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A Spanish Soldier of the 16th Century
Ročno slikana oljna reprodukcija od $181 30 × 34 cm
Velikost kot pri originalu $444 92 × 105 cm Naročite v originalni velikosti →
Slika, ki je prinesla slavo umetniku Robert Atkinson, je A Spanish Soldier of the 16th Century (1885); razpostaja v muzeju Auckland Art Gallery Toi o Tāmaki, Auckland. Portrait of Albin Martin (1886) in A Settler’s Kitchen, Opua Whanga, New Zealand 1886 (1886) sledeta tem v srcih zbirateljev in obiskovalcev muzejev. Od 5 del umetnika Robert Atkinson v našem katalogu so teh 5 najbolj občudovalnih, od katerih je vsak predstavljen z letnico nastanka, muzejem in tistim, kar ga loči od drugih.
Uvrščeno na podlagi naše ocene priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno november 2026. Vsako podobno delo na tej strani je mogoče naročiti kot muzejsko kakovostno ročno slikano oljno reprodukcijo ali umetniški natisk v izbrani velikosti.
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzeji | Mesto | Sloga Robert Atkinson | Slike iz tega seznama |
|---|---|---|---|
 Auckland Art Gallery Toi o Tāmaki |
Auckland | 5 | A Spanish Soldier of the 16th Century, Portrait of Albin Martin, A Settler’s Kitchen, Opua Whanga, New Zealand 1886 |
Toreks umetniška znamenitosti obdobja Robert Atkinson obsegajo le 2 let, od 1885 do 1886: tukaj je vsaka leta v njegovi najboljši obliki.
A Spanish Soldier of the 16th Century (1885), Auckland Art Gallery Toi o Tāmaki, Auckland. Nato sledeta Portrait of Albin Martin (1886) in A Settler’s Kitchen, Opua Whanga, New Zealand 1886 (1886).
22 let: delo A Spanish Soldier of the 16th Century iz leta 1885, pri čemer je Robert Atkinson rodil/a v 1863.
V našem katalogu je navedenih 5 del avtorja Robert Atkinson, datiranih od 1885 do 1886.
Večina njih se nahaja v Auckland Art Gallery Toi o Tāmaki (Auckland). Zgornja tabela navaja muzeje posamezno.
V obdobju 1886: 2 od 5 del na tej strani izvira iz tega obdobja, med katerimi je Portrait of Albin Martin.
Najstarejšo delo na tej strani je iz A Spanish Soldier of the 16th Century (1885), najnovejše pa iz Portrait of Albin Martin (1886).
A Spanish Soldier of the 16th Century, Portrait of Albin Martin in A Settler’s Kitchen, Opua Whanga, New Zealand 1886 so med 5 dela na tej strani, ki jih hrani Auckland Art Gallery Toi o Tāmaki, Auckland.
Da. Vsako sliko na tej strani lahko naročite kot muzejsko kakovostno ročno naslikano oljno reprodukcijo ali umetniški natisk v izbrani velikosti neposredno s strani posamezne slike.
Born in the industrial heart of Leeds, Robert Atkinson sought a different air, eventually finding himself in the studios of Antwerp. It was under the guidance of Verlat that his hand first learned the discipline of form and light. By 1885, driven by a need for better health, he turned his gaze toward the southern reaches of the globe, arriving in New Zealand. He established a studio in the Victoria Arcade in Auckland, a space where the quiet intensity of his studies began to take shape. His presence in the colonies was marked by a steady hand and a desire to capture the essence of his surroundings, from the intimate details of a settler's kitchen in Opua Whanga to the formal dignity of a portrait of Albin Martin.
His time in the colonies was a period of constant movement and connection. He moved between the art circles of Melbourne, Sydney, and Auckland, building friendships with fellow painters like Kate McCosh Clark. These years were defined by a search for subject matter that could bridge the gap between his European training and the raw reality of his new environment. Even when he returned to England in 1889 to work as an illustrator, the pull of the southern lands remained, drawing him back to New Zealand in 1895.
The works he left behind reveal a man deeply interested in the structure of life, whether through the study of the human form or the depiction of social scenes. His paintings often focused on the immediate and the tangible:
His death in Dunedin in 1896 cut short a career that was still finding its footing in the colonial landscape. Though his life was brief, the rarity of his New Zealand genre subjects ensures that his vision remains a distinct part of the historical record. He was a painter of specific moments, capturing the light of a new world through the lens of an old-world education.