Robert Eigenberger, 1890 – 1979

Robert Eigenberger: 4 najbolj znanih slik

The Myth of Man Is Over (1950) je najbolj znano delo umetnika Robert Eigenberger. The Sensual One (1929) in Saint Sebastian (1934) sta naslednji dve dela, ki jih svet najbolje pozna. Od 4 del umetnika Robert Eigenberger v našem katalogu so tu tista 4, ki jih zbiratelji in obiskovalci muzejev najpogosteje opazujejo, vključno z letnico, muzejom in zgodbojo vsakega dela.

Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno november 2026.

Portret Robert Eigenberger
Robert Eigenberger · 1890 – 1979
Rodil se · umrl
1890 – 1979, Sedlec
Delo v našem katalogu
4
Najbolj znana
The Myth of Man Is Over (1950)

Top 10: najbolj znana slika umetnika Robert Eigenberger

Robert Eigenberger skozi desetletja: eno vrhunsko delo za vsako obdobje

  1. 1920s
  2. 1930s
  3. 1940s
  4. 1950s

Slike umetnika Robert Eigenberger: pogosta vprašanja

Katero je najbolj znano sliko avtorja Robert Eigenberger?Prikaži odgovor

The Myth of Man Is Over (1950). Nato sledeta The Sensual One (1929) in Saint Sebastian (1934).

Pri kateri dobi je Robert Eigenberger naslikal The Myth of Man Is Over?Prikaži odgovor

60 let: delo The Myth of Man Is Over iz leta 1950, pri čemer je Robert Eigenberger rodil/a v 1890.

Koliko slik avtorja Robert Eigenberger je na voljo?Prikaži odgovor

V našem katalogu je navedenih 4 del avtorja Robert Eigenberger, datiranih od 1929 do 1950.

Kaj je najstarejše in najstarejšo znano sliko avtorja Robert Eigenberger?Prikaži odgovor

Najstarejšo delo na tej strani je iz The Sensual One (1929), najnovejše pa iz The Myth of Man Is Over (1950).

Robert Eigenberger: biografija

The Life and Academic Career of Robert Eigenberger

Robert Eigenberger was an Austrian art historian, painter, pedagogue, restorer, and university teacher. Born in Sedlec, Czech Republic, he pursued his studies in art history in Prague, Munich, Göttingen, and Berlin. His professional journey included serving as an assistant at the K. K. Zentralkommission für Denkmalpflege in Vienna and later becoming the director of the Gemäldegalerie at the Academy of Fine Arts in Vienna. Throughout his distinguished academic career, he held various roles at the Academy, including serving as a professor and eventually as the Rector from 1951 to 1955. He also led the Institute for Sacred Art following his retirement.

Artistic Practice and Pseudonym

In addition to his academic and restorative work, Eigenberger was an active painter who often exhibited under the pseudonym Karl Reigen. His artistic output was diverse, encompassing the following subjects:

His recognition within the art community included membership in the Vienna Secession and the Wiener Künstlerhaus, as well as receiving the Austrian State Prize for Painting in 1930.