Exhumation (1917) je najbolj znano sliko avtorja Jos Postmes, ki se nahaja v muzeju Bonnefanten Museum v mestu Maastricht. Od 2 del umetnika Jos Postmes v našem katalogu so tu tista 2, ki jih zbiratelji in obiskovalci muzejev najpogosteje opazujejo, vključno z letnico, muzejom in zgodbojo vsakega dela.
Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno november 2026. Vsako podobno delo na tej strani je mogoče naročiti kot muzejsko kakovostno ročno slikano oljno reprodukcijo ali umetniški natisk v izbrani velikosti.
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Jos Postmes | Slike iz tega seznama |
|---|---|---|---|
 Bonnefanten Museum |
Maastricht | 2 | Exhumation, Boy's Head |
1917 je leto vsakega datiranega mojstrovine umetnika Jos Postmes na tej strani: tukaj so, razvrščeni po slavi.
Exhumation (1917)
21 let: delo Exhumation iz leta 1917, pri čemer je Jos Postmes rodil/a v 1896.
V našem katalogu je na voljo 2 del avtorja Jos Postmes.
Večina njih se nahaja v Bonnefanten Museum (Maastricht). Zgornja tabela navaja muzeje posamezno.
V obdobju 1917: 2 od 2 del na tej strani izvira iz tega obdobja, med katerimi je Exhumation.
Exhumation in Boy's Head so med 2 dela na tej strani, ki jih hrani Bonnefanten Museum, Maastricht.
Da. Vsako sliko na tej strani lahko naročite kot muzejsko kakovostno ročno naslikano oljno reprodukcijo ali umetniški natisk v izbrani velikosti neposredno s strani posamezne slike.
Jos Postmes lived a life closely tied to the streets and classrooms of Maastricht. Born in 1896, his hands were rarely still, moving between the precision of a draftsperson and the fluid touch of a painter. He spent his early years learning under Rob Graafland at the Stadsteekeninstituut, a time when the weight of a pencil and the texture of paper were becoming his primary language. His path led him from the local Sunday School for Decorative Arts to the Rijksacademie voor Beeldende Kunsten in Amsterdam, where he studied alongside Han Jelinger, Henri Jonas, and Jos Narinx. Under the guidance of Antoon Derkinderen, his technical foundations were laid, shaping a way of seeing that would define his later years.
His work was not confined to a single medium. He moved through the world as a painter, textile artist, draftsperson, graphic artist, lithographer, and etcher. This versatility allowed him to touch many different parts of the visual landscape in the Netherlands.
By 1925, Postmes had earned his qualification for industrial education, a step that allowed him to teach drawing to students in both lower and middle-level vocational schools. He was not merely a creator of images but a builder of skills. In 1927, he took on the role of director at the Middelbare Kunstnijverheidsschool in Maastricht. His presence in the city was felt through his commitment to making Maastricht a center for art and science, a goal that drove his professional life until his death in 1934.
His output left behind specific traces in the local landscape and collections:
The years between 1911 and 1934 saw a steady accumulation of technical mastery and institutional influence. He worked in Maastricht and spent time in Amsterdam between 1916 and 1918, always maintaining a connection to the Dutch landscape. His life was cut short in Maastricht, leaving behind a legacy that was documented in later years by researchers looking into his role as a promoter of art education. He remains a figure of the Maastricht art scene, a man who saw the importance of both the finished work and the hands that learn to make it.