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The Mill Valley, Karekare Bay
Ročno slikana oljna reprodukcija od $181 40 × 25 cm
Velikost kot pri originalu $453 126 × 80 cm Naročite v originalni velikosti →
The Mill Valley, Karekare Bay (1899) je najbolj znano sliko avtorja Frank Wright, ki se nahaja v muzeju Auckland Art Gallery Toi o Tāmaki v mestu Auckland. The Close of day (1909) in Morning after rain (1912) sta naslednji dve dela, ki jih svet najbolje pozna. Od 5 del umetnika Frank Wright v našem katalogu so tu tista 5, ki jih zbiratelji in obiskovalci muzejev najpogosteje opazujejo, vključno z letnico, muzejom in zgodbojo vsakega dela.
Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno november 2026. Vsako podobno delo na tej strani je mogoče naročiti kot muzejsko kakovostno ročno slikano oljno reprodukcijo ali umetniški natisk v izbrani velikosti.
2 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Frank Wright | Slike iz tega seznama |
|---|---|---|---|
 Auckland Art Gallery Toi o Tāmaki |
Auckland | 4 | The Mill Valley, Karekare Bay, The Close of day, Morning after rain |
 Te Whare O Rehua Sarjeant Gallery |
1 | Waitakeres |
The Mill Valley, Karekare Bay (1899), Auckland Art Gallery Toi o Tāmaki, Auckland. Nato sledeta The Close of day (1909) in Morning after rain (1912).
39 let: delo The Mill Valley, Karekare Bay iz leta 1899, pri čemer je Frank Wright rodil/a v 1860.
V našem katalogu je navedenih 5 del avtorja Frank Wright, datiranih od 1899 do 1912.
Večina njih se nahaja v Auckland Art Gallery Toi o Tāmaki (Auckland) in Te Whare O Rehua Sarjeant Gallery. Zgornja tabela navaja muzeje posamezno.
V obdobju 1910s: 2 od 5 del na tej strani izvira iz tega obdobja, med katerimi je Morning after rain.
Najstarejšo delo na tej strani je iz The Mill Valley, Karekare Bay (1899), najnovejše pa iz Morning after rain (1912).
The Mill Valley, Karekare Bay, The Close of day in Morning after rain so med 4 dela na tej strani, ki jih hrani Auckland Art Gallery Toi o Tāmaki, Auckland.
Da. Vsako sliko na tej strani lahko naročite kot muzejsko kakovostno ročno naslikano oljno reprodukcijo ali umetniški natisk v izbrani velikosti neposredno s strani posamezne slike.
Frank Wright remains a figure of significant interest for collectors tracking the turn-of-the-century landscape of New Zealand. While his reputation was long confined to the Auckland region, his technical proficiency distinguishes him from his contemporaries. He was a professional painter who operated with a level of discipline that set him apart from more popular, less structured artists of his era. His work provides a direct visual record of the New Zealand landscape and its inhabitants during a transformative period.
The market has recently begun to recognize the true value of his output. For years, his works lagged behind others in price, but recent auction results have corrected this oversight. His ability to capture specific locales, from the waters of Whangarei Harbour to the estuaries of Tamaki, demonstrates a focused commitment to the geography of his surroundings.
Wright’s practice was defined by a clear, observational approach to his subjects. He worked across various media, showing a particular aptitude for both oil on canvas and watercolour. His compositions often centered on the intersection of land and water, capturing the specific light and atmosphere of the New Zealand coast.
His repertoire includes several notable subjects and formats:
The significance of Wright’s work is cemented by his inclusion in major regional exhibitions. A joint exhibition arranged by the Auckland City Art Gallery in 1953 confirmed his place in the local canon. He was part of a final generation of painters who defined the aesthetic of the turn of the century in New Zealand. His paintings are no longer merely regional curiosities; they are essential components for understanding the development of New Zealand's early art market.