Robert Polack, 1880 – 1958

Robert Polack: 1 najbolj znanih slik

Robert Polack for Batschari Cigarettes (1925) je najbolj znano sliko avtorja Robert Polack, ki se nahaja v muzeju The Fan Museum v mestu Greenwich. Od 1 del umetnika Robert Polack v našem katalogu so tu tista 1, ki jih zbiratelji in obiskovalci muzejev najpogosteje opazujejo, vključno z letnico, muzejom in zgodbojo vsakega dela.

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Portret Robert Polack
Robert Polack · 1880 – 1958
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1880 – 1958, Paris
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Robert Polack for Batschari Cigarettes (1925)
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Top 10: najbolj znana slika umetnika Robert Polack

Robert Polack for Batschari Cigarettes (1925) avtorja Robert Polack
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Robert Polack for Batschari Cigarettes

1925 · The Fan Museum, Greenwich

Fontange or balloon shaped fan with stained wooden sticks.The double paper leaf is printed on the recto with a pochoir (stencil print) of an elegant looking couple against a starlit sky. The male figure, adopting a fashionably effete pose, holds a box of matches in one hand while clasping his female companion in a gentle embrace. She tilts her head to take a light from his cigarette and smoke rises…

Kje si lahko ogledate slike avtorja Robert Polack

1 muzejev, ki vsebujo največ slik na tej strani.

Muzeji Mesto Sloga Robert Polack Slike iz tega seznama
The Fan Museum, GreenwichThe Fan Museum Greenwich 1 Robert Polack for Batschari Cigarettes

Robert Polack skozi leta: pripomočki vsakega leta

1925 je leto vsakega datiranega mojstrovine umetnika Robert Polack na tej strani: tukaj so, razvrščeni po slavi.

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    Robert Polack for Batschari Cigarettes (1925) avtorja Robert Polack
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    Robert Polack for Batschari Cigarettes

    Starost: 45 let · The Fan Museum

    Fontange or balloon shaped fan with stained wooden sticks.The double paper leaf is printed on the recto with a pochoir (stencil print) of an elegant looking couple against…

Slike umetnika Robert Polack: pogosta vprašanja

Katero je najbolj znano sliko avtorja Robert Polack?Prikaži odgovor

Robert Polack for Batschari Cigarettes (1925)

Pri kateri dobi je Robert Polack naslikal Robert Polack for Batschari Cigarettes?Prikaži odgovor

45 let: delo Robert Polack for Batschari Cigarettes iz leta 1925, pri čemer je Robert Polack rodil/a v 1880.

Koliko slik avtorja Robert Polack je na voljo?Prikaži odgovor

V našem katalogu je na voljo 1 del avtorja Robert Polack.

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Večina njih se nahaja v The Fan Museum (Greenwich). Zgornja tabela navaja muzeje posamezno.

Robert Polack: biografija

The lines of Paris

Born in Paris, France, in 1880, Robert Polack lived through a period where the edges of illustration began to soften into something more decorative. His hands worked with the delicate textures of paper and stencil, leaving behind traces of a specific French aesthetic. The work often appeared on small, intimate objects or within the quiet pages of books, far from the scale of large canvases.

In 1925, his touch was seen on a fan held in the collection of The Fan Museum in Greenwich. This piece featured a double paper leaf, shaped like a balloon, with wooden sticks stained to hold their form. Using a pochoir technique, he rendered an elegant couple beneath a starlit sky. The smoke from a cigarette rises to form words, a small, clever detail tucked into the design.

Ink and stencil

Polack’s method relied on the precision of the stencil and the softness of watercolor. He moved between different mediums to suit the surface at hand, whether it was the thin tissue of a book or the paper of a handheld fan. His illustrations often captured figures in specific, poised moments.

Some of his known works include:

  • Handcolored illustrations on tissue for a 1928 edition of Voltaire's Candide.
  • Pochoir prints for Batschari Cigarettes, featuring figures in gentle embraces.
  • Watercolor works that utilized the layering of color to create depth on paper.

A quiet presence in print

The traces of his career are found in the small details of the Art Deco era. He focused on the way light and shadow could be captured through stenciling, creating images that felt part of a larger, fashionable atmosphere. His death in 1958 marked the end of a life spent working within these fine, controlled boundaries of print and illustration.