Landscape with Pond (1884) je najbolj znano sliko avtorja John Bennett, ki se nahaja v muzeju Smithsonian American Art Museum v mestu Washington, D.C.. Od 1 del umetnika John Bennett v našem katalogu so tu tista 1, ki jih zbiratelji in obiskovalci muzejev najpogosteje opazujejo, vključno z letnico, muzejom in zgodbojo vsakega dela.
Uvrščeno na podlagi naše ocene priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno november 2026. Vsako podobno delo na tej strani je mogoče naročiti kot muzejsko kakovostno ročno slikano oljno reprodukcijo ali umetniški natisk v izbrani velikosti.
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzeji | Mesto | Sloga John Bennett | Slike iz tega seznama |
|---|---|---|---|
| Washington, D.C. | 1 | Landscape with Pond |
1884 je leto vsakega datiranega mojstrovine umetnika John Bennett na tej strani: tukaj so, razvrščeni po slavi.
Landscape with Pond (1884)
19 let: delo Landscape with Pond iz leta 1884, pri čemer je John Bennett rodil/a v 1865.
V našem katalogu je na voljo 1 del avtorja John Bennett.
Večina njih se nahaja v Smithsonian American Art Museum (Washington, D.C.). Zgornja tabela navaja muzeje posamezno.
Da. Vsako sliko na tej strani lahko naročite kot muzejsko kakovostno ročno naslikano oljno reprodukcijo ali umetniški natisk v izbrani velikosti neposredno s strani posamezne slike.
John Bennett was an American author and illustrator who became a prominent figure of the Charleston Renaissance. Born in Chillicothe, United States, he began his creative journey by learning to draw as a child, developing a particular skill in the art of cutting silhouettes. After working for a newspaper, he pursued formal training at the Art Students' League in New York. His literary success arrived with the 1897 publication of Master Skylark, a story about a boy in Elizabethan England that became a bestseller and a classic of children's literature.
Bennett's work often drew from the rich oral traditions of the Gullah culture. He incorporated black folktales and the Gullah language into his lectures and stories, producing works such as The Treasure of Peyre Gaillard and The Doctor to the Dead: Grotesque Legends and Folk Tales of Old Charleston. In addition to his writing, he was a skilled illustrator, notably creating 200 vibrant silhouettes for his 1928 collection, The Pigtail of Ah Lee Ben Loo.