frederick Maurice van Heiden sits…
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The artwork titled Portrait of Nikolai Ivanovich Kramsky was executed by the artist Ivan Kramskoi. This oil on canvas painting depicts Nikolai Ivanovich Kramsky, who was the son…
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In the quiet, contemplative depths of Ivan Nikolaevich Kramskoy’s 1870 masterpiece, Portrait of Sonya Kramskaya, the Artist's Daughter, we are invited into a moment of profound stillness. This…
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The Portrait of Pavel Tretyakov is a painting by the artist Ivan Kramskoi. Created in 1876, this work captures the likeness of Pavel Mikhailovich Tretyakov. The oil on…
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The portrait presents a young man in a bust-length view, positioned slightly off-center against a dark, indistinct background. The subject faces forward, though his gaze is directed toward…
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In this 1872 oil portrait, we encounter Count Alexei Bobrinskiy not as a mere figure of state, but as a man defined by the gravity of his station.…
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The gaze of Vera Nikolayevna Tretyakova meets us from across the years, held within the frame of the Portrait of Vera Nikolayevna Tretyakova. This work, painted in 1879,…
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The artwork titled Portrait of Sofia Sergeyevna Botkina is a painting by the artist Ivan Kramskoi. This oil on canvas work was executed in 1879. The subject of…
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A somber psychological tension defines this oil on canvas, capturing the grim aftermath of a biblical execution. The composition centers on a seated woman, her gaze cast downward…
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This realistic portrait of Sergey Botkin was painted by Ivan Kramskoi in 1881. It presents the subject in a three-quarter length view, capturing a sense of quiet authority…
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This oil portrait by Ivan Kramskoi depicts the artist Arkhip Kuindzhi. Created in 1872, the work presents a bust-length view of the subject. The composition positions Kuindzhi slightly…
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Sofia Nikolaevna Kramskaya sits upon a stone wall, her attention anchored to the pages of a book. The composition captures a quiet departure from the physical world, focusing…
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The Portrait of Vera Nikolayevna Tretyakova is a significant work by the Russian artist Ivan Kramskoi. Painted in 1876, this oil on canvas captures the sitter, Vera Nikolayevna…
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The "Portrait of Taras Shevchenko" by Ivan Kramskoi brings the presence of a significant figure directly into the viewer's space. Created in 1871, this work captures the likeness…
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In the quiet, profound depths of Ivan Nikolaevich Kramskoy’s Portrait of Doctor Karl Rauchfus, one finds more than a mere likeness; one encounters a psychological landscape. This masterpiece…
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In the quiet, contemplative depths of Ivan Nikolaevich Kramskoy’s Portrait of Art Critic Pavel Kovalevsky, we encounter more than just a likeness; we meet the very essence of…
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In the quiet, evocative depths of Ivan Nikolaevich Kramskoy’s Portrait of Sophia Kramskaya, the Artist's Daughter, we encounter more than just a family likeness; we enter a profound…
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In the intimate confines of Ivan Nikolaevich Kramskoy’s Portrait of an Old Peasant (study), we are not merely looking at a face, but witnessing the profound weight of…
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In the quiet majesty of Ivan Nikolaevich Kramskoy’s Portrait of the Empress Maria Feodorovna, we encounter more than just a likeness of royalty; we enter a realm of…
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In the quiet, shadowed corridors of nineteenth-century Russian art, few portraits command as much silent authority as Ivan Nikolaevich Kramskoy’s Portrait of the Artist Konstantin Savitsky. This masterpiece…
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In the quiet intersection of nature and intellect, Ivan Nikolaevich Kramskoy’s Poet Apollon Maikov Fishing offers a profound window into the contemplative spirit of the nineteenth century. This…
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In the dimly lit corridors of memory, Ivan Nikolaevich Kramskoy’s "Viewing an Old House" stands as a profound meditation on time and the weight of history. The scene…
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In the quiet, somber depths of Ivan Nikolaevich Kramskoy’s Head of an Old Ukrainian Peasant, one finds more than just a portrait; one encounters a profound testament to…
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In this quiet arrangement, we find Bouquet of Flowers. Phlox, a work created by the Russian artist Ivan Kramskoi. Painted in 1884, the piece offers a moment of…
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In the quiet intensity of Self-Portrait 1, we are not merely looking at a likeness, but peering into the very psyche of Ivan Nikolaevich Kramskoy, one of the…
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In the quiet, commanding presence of Ivan Nikolaevich Kramskoy’s Portrait of Admiral Login Loginovich Heyden, one finds more than a mere likeness of a military officer; one encounters…
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The Water Nymphs painting by Ivan Nikolaevich Kramskoy is a captivating piece of art that showcases the artist's skill in capturing the beauty of nature and the human…
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The gaze of the subject meets the viewer through a quiet, heavy stillness in Portrait of a Man. Painted by Ivan Kramskoi, this work captures a man in…
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In the heart of a bustling nineteenth-century concert hall, a single figure emerges from the shadows of the orchestra pit to command the stage. Ivan Nikolaevich Kramskoy, a…
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In the quiet intimacy of Ivan Nikolaevich Kramskoy’s Russian Girl in a Blue Shawl, we encounter more than just a portrait; we meet a moment of profound stillness…
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The four subjects that return most often among these masterpieces, with the finest example of each.
The 8 museums that hold the most of the paintings on this page.
| Museum | City | Works by Ivan Kramskoj | Paintings from this list |
|---|---|---|---|
 Tretyakovska galerija |
Moskva | 38 | Portret ženske, Krist v pustinji, Portrait of a Woman |
 Ermitaž |
Sankt Peterburg | 6 | Portrait of Empress Maria Feodorovna, Portrait of the Banker Yevgeny Lamansky, Portrait of Count Frederick Maurice van Heiden |
 Kramskoy Museum of Fine Arts |
Voronezh | 5 | In the country. Siverskaya, Portrait of the Artist Konstantin Savitsky, Suburb of Paris. The Bois de Boulogne |
 Državni ruski muzej |
St. Peterburg | 5 | Portrait of the Publisher and Publicist Alexey Suvorin, Portrait of V. S. Solovyov, Mina Moiseyev |
 Perm State Arts Gallery |
Perm | 2 | Portrait of Princess Catherine Alekseevny Vasilchikova, Portrait of Roftopulo O.A. |
 Kiev National Picture Gallery |
Kyiv | 2 | Mina moiseev |
 Yekaterinburg Museum of Fine Arts |
Yekaterinburg | 1 | Portrait of a Woman |
 Feodosia National Gallery I. K. Aivazovsky |
Feodosiia | 1 | Portrait of I.K. Aivazovsky |
In the quiet, commanding presence of Ivan Nikolaevich Kramskoy’s Portrait of Princess Catherine Alekseevny Vasilchikova, we encounter more than just a likeness; we enter a moment of frozen…
In the realm of nineteenth-century Russian Realism, few works capture the delicate intersection of innocence and burgeoning intellect as poignantly as Ivan Nikolaevich Kramskoy’s Portrait of a Girl.…
The gaze of the sitter in Portrait of a Woman meets the viewer with a quiet, unsettling strength. Painted by the Russian artist Ivan Kramskoi, this work captures…
Portret ženske, Tretyakovska galerija, Moskva. Next come Krist v pustinji and Christ in the Wilderness.
Portret ženske, Krist v pustinji, Christ in the Wilderness, Portrait of a Woman, Portrait of Empress Maria Feodorovna, Portrait of a Girl, Portrait of the Banker Yevgeny Lamansky, Somnambula, Portrait of Princess Catherine Alekseevny Vasilchikova and Portrait of the writer Y.F. Samarin. The ranking above gives the year and the museum of each.
Our catalogue lists 109 works by Ivan Kramskoj, dated from 1866 to 1886.
Most of them are in Tretyakovska galerija (Moskva), Ermitaž (Sankt Peterburg) and Kramskoy Museum of Fine Arts (Voronezh). The table above lists the museums one by one.
In 1870s: 19 of the 100 works on this page date from then, among them Portrait of a Girl.
The earliest on this page is Portrait of the Artist Nikolai Dmitrievich Dmitriev-Orenburg (1866), the latest Portrait of the Banker Yevgeny Lamansky (1886).
Portrait (30), Russian art (15) and Man (14), among the 100 works on this page.
Oil On Canvas: 42 of the 100 works on this page.
Realism, as the paintings on this page show.
Portret ženske, Krist v pustinji and Portrait of a Woman are among the 30 works on this page held by the Tretyakovska galerija, Moskva.
Yes. Every painting on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, in the size you choose, from the painting's own page.
Ivan Nikolaevič Kramskoj, rojen 27. maja 1837 v mirnem mestu Ostrogožsk, stoji kot monumentalna figura v panorami ruske umetnostne zgodovine. Njegovo življenje je zaznamovalo intelektualno navdušenje in neomajna predanost umetniškim načelom, utemeljenim v socialnem realizmu, kar je pustilo neizbrisen pečat tako na njegove sodobnike kot na prihodnje generacije. Kramskojove zgodnje leto, oblikovane v regiji Voronej, so bila zaznamovana z vz تربationom, potopljeno v intelektualno radovednost in globoko vpletenost v vzrastajoče ideje ruske revolucionarne demokracije. Pod vplivom radikalnih mislecev svojega časa, kot sta Černiševski in Herzen, je sprejel prepričanje, da ima umetnost moralno obveznost – dolžnost, da iskreno odraža družbo in zagovarja njeno izboljšanje.
To globoko prepričanje o transformativni moči umetnosti ga je popeljalo do Sankt Peterburške akademije lepih umetnosti, vendar je prav tam njegov upornostni duh resnično vzplati. Kramskoj je postal znan po vodstvu “Ah, upor četrnaštih,” zgodovinskem študentskem ustanku proti omejujočim in zastarelim umetniškim standardom akademije. Ta dejanje upora je privedlo do njegove izključitve, vendar njegovi talenta ni ugasilo, temveč je utrdilo njegovo predanost neodvisnemu izražanju. Pod vodstvom mentorjev, kot je bil Mihail Borisovič Tulinov, ki je prepoznal njegov vzrastajoči genij, je Kramskoj začel utrtati pot, ki ga je na koncu pripeljala do vloge stebra gibanja Peredvizhniki, znanega tudi kot gibanje Brodnikov.
Nastanek gibanja Peredvizhniki je označil odločilno križnico v Kramskojevi umetniški poti. Skupaj z velikani, kot je bil Ilja Repin, je zavrnil uradno pokojnino in poučevalnost Imperialne akademije v korist bolj demokratičnega in družbeno zavestnega pristopa k slikarstvu. Njegovo del je postalo nosil za družbeno kritiko, ki je zajemalo psihološko globino ruskega ljudstva in ostre realnosti njihovega obstoja. Kramskoj ni bil le slikar, temveč tudi globok umetnostni kritik in voditelj, ki je oblikoval estetski diskurs svojega časa z sposobnostjo združevanja tehnične mojstraštva z intenzivno čustveno resonanco.
Njegov repertoar zaznamuje izjemna vsestranost, ki sega od globoko introspektivnih do simbolično veličastnih motivov:
Kramskojev prispevek k umetnosti sega daleč presega platno. Kot organizator in kritik je zagotovil intelektualno strukturo, na kateri je bil zgrajen ruski realizem. Verjel je, da mora biti umetnik priča svojemu času – vlogo, ki jo je izpolnil z nepremočljivo integriteto. Njegova sposobnost navigiranja skozi kompleksnosti političnih prevratov, ob ohranjanju fokusa na človeško stanje, je omogočila, da so njegova dela presegla takojšnjo politiko 19. stoletja.
Dediščina Ivana Nikolaeviča Kramskoja se skriva v samem tkivu ruske identitete. Z zagovarjanjem resnice o splošni izkušnji in izzivanjem elitizma akademskih institucij je pomagal demokratizirati umetnost in jo naredil za orodje narodnega razmišljanja. Danes njegova dela še vedno očarajo občodij po vsem svetu in ponujajo okno v obdobje intenzivne duhovne in družbene transformacije. Njegovo življenje ostaja spomenik ideji, da lahko umetnost, ko se uporablja s pogumom in resnico, služi kot močan katalizator sprememb.
