Slika, ki je prinesla slavo umetniku Caesar Van Everdingen, je Woman praying (1650); razpostaja v muzeju Rijksmuseum, Amsterdam. Jupiter and Callisto (1655) in Winter (1646) sledeta tem v srcih zbirateljev in obiskovalcev muzejev. Od 41 del umetnika Caesar Van Everdingen v našem katalogu so teh 40 najbolj občudovalnih, od katerih je vsak predstavljen z letnico nastanka, muzejem in tistim, kar ga loči od drugih.
Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno november 2026. Vsako podobno delo na tej strani je mogoče naročiti kot muzejsko kakovostno ročno slikano oljno reprodukcijo ali umetniški natisk v izbrani velikosti.
The quiet intensity of Woman praying draws the viewer into a private moment of devotion. Attributed to the hand of Caesar van Everdingen, this intimate portrait captures a figure lost in contemplation. The work is also known by the title Mary Praying, as the subject is identified as the Virgin Mary. She exists in a space of profound stillness, her presence felt through the weight of her silent plea.
A single mask lies discarded in the upper corner, a silent witness to a deception. Beneath it, the nymph Callisto reclines upon heavy folds of fabric, her skin catching a pale, directional light that carves her form from the surrounding gloom. She looks upward, her gaze meeting the eyes of a man she believes to be a friend, yet the viewer sees the truth of his divinity. Jupiter stands near…
To gaze upon Caesar Van Everdingen’s Winter is to step directly into the hushed, contemplative atmosphere of the Dutch Golden Age. This painting, executed in 1646, transcends a mere depiction of a season; it captures an ephemeral moment—a pause in the rhythm of daily life under the soft dominion of winter's breath. The composition immediately draws the eye to the central figure: a young woman whose presence is both delicate…
In this 1631 oil painting, the tension of a mythological pursuit unfolds within a dense, shadowed landscape. Vertumnus, the god of seasons, is depicted as an older man seated upon the earth, his gaze directed upward toward Pomona. She is positioned to the right, her back turned to the viewer, her sculptural physique partially draped in white cloth. The composition relies on a heavy use of chiaroscuro, where dramatic light…
This work, titled Vertumnus and Pomona, is a significant example of the mythological painting produced by Caesar van Everdingen. The piece is dated about 1637–1640, a period during which the artist was establishing his presence within the Dutch Golden Age. It is a work that captures a specific moment of classical narrative, rendered with the precision characteristic of his training in Utrecht.
In this 1641 portrait, we find ourselves standing before a dense assembly of men, the officers of the Orange Company of the Old Civic Guard. There is a certain weight to the composition, a horizontal arrangement that feels both crowded and deeply organized. These men are not merely subjects; they are a collective force, their postures providing a structural rhythm to the canvas. The lighting, descending from the upper left,…
This 1636 oil portrait presents a three-quarter length view of an elderly woman, Aechje Claesdr. Moer, set against a somber, atmospheric backdrop. The composition relies on a sharp tonal contrast between her dark, light-absorbing gown and a large, bright white ruff collar. This millstone ruff, with its rhythmic pleats, directs the eye toward the subject's face, which is rendered with naturalistic precision. A soft, directional light enters from the upper…
This Baroque-style oil painting presents an intimate mythological scene featuring two figures, Vertumnus and Pomona, set against a dark and atmospheric landscape. The composition centers on a tactile exchange of fruit between a seated figure on the left and a woman on the right. The scene is characterized by a dramatic use of chiaroscuro, where light highlights the faces and hands of the subjects while casting much of the background…
The work before us is the Portrait of an unknown girl, a quiet study by the Dutch Golden Age painter Caesar van Everdingen. This portrait, which is also known by the titles Girl in a Large Hat or Meisje met brede hoed, offers a glimpse into the meticulous portraiture practiced during the mid-17th century. It captures a sense of individual presence through a restrained and dignified approach to the subject.
The painting titled Officers and standard-bearers of New Civic Guard in Alkmaar was executed by the Dutch Golden Age painter Caesar van Everdingen. This large-scale work dates to about 1657. The subject matter consists of a group of officers and standard-bearers, who likely represent a civic militia. These men are gathered in a formal arrangement that reflects their communal role within the city of Alkmaar, Netherlands.
The oil on canvas titled Portrait of Cornelis Jacobsz. Groot (?-1661) presents a quiet encounter with a man of the Dutch Golden Age. Painted by Caesar van Everdingen,…
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The scene unfolds within the realm of myth, centered on the legendary Four Muses and Pegasus on Parnassus. In this gathering, the divine figures occupy a lush, somewhat…
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In Lycurgus Demonstrates the Benefits of Education by Caesar van Everdingen, a crowded assembly of men occupies a space of shifting planes. The composition is dynamic, arranging figures…
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This work is the Self-portrait of Caesar van Everdingen (?-1678), a quiet study by the Dutch Golden Age painter Caesar van Everdingen. Created about 1670, the portrait offers…
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In this 1664 oil portrait, we encounter a woman of significant presence, captured in a three-quarter length view that feels both intimate and formal. She sits slightly off-center,…
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In this large-scale, formal Baroque portrait, Caesar van Everdingen organizes a structured, vertical composition that commands the viewer's attention. The primary subject is positioned centrally in a three-quarter…
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Four Evangelists: John by Caesar van Everdingen presents a vertical, full-length portrait of a youthful, long-haired figure, likely representing Saint John the Evangelist. Positioned slightly off-center, the subject…
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Four Evangelists: Luke by Caesar van Everdingen depicts a single male figure identified as Saint Luke. The subject is an elderly, bearded man shown in a side profile…
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The oil painting titled Four Evangelists: Mark was executed by the Dutch Golden Age painter Caesar van Everdingen. This work is dated 1676. The artist, born in Alkmaar,…
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Joueuse de Cistre is an oil painting by the Dutch Golden Age artist Caesar van Everdingen. Executed in 1678, the work captures a young woman engaged with a…
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In the sweeping, dramatic expanse of Caesar van Everdingen’s Allegory of the Birth of Frederik Hendrik, viewers are transported into a world where the boundaries between the earthly…
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A young woman is depicted in profile against a dark, monochromatic background. The light source originates from the upper left, casting a strong chiaroscuro effect across her form.…
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To stand before this canvas is to step directly into the vibrant, sometimes chaotic heart of 17th-century Dutch social life. Caesar van Everdingen’s depiction, "Diogenes Seeks a True…
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In this 1665 oil painting, we find ourselves in a quiet, darkened space where the interplay of shadow and light defines the subject. A woman, draped in a…
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The Oranjezaal is a large-scale room located within Huis ten Bosch in The Hague, Netherlands. The interior features a vaulted ceiling and walls covered in frescoes. These paintings…
A winged cherub sits enthroned upon red velvet, gazing with a serene, contemplative expression. In his hands, he cradles a glass orb, a sphere that catches the light…
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The composition centers on a man seated in a high-backed chair, wearing heavy royal attire and a crown. He occupies the central axis of the canvas, surrounded by…
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The painting titled Officers and Standard-Bearers of the Old Civic Guard is an oil on canvas work by the Dutch Golden Age painter Caesar van Everdingen. This composition…
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In the luminous realm of the Dutch Golden Age, few scenes capture the intoxicating essence of classical mythology as vibrantly as Caesar van Everdingen’s Nymphs Offering the Young…
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The room is still. Within this domestic space, Mary sits with her child upon her lap, a gesture of soft protection. Beside them, Joseph occupies the scene, his…
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A young girl stands poised in a landscape that feels alive with the quiet energy of the hunt. She holds a bow and arrow, her hands steady, while…
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The Portrait of a Two-Year-Old Boy is a captivating oil on canvas painting created by the renowned Dutch artist Caesar Van Everdingen in 1664. This stunning artwork is…
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Portrait of Elisabeth van Kessel, wife of Willem Jacobsz Baert. Halfway to the left, a fan in the left hand. Pendant of SK-A-1339.
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Portrait of Willem Jacobsz Baert, Mayor of Alkmaar and Amsterdam. Halfway through, standing with a glove in the left hand. Pendant of SK-A-1340.
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Pan and Syrinx. In the middle Syrinx, fleeing to the left for a male figure, who appeared right between the reed. She is half naked, dressed in a…
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A table sits heavy with the weight of harvest and ritual. Wine glasses, cups, and bowls are scattered across its surface, catching the light in a way that…
Prinesite si domov od $181 →Četiri teme, ki se najpogosteje pojavljajo med temi mojstrovinami, s najboljšim primerom za vsako izmed njih.
8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga Caesar Van Everdingen | Slike iz tega seznama |
|---|---|---|---|
 Stedelijk Museum |
Alkmaar | 10 | Officers of the Orange Compagny of the Old Civic Guard, Portret van Aechje Claesdr. Moer (1585-1640), Officers and standard-bearers of New Civic Guard in Alkmaar |
 Rijksmuseum |
Amsterdam | 6 | Woman praying, Winter, Elisabeth van Kessel (1640-1717), Wife of Willem Jacobsz Baert, Caesar Boëtius van Everdingen, 1671 |
 Huis ten Bosch |
Haag | 4 | Four Muses and Pegasus on Parnassus, Allegory of the Birth of Frederik Hendrik, View of the Oranjezaal |
 Nationalmuseum |
Stockholm | 2 | Jupiter and Callisto, Female Figure, possibly Lucretia |
 Kunsthandel P. de Boer |
2 | Portrait of Cornelis Jacobsz. Groot (?-1661), Portrait of a woman, possibly a sister of Cornelis Jacobsz. Groot | |
 Mauritshuis |
Haag | 2 | Diogenes Seeks a True Man, Still-Life with a Bust of Venus |
 Thyssen-Bornemisza Museum |
Madrid | 1 | Vertumnus and Pomona |
 J. Paul Getty Museum |
Los Angeles | 1 | Vertumnus and Pomona |
In this 1631 oil painting, the tension of a mythological pursuit unfolds within a dense, shadowed landscape. Vertumnus, the god of seasons, is depicted as an older man…
To gaze upon Caesar Van Everdingen’s Winter is to step directly into the hushed, contemplative atmosphere of the Dutch Golden Age. This painting, executed in 1646, transcends a…
The quiet intensity of Woman praying draws the viewer into a private moment of devotion. Attributed to the hand of Caesar van Everdingen, this intimate portrait captures a…
In Lycurgus Demonstrates the Benefits of Education by Caesar van Everdingen, a crowded assembly of men occupies a space of shifting planes. The composition is dynamic, arranging figures…
This work is the Self-portrait of Caesar van Everdingen (?-1678), a quiet study by the Dutch Golden Age painter Caesar van Everdingen. Created about 1670, the portrait offers…
Woman praying (1650), Rijksmuseum, Amsterdam. Nato sledeta Jupiter and Callisto (1655) in Winter (1646).
34 let: delo Woman praying iz leta 1650, pri čemer je Caesar Van Everdingen rodil/a v 1616.
Woman praying, Jupiter and Callisto, Winter, Vertumnus and Pomona, Vertumnus and Pomona, Officers of the Orange Compagny of the Old Civic Guard, Portret van Aechje Claesdr. Moer (1585-1640), Vertumnus and Pomona, Portrait of an unknown girl in Officers and standard-bearers of New Civic Guard in Alkmaar. Zgornja lestica prikazuje leto in muzej za vsako od njih.
V našem katalogu je navedenih 41 del avtorja Caesar Van Everdingen, datiranih od 1631 do 1678.
Večina njih se nahaja v Stedelijk Museum (Alkmaar), Rijksmuseum (Amsterdam) in Huis ten Bosch (Haag). Zgornja tabela navaja muzeje posamezno.
V obdobju 1650s: 12 od 40 del na tej strani izvira iz tega obdobja, med katerimi je Woman praying.
Najstarejšo delo na tej strani je iz Vertumnus and Pomona (1631), najnovejše pa iz Joueuse de Cistre (1678).
Woman (12), Man (11) in Drapery (5), med 40 dela na tej strani.
Oil On Canvas: 15 od 40 del na tej strani.
Baroque in Dutch golden age, kot to pokažejo slike na tej strani.
Officers of the Orange Compagny of the Old Civic Guard, Portret van Aechje Claesdr. Moer (1585-1640) in Officers and standard-bearers of New Civic Guard in Alkmaar so med 10 dela na tej strani, ki jih hrani Stedelijk Museum, Alkmaar.
Da. Vsako sliko na tej strani lahko naročite kot muzejsko kakovostno ročno naslikano oljno reprodukcijo ali umetniški natisk v izbrani velikosti neposredno s strani posamezne slike.
V zlati dobi nizozemskega slikarstva, kjer je igra svetlobe in sence definirala vizualno identiteto narodov, se je Caesar van Everdingen izstopil kot mojster subtilnih čustev in atmosferične globine. Rodil se je okoli leta 1616 v zgodovinskem mestu Alkmaar na Nizozemskem, njegova umetniška pot pa je bila tesno prepletena s prestižnim družinskim znotraj. Čeprav so o njem pogosto govorili v povezavi z njegovimi slavnimi brati, Allartom in Janom, je Caesar v okviru nizozemskega zlate dobe zgradil svoj lasten, ločen prostor. Njegov zgodnji šolanje pod cenjenim Janom Gerritszom van Bronckhorstom v Utrechtu mu je zagotovilo trdne temelje klasične estetike, v njega pa je vdel natančnost, ki mu je kasneje omogočila, da preseže zgolj tehnično znanje in doseže pravo umetniško vizijo.
Njegov profesionalni vzpon se je resno začel leta 1632, ko se je uradno pridružil cehi v Alkmarju. V teh oblikovalnih letih je njegov repertoar zaznačevala natančna portretna dela in vzburjljive žanrske scene – dela, ki so zahtevala intenzivno opazovanje človeškega stanja. Ko pa se je njegov talent zrel, se je zrastila tudi njegova ambicija. Premaknil se je iz okvirov dobesedne predstavitve in razvil edinstveno sposobnost manipulacije s potezami črte, da bi zajel bežajoče niance svetlobe in težo atmosfere. Ta evolucija je označila njegov prehod iz veščitega rokodelca v vizionarskiga slikarja, ki je znal platnu podeliti življenje.
Ključno poglavje v Van Everdingenovem življenju se je odprlo leta 1648, ko se je preselil v živahno, kulturno bogato mesto Haarlem. Ta selitev je bila več kot le sprememba okolice; bila je potitev v samo srce nizozemskega sveta umetnosti. Z pridruževanjem prestižni haaremski ceh svetega Luke in aktivnostjo znotraj schutterij (mestne garde) se je Caesar vključil v same tkivo socialne in politične elite mesta. Te povezave so se izkazale za ključne pri pridobivanju naročil, ki bodo določila njegovo zgodovinsko pomembnost.
Morda najprevzmagujoč dosežek njegove kariere je bila njegova vključnost v dekoracijo Oranje Zaal (Oranžna dvorana) v palači Huis ten Bosch. Ta monumentalni podvlad je zahteval mojstrstvo pri velikostnih zgodovinskih slikah, žanru, ki zahteva tako narativno kompleksnost kot veličastno obsežnost. V tem okolju je Caesar pokazal svojo zmožnost sestavljanja epskih scen, kjer je zgodovinsko težo združil z nežno dotikom. Njegovo del v tem obdobju je prikazalo razvijajočo se sposobnost obvladovanja kompleksnih kompozicij, kar je zagotovilo, da njegovo ime ostaja vrezano v arhitekturno zgodovino Nizozemske.
V svojih poznejših letih se je Caesar vrnil k svojim koreninam v Alkmaru, kjer je ustanovil delavnico, ki je postala zavetje za umetniško poučevanje. To obdobje njegovega življenja je zaznačevala globoka predanost izpopolnjevanju svoje umetnosti in mentorstvo novi generaciji slikarjev. Njegova pozna dela odražajo življenjsko nabrano modrost, ki jo zaznamuje ponavljajoča se fascinacija s celestialnimi in eteričnimi temami. Posebno je postal znan po svojih prikazih krilatih bitij – angelov in božanskih tvor—renderiranih z takšno mehkostjo, ki je nakazovala prisotnost sublimnega.
Pomembnost Caesarja van Everdingena ne leža le v njegovih individualnih vrhunskih delih, temveč tudi v njegovi vlogi mostu med strogimi tradicijami zgodnjega 17. stoletja in bolj čutnimi, atmosferičnimi slogi, ki so sledili. Njegova sposobnost združevanja natančnosti nizozemske portretne umetnosti z veličastnostjo zgodovinske pripovedi ostaja dokaz njegove vsestranosti. Danes njegova dela služijo kot vitalna okna v dušo nizozemske zlate dobe in nas opominjajo na čas, ko je bila vsaka poteza črte poskus zajeti večno v trenutku, ki hitro mine.
