John Simpson, 1782 – 1847

Slike avtorja John Simpson: 20 najbolj znanih del, uvrščena po popularnosti

Najbolj znano delo umetnika John Simpson je The Duke of Wellington (1769–1852), ki se nahaja v muzeju The Royal Hospital Chelsea v mestu London. Z Clarkson Frederick Stanfield (1829) in D. Maria II, Queen of Portugal (1819-1853) (1837) se dopolnjujejo tri dela, ki jih vsi prepoznajo. Naš katalog vsebuje 22 del avtorja John Simpson; spodaj je 20 del, ki jih svet najbolj obišče, od katerih vsaka vključuje leto nastanka, muzej, ki jo hrani, in razlog za njen pomen.

Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno november 2026. Vsako podobno delo na tej strani je mogoče naročiti kot muzejsko kakovostno ročno slikano oljno reprodukcijo ali umetniški natisk v izbrani velikosti.

Portret John Simpson
John Simpson · 1782 – 1847
Rodil se · umrl
1782 – 1847, London
Delo v našem katalogu
22
Najbolj znana
The Duke of Wellington (1769–1852)
Največ del v
National Portrait Gallery

10 najbolj znanih slik umetnika John Simpson

The Duke of Wellington (1769–1852) avtorja John Simpson
1

The Duke of Wellington (1769–1852)

Oil On Canvas · The Royal Hospital Chelsea, London

To gaze upon this depiction of the Duke of Wellington is to encounter not merely a likeness, but an embodiment of British martial spirit and enduring historical gravity. John Simpson has captured a moment steeped in ceremony and authority. The subject stands with an undeniable bearing, clad in formal attire that speaks volumes of his station—a man whose life was inextricably linked to the grand sweep of military history. His…

Ročno slikana oljna reprodukcija od $181 26 × 38 cm
Clarkson Frederick Stanfield (1829) avtorja John Simpson
2

Clarkson Frederick Stanfield

1829 · Oil · National Portrait Gallery, London

A somber dignity settles over the figure in this 1829 oil portrait. He sits in a quiet, bust-length pose, his body angled slightly toward the right while his gaze drifts toward the same unseen horizon. The lighting is dramatic, a heavy chiaroscuro that spills from the upper left to catch the ridge of his brow and the bridge of his nose. This directional light carves his features out of a…

Ročno slikana oljna reprodukcija od $181 29 × 35 cm Velikost kot pri originalu $299 64 × 77 cm Naročite v originalni velikosti →
D. Maria II, Queen of Portugal (1819-1853) (1837) avtorja John Simpson
3

D. Maria II, Queen of Portugal (1819-1853)

1837 · Oil On Canvas · Imperial Museum of Brazil, Petrópolis

The air in the chamber feels heavy with the scent of old velvet and the quiet weight of authority. Queen Maria II sits poised, her figure centered within an ornate, gilded throne that seems to grow from the very shadows of the room. The light catches the shimmering white of her satin gown, turning the fabric into a luminous landscape of folds and soft highlights. A vibrant sash, striped with…

Ročno slikana oljna reprodukcija od $181 28 × 36 cm
Retrato de D. Pedro, Duque de Bragança (1834) avtorja John Simpson
4

Retrato de D. Pedro, Duque de Bragança

1834 · Oil On Canvas

This formal and dignified 19th-century portrait depicts D. Pedro, Duque de Bragança in a three-quarter length composition. The subject is positioned slightly off-center, creating a sense of dynamic presence within the frame. He is dressed in an ornate military uniform, which is heavily adorned with medals, stars, and gold embroidery. A vibrant red and green ceremonial sash cuts across the dark tones of the attire, complemented by the bright white…

Ročno slikana oljna reprodukcija od $181 28 × 36 cm Velikost kot pri originalu $551 102 × 130 cm Naročite v originalni velikosti →
Portrait of the Duke of Terceira (1832) avtorja John Simpson
5

Portrait of the Duke of Terceira

1832 · Oil · Soares dos Reis National Museum, Porto

John Simpson executed the Portrait of the Duke of Terceira about 1832. The sitter is António José Severim de Noronha, 1st Duke of Terceira, a prominent Portuguese military officer and statesman. His life was defined by significant political and military engagement during the nineteenth century.

Ročno slikana oljna reprodukcija od $181 29 × 35 cm Velikost kot pri originalu $301 64 × 77 cm Naročite v originalni velikosti →
Prince Auguste de Beauharnais, Duke of Leuchtenberg (1834) avtorja John Simpson
6

Prince Auguste de Beauharnais, Duke of Leuchtenberg

1834 · Oil On Canvas

The portrait titled Prince Auguste de Beauharnais, Duke of Leuchtenberg is a work by the artist John Simpson. The canvas captures Auguste Charles Eugène Napoléon de Beauharnais in a moment of formal stillness. He was a man of significant lineage, serving as the first prince consort of Maria II of Portugal. His presence in this work carries the weight of his many titles, including the 2nd Duke of Leuchtenberg and…

Ročno slikana oljna reprodukcija od $181 28 × 36 cm
Captain Peter Heywood (1773–1831) (1822) avtorja John Simpson
7

Captain Peter Heywood (1773–1831)

1822 · Oil On Canvas · National Maritime Museum, London

The man stares directly through the darkness, his gaze steady and unyielding. He sits enveloped in the heavy, dark atmosphere of the early 19th century, his presence defined by the sharp contrast of his military attire against an indistinct, shadowy background. A dark blue coat clings to his shoulders, weighted by the glint of gold epaulettes that signal his rank and the gravity of his station. His white shirt rises…

Ročno slikana oljna reprodukcija od $181 29 × 35 cm Velikost kot pri originalu $299 64 × 76 cm Naročite v originalni velikosti →
William IV (1765–1837) (1830) avtorja John Simpson
8

William IV (1765–1837)

1830 · Oil On Canvas

In this 1830 portrait, we find ourselves in the presence of William IV, a man whose likeness was captured during a period of significant transition in British history. The subject is positioned centrally, commanding the space with a quiet, regal authority. He is draped in formal attire that speaks to his high station, holding a scepter that serves as a direct symbol of his sovereign power. Behind him, a heavy…

Ročno slikana oljna reprodukcija od $181 25 × 39 cm
Head of a Man ( Ira Frederick Aldridge) (1827) avtorja John Simpson
9

Head of a Man ( Ira Frederick Aldridge)

1827 · Oil

The gaze of the subject meets the viewer through the layers of history in Head of a Man ( Ira Frederick Aldridge). This portrait, painted by John Simpson, captures a moment of profound stillness. The man stares into the distance, his thoughts seemingly drifting far beyond the edges of the frame. He wears a red robe that catches the light, a striking contrast against his dark skin. Around him, the…

Ročno slikana oljna reprodukcija od $181 28 × 36 cm
Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes (1826) avtorja John Simpson
10

Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes

1826 · Oil On Canvas

In this large-scale portrait, we encounter Sir John Fleming Leicester, 1st Lord de Tabley, captured in a moment of profound dignity. He is depicted in his peer's robes, a garment that carries the weight of his status and the recent elevation to the peerage in 1826. The subject is positioned with his back partially turned toward us, a choice that creates a sense of looking into a private, ceremonial space.…

Ročno slikana oljna reprodukcija od $181 24 × 42 cm

John Simpson, slike od 11 do 20

Motivi, ki jih je John Simpson naslikal največ

Četiri teme, ki se najpogosteje pojavljajo med temi mojstrovinami, s najboljšim primerom za vsako izmed njih.

Kje si lahko ogledate slike avtorja John Simpson

8 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga John Simpson Slike iz tega seznama
National Portrait Gallery, LondonNational Portrait Gallery London 3 Clarkson Frederick Stanfield, Frederick Marryat (engraved 1826), Sir Herbert Taylor
National Maritime Museum, LondonNational Maritime Museum London 2 Captain Peter Heywood (1773–1831), Clarkson Stanfield (1793–1867)
The Royal Hospital Chelsea, LondonThe Royal Hospital Chelsea London 1 The Duke of Wellington (1769–1852)
Imperial Museum of Brazil, PetrópolisImperial Museum of Brazil Petrópolis 1 D. Maria II, Queen of Portugal (1819-1853)
Soares dos Reis National Museum, PortoSoares dos Reis National Museum Porto 1 Portrait of the Duke of Terceira
Leeds Civic Hall, LeedsLeeds Civic Hall Leeds 1 George Goodman, Mayor (1836)
Scottish National Portrait Gallery, EdinburghScottish National Portrait Gallery Edinburgh 1 Sir Charles Napier (1786–1860), Admiral
English Heritage, LondonEnglish Heritage London 1 Arthur Wellesley (1769–1852), 1st Duke of Wellington, KG

Najbolj znana slika umetnika John Simpson v vsaki desetletji

  1. 1820s
    Clarkson Frederick Stanfield (1829) avtorja John Simpson
    Rang 2 / 20

    Clarkson Frederick Stanfield

    Starost 38 – 47 · National Portrait Gallery

    A somber dignity settles over the figure in this 1829 oil portrait. He sits in a quiet, bust-length pose, his body angled slightly toward the right while his…

  2. 1830s
    D. Maria II, Queen of Portugal (1819-1853) (1837) avtorja John Simpson
    #3 od 20

    D. Maria II, Queen of Portugal (1819-1853)

    Starost 48 – 57 · Imperial Museum of Brazil

    The air in the chamber feels heavy with the scent of old velvet and the quiet weight of authority. Queen Maria II sits poised, her figure centered within…

  3. 1840s
    Sir Charles Napier (1786–1860), Admiral (1841) avtorja John Simpson
    15. od 20

    Sir Charles Napier (1786–1860), Admiral

    Starost 58 – 65 · Scottish National Portrait Gallery

    The portrait depicts Sir Charles Napier, an admiral who lived from 1786 to 1860. He is positioned in a three-quarter view, wearing a black coat accented with gold…

Vprašanja o slikah umetnika John Simpson

Katero je najbolj znano sliko umetnika John Simpson?Prikaži odgovor

The Duke of Wellington (1769–1852), The Royal Hospital Chelsea, London. Nato sledeta Clarkson Frederick Stanfield (1829) in D. Maria II, Queen of Portugal (1819-1853) (1837).

Kakšnih 10 najboljjših slik avtorja John Simpson je?Prikaži odgovor

The Duke of Wellington (1769–1852), Clarkson Frederick Stanfield, D. Maria II, Queen of Portugal (1819-1853), Retrato de D. Pedro, Duque de Bragança, Portrait of the Duke of Terceira, Prince Auguste de Beauharnais, Duke of Leuchtenberg, Captain Peter Heywood (1773–1831), William IV (1765–1837), Head of a Man ( Ira Frederick Aldridge) in Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes. Zgornja lestica prikazuje leto in muzej za vsako od njih.

Koliko slik je ustvaril John Simpson?Prikaži odgovor

V našem katalogu je navedenih 22 del avtorja John Simpson, datiranih od 1822 do 1841.

Kje so najbolj znana slika umetnika John Simpson?Prikaži odgovor

Večina njih se nahaja v National Portrait Gallery (London), National Maritime Museum (London) in The Royal Hospital Chelsea (London). Zgornja tabela navaja muzeje posamezno.

Kdaj je John Simpson naslikal svoja najbolj znana dela?Prikaži odgovor

V obdobju 1830s: 9 od 20 del na tej strani izvira iz tega obdobja, med katerimi je D. Maria II, Queen of Portugal (1819-1853).

Kakšna so najstarejše in najnovejše znana slika umetnika John Simpson?Prikaži odgovor

Najstarejšo delo na tej strani je iz Captain Peter Heywood (1773–1831) (1822), najnovejše pa iz Sir Charles Napier (1786–1860), Admiral (1841).

Kaj je John Simpson najpogosteje slikočil?Prikaži odgovor

Man (13), Dark background (5) in Portrait (4), med 20 dela na tej strani.

Katero meansko tehniko je John Simpson najpogosteje uporabljal/a?Prikaži odgovor

Oil On Canvas: 10 od 20 del na tej strani.

Ktora dela John Simpson lahko vidim v muzeju National Portrait Gallery?Prikaži odgovor

Clarkson Frederick Stanfield, Frederick Marryat (engraved 1826) in Sir Herbert Taylor so med 3 dela na tej strani, ki jih hrani National Portrait Gallery, London.

Ali lahko kupim reprodukcijo slike avtorja John Simpson?Prikaži odgovor

Da. Vsako sliko na tej strani lahko naročite kot muzejsko kakovostno ročno naslikano oljno reprodukcijo ali umetniški natisk v izbrani velikosti neposredno s strani posamezne slike.

O umetniku John Simpson

John Simpson: A Life in Portraiture

Early Life and Training

  • Born in London in 1782, John Simpson embarked on a career as a portrait painter during a vibrant period of British art.
  • He received his foundational training at the prestigious Royal Academy, honing his skills and establishing himself within the artistic community.
  • Crucially, Simpson spent several years as an assistant to Sir Thomas Lawrence, PRA – a leading portraitist of the era. This mentorship profoundly shaped his style and approach to capturing likenesses.

Artistic Development and Style

  • Simpson’s early work reflects the influence of Sir Thomas Lawrence, characterized by a refined technique and attention to detail. He quickly gained recognition for his ability to create flattering and accurate portraits.
  • He exhibited regularly at the Royal Academy from 1807 until his death, demonstrating consistent productivity and engagement with the art world.
  • While primarily a portraitist, Simpson’s work occasionally ventured beyond conventional society portraiture, hinting at a broader artistic sensibility.

Major Achievements and Commissions

  • Royal Patronage: In 1834, Simpson received a significant commission to travel to Portugal and paint portraits in Lisbon.
  • His success led to an appointment as Painter to the Queen of Portugal, solidifying his reputation on the international stage.
  • Notable Sitters: Simpson painted numerous prominent figures, including William IV and many other notable individuals of his time. His portraits provide valuable visual records of British society during the 19th century.

‘The Captive Slave’ and Rediscovery

  • A Turning Point: Simpson's painting, ‘The Captive Slave,’ created a significant shift in his artistic legacy. It remained largely unseen for nearly 180 years.
  • Acquisition and Recognition: The Art Institute of Chicago acquired the work in 2008, bringing it to public attention.
  • Abolitionist Significance: ‘The Captive Slave’ is now recognized as a powerful statement against slavery. It demonstrates Simpson's capacity for venturing beyond conventional portraiture and engaging with important social issues.

Legacy and Historical Significance

  • Despite some contemporary criticism suggesting his work lacked “instinct and penetration,” John Simpson established a successful career as a respected portrait painter.
  • Family of Artists: He had two sons who also pursued artistic careers – Charles, who died young, and Philip, who found success with small domestic subjects.
  • Enduring Impact: The rediscovery of ‘The Captive Slave’ has elevated Simpson's status, highlighting his talent and the painting’s importance as a symbol of the abolitionist movement. He is now recognized not only for his technical skill but also for his contribution to social commentary through art.