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Forest Landscape with Bathing Children
Ročno slikana oljna reprodukcija od $181 35 × 29 cm
Velikost kot pri originalu $202 45 × 37 cm Naročite v originalni velikosti →
Najbolj znano delo umetnika Carl Ebert je Forest Landscape with Bathing Children (1867), ki se nahaja v muzeju Bavarske državne slikopisne zbirke v mestu München. Z Evening Landscape (1875) in Landscape society in a park se dopolnjujejo tri dela, ki jih vsi prepoznajo. Naš katalog vsebuje 5 del avtorja Carl Ebert; spodaj je 5 del, ki jih svet najbolj obišče, od katerih vsaka vključuje leto nastanka, muzej, ki jo hrani, in razlog za njen pomen.
Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno november 2026. Vsako podobno delo na tej strani je mogoče naročiti kot muzejsko kakovostno ročno slikano oljno reprodukcijo ali umetniški natisk v izbrani velikosti.
2 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Carl Ebert | Slike iz tega seznama |
|---|---|---|---|
 Bavarske državne slikopisne zbirke |
München | 2 | Forest Landscape with Bathing Children, Evening Landscape |
 Lenbachhaus |
München | 1 | Isar Landscape |
Carl Ebert je slika barvo le 9 let, od 1867 do 1875: spremljajte to dekado leto za letom, skozi slike, ki so mu prinesle ime.
Forest Landscape with Bathing Children (1867), Bavarske državne slikopisne zbirke, München. Nato sledeta Evening Landscape (1875) in Landscape society in a park.
46 let: delo Forest Landscape with Bathing Children iz leta 1867, pri čemer je Carl Ebert rodil/a v 1821.
V našem katalogu je navedenih 5 del avtorja Carl Ebert, datiranih od 1867 do 1875.
Večina njih se nahaja v Bavarske državne slikopisne zbirke (München) in Lenbachhaus (München). Zgornja tabela navaja muzeje posamezno.
Najstarejšo delo na tej strani je iz Forest Landscape with Bathing Children (1867), najnovejše pa iz Evening Landscape (1875).
Forest Landscape with Bathing Children in Evening Landscape so med 2 dela na tej strani, ki jih hrani Bavarske državne slikopisne zbirke, München.
Da. Vsako sliko na tej strani lahko naročite kot muzejsko kakovostno ročno naslikano oljno reprodukcijo ali umetniški natisk v izbrani velikosti neposredno s strani posamezne slike.
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.