Frank E. Case, 1849 – 1932

1 najbolj znanih slik umetnika Frank E. Case

Slika, ki je prinesla slavo umetniku Frank E. Case, je Snow Scene (1901); razpostaja v muzeju Cleveland Museum of Art, Cleveland. Od 1 del umetnika Frank E. Case v našem katalogu so teh 1 najbolj občudovalnih, od katerih je vsak predstavljen z letnico nastanka, muzejem in tistim, kar ga loči od drugih.

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Portret Frank E. Case
Frank E. Case · 1849 – 1932
Rodil se · umrl
1849 – 1932
Delo v našem katalogu
1
Najbolj znana
Snow Scene (1901)
Največ del v
Cleveland Museum of Art

Frank E. Case: deset slikarskihic podi

Kje si lahko ogledate slike avtorja Frank E. Case

1 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga Frank E. Case Slike iz tega seznama
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 1 Snow Scene

Frank E. Case, leta za letom: ključna dela

Vsako datirano vrhunsko delo umetnika Frank E. Case na tej strani pripada letu 1901: tukaj so.

  1. 1901
    Snow Scene (1901) avtorja Frank E. Case
    Rang 1 / 1

    Snow Scene

    Starost 52 let · Cleveland Museum of Art

Čaščitovna dela umetnika Frank E. Case: vprašanja in odgovori

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Snow Scene (1901)

Koliko je bil Frank E. Case let, ko je sliko Snow Scene?Prikaži odgovor

52 let: delo Snow Scene iz leta 1901, pri čemer je Frank E. Case rodil/a v 1849.

Koliko del je naslikal Frank E. Case?Prikaži odgovor

V našem katalogu je na voljo 1 del avtorja Frank E. Case.

V katerih muzejih lahko vidim majسترstva umetnika Frank E. Case?Prikaži odgovor

Večina njih se nahaja v Cleveland Museum of Art (Cleveland). Zgornja tabela navaja muzeje posamezno.

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Da. Vsako sliko na tej strani lahko naročite kot muzejsko kakovostno ročno naslikano oljno reprodukcijo ali umetniški natisk v izbrani velikosti neposredno s strani posamezne slike.

Življenje umetnika Frank E. Case

A Life of Many Facets

Frank E. Case was a man of many identities, a figure whose life moved through the disparate worlds of law, industry, and the canvas. Born on a farm in Ashland, his early years were rooted in the soil before he transitioned into the structured life of a lawyer in Stark County. He was a man of restless invention and enterprise, accumulating a diverse list of roles that spanned from educator and banker to real estate developer and businessman. His most enduring contribution to the physical world, however, was not found in a courtroom or a bank, but in the invention of the first reclining dental chair, a device that secured a fortune and a place in industrial history.

This wealth allowed him to build a life of significant scale. He constructed a massive stone mansion that resembled a castle, a structure built with the intent to win the hand of a woman named Theano. His success in business provided the means for a later, more quiet pursuit. In his later years, Case turned his attention to the arts, transitioning from a collector to an amateur painter. It was a pursuit that offered a different kind of fulfillment, even as his financial fortunes began to wane in the twilight of his life.

The Canvas and the Memory

His relationship with painting was deeply personal, often tied to the landscapes and structures of his own life. His work frequently captured the essence of the places he inhabited, from the quietude of a snow-covered scene to the architectural presence of his own estate. His output was characterized by a desire to preserve the visual history of his surroundings, often working from memory or through the guidance of others when his physical strength began to fail.

The nature of his artistic output is best understood through the various roles he occupied:

  • Inventor of the reclining dental chair
  • Lawyer and businessman in Stark County
  • Amateur painter and art collector
  • Real estate developer and banker

One of his notable works, Snow Scene, remains part of the Cleveland Museum of Art collection. Other pieces, such as The Case Mansion in Winter, provide a visual record of the grand architecture that defined his era. His paintings often served as a bridge between his lived experience and the historical record of the region.

A Quiet Departure

The final years of Case's life were marked by a quiet irony. The man who once built a stone castle and amassed a significant fortune saw his wealth dwindle, leaving him with modest means by the time of his death in the early 1930s. His transition from a titan of industry to a man of limited resources did not diminish the importance of the artifacts he left behind. His home, once a symbol of competitive grandeur, was eventually purchased by a neighbor and donated to become the first permanent home of the Canton Museum of Art. His presence remains in the preservation of the local landscape through his oil on canvas works.