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Schleissheim Linden
Ročno slikana oljna reprodukcija od $181 36 × 28 cm
Velikost kot pri originalu $439 111 × 86 cm Naročite v originalni velikosti →
Schleissheim Linden (1908) je najbolj znano sliko avtorja Robert Raudner, ki se nahaja v muzeju Bavarske državne slikopisne zbirke v mestu München. Od 1 del umetnika Robert Raudner v našem katalogu so tu tista 1, ki jih zbiratelji in obiskovalci muzejev najpogosteje opazujejo, vključno z letnico, muzejom in zgodbojo vsakega dela.
Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno november 2026. Vsako podobno delo na tej strani je mogoče naročiti kot muzejsko kakovostno ročno slikano oljno reprodukcijo ali umetniški natisk v izbrani velikosti.
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Robert Raudner | Slike iz tega seznama |
|---|---|---|---|
 Bavarske državne slikopisne zbirke |
München | 1 | Schleissheim Linden |
1908 je leto vsakega datiranega mojstrovine umetnika Robert Raudner na tej strani: tukaj so, razvrščeni po slavi.
Schleissheim Linden (1908)
54 let: delo Schleissheim Linden iz leta 1908, pri čemer je Robert Raudner rodil/a v 1854.
V našem katalogu je na voljo 1 del avtorja Robert Raudner.
Večina njih se nahaja v Bavarske državne slikopisne zbirke (München). Zgornja tabela navaja muzeje posamezno.
Da. Vsako sliko na tej strani lahko naročite kot muzejsko kakovostno ročno naslikano oljno reprodukcijo ali umetniški natisk v izbrani velikosti neposredno s strani posamezne slike.
January 1854 brings Robert Hermann Raudner into the world at Nimkau in Silesia. He is the son of a telegraphist. The path toward the canvas begins in earnest in October 1878, when he enters the Royal Academy of Fine Arts in Munich. He joins the antique class, focusing his early efforts on drawing after the antique.
The halls of the Academy place him alongside a specific cohort of emerging talents. His classmates include Gyula Benczúr, Alexander Strähuber, Johann Leonhard Raab, and Ludwig von Löfftz. These shared studies in Munich form the technical foundation for his later work in landscape and genre painting.
After completing his formal education, Raudner settles into the municipality of Schleißheim. His professional life becomes rooted here, centered on the meticulous demands of landscape painting and etching. He moves through the late nineteenth century with a focus on the natural world and the quiet details of genre scenes.
His presence in the Munich art scene is marked by specific appearances at the Munich Glass Palace. In 1897 and 1899, he presents his works to the public, demonstrating his skill as an etcher and painter. The technical breadth of his output includes:
The momentum of his career reaches its conclusion in Munich. On 14 January 1915, Raudner dies at the age of 60. His connection to the region remains etched into the geography of Schleißheim, where a street bears his name. He leaves behind a body of work defined by the Realism movement and the disciplined techniques learned in the Munich Academy.