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Roosters on Horses
Ročno slikana oljna reprodukcija od $206 42 × 24 cm
Velikost kot pri originalu $466 146 × 66 cm Naročite v originalni velikosti →
Roosters on Horses (1880) je najbolj znano sliko avtorja László Pataky, ki se nahaja v muzeju Slovenska narodna galerija v mestu Bratislava. Cavalry Battle (1890) in Kuruci (1903) sta naslednji dve dela, ki jih svet najbolje pozna. Od 5 del umetnika László Pataky v našem katalogu so tu tista 3, ki jih zbiratelji in obiskovalci muzejev najpogosteje opazujejo, vključno z letnico, muzejom in zgodbojo vsakega dela.
Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno oktober 2026. Vsako podobno delo na tej strani je mogoče naročiti kot muzejsko kakovostno ročno slikano oljno reprodukcijo ali umetniški natisk v izbrani velikosti.
2 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga László Pataky | Slike iz tega seznama |
|---|---|---|---|
 Slovenska narodna galerija |
Bratislava | 2 | Roosters on Horses, Cavalry Battle |
| Ernest Zmeták Art Gallery | Nové Zámky | 1 | Kuruci |
Roosters on Horses (1880), Slovenska narodna galerija, Bratislava. Nato sledeta Cavalry Battle (1890) in Kuruci (1903).
23 let: delo Roosters on Horses iz leta 1880, pri čemer je László Pataky rodil/a v 1857.
V našem katalogu je navedenih 5 del avtorja László Pataky, datiranih od 1880 do 1903.
Večina njih se nahaja v Slovenska narodna galerija (Bratislava) in Ernest Zmeták Art Gallery (Nové Zámky). Zgornja tabela navaja muzeje posamezno.
Najstarejšo delo na tej strani je iz Roosters on Horses (1880), najnovejše pa iz Kuruci (1903).
Roosters on Horses in Cavalry Battle so med 2 dela na tej strani, ki jih hrani Slovenska narodna galerija, Bratislava.
Da. Vsako sliko na tej strani lahko naročite kot muzejsko kakovostno ročno naslikano oljno reprodukcijo ali umetniški natisk v izbrani velikosti neposredno s strani posamezne slike.
László Pataky began his training within the walls of the arts and crafts school in Budapest. His hands learned the fundamentals before he moved toward the Academy of Fine Arts in Munich after 1880, working under Karl von Piloty. This period of study was followed by years spent moving between Paris, Budapest, and Munich from 1883 to 1889. These travels brought different light and different ways of seeing into his practice.
In 1888, a scholarship for his painting The Messenger opened a door to the studio of Mihály Munkácsy. He worked alongside Munkácsy on the large-scale Hungarian Conquest intended for the Hungarian Parliament Building. After this heavy task was finished, he settled in Alvinc, returning to the landscapes of his home province.
His brush often rested on the quiet rhythms of country life. He focused on rural genre scenes, capturing the movement of horses and the weight of a harvest. Some of his canvases hold specific moments of labor or rest:
Beyond the canvas, he spent much of his time translating words into images. He provided illustrations for several novels, including works by Carmen Sylva, Gabriele D'Annunzio, and Géza Gárdonyi. His gouache drawings appeared regularly in magazines such as Vasárnapi Ujság, Új Idők, and Magyar Salon.
The work of Pataky remains held in places like the Hungarian National Gallery. His career was marked by retrospective exhibitions, such as those organized by the Guild of St. George in 1913 and the Hall of Art in 1918. These gatherings allowed for a final look at his contributions to the depiction of Hungarian life before he passed away in Alvinc in 1912.