Ben Nicholson, 1894 – 1982

100 najbolj znanih slik umetnika Ben Nicholson

Slika, ki je prinesla slavo umetniku Ben Nicholson, je 1946 (cerulean abstraction) (1946); razpostaja v muzeju Pallant House Gallery, Chichester. 1933 (St Rémy self portrait with Barbara Hepworth) (1933) in 1934 (painted relief) (1934) sledeta tem v srcih zbirateljev in obiskovalcev muzejev. Od 127 del umetnika Ben Nicholson v našem katalogu so teh 100 najbolj občudovalnih, od katerih je vsak predstavljen z letnico nastanka, muzejem in tistim, kar ga loči od drugih.

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Portret Ben Nicholson
Ben Nicholson · 1894 – 1982
Rodil se · umrl
1894 – 1982, Buckinghamshire
Gibanje
Cubism
Delo v našem katalogu
127
Najbolj znana
1946 (cerulean abstraction) (1946)
Največ del v
Kettle's Yard

Ben Nicholson: deset slikarskihic podi

1946 (cerulean abstraction) (1946) avtorja Ben Nicholson
1

1946 (cerulean abstraction)

1946 · Acrylic On Canvas · Pallant House Gallery, Chichester

Ben Nicholson OM’s “1946,” a cerulean abstraction housed at Pallant House Gallery, stands as a testament to the burgeoning modernist movement and Nicholson's singular vision for capturing emotion through geometric form. Painted in 1946 amidst the postwar landscape of Britain—a period marked by rebuilding efforts and a fervent embrace of experimental artistic approaches—the canvas embodies a profound stillness punctuated by dynamic interplay between color and shape.

1934 (painted relief) (1934) avtorja Ben Nicholson
3

1934 (painted relief)

1934 · Acrylic On Canvas · University of Hertfordshire, North Hatley

Exploring Geometric Minimalism: Ben Nicholson’s ‘1934 (relief)’ Ben Nicholson OM's '1934 (relief)' stands as a testament to the understated elegance of geometric abstraction, embodying the spirit of mid-century modern design and inviting contemplation on form and texture. Created in 1934, this mahogany painted relief exemplifies Nicholson’s pioneering exploration of spatial relationships within simplified shapes—a deliberate departure from representational art that sought to capture the essence of experience rather than visual…

1932–33 (musical instruments) (1933) avtorja Ben Nicholson
7

1932–33 (musical instruments)

1933 · Oil On Canvas · Kettle's Yard, Cambridge

A violin and a cello emerge from a quiet, gray landscape. They are not drawn with the soft curves of a musician's hand, but through the sharp, disciplined language of geometric abstraction. In this 1933 oil on canvas, the instruments lose their wooden warmth to become a series of intersecting planes and incised lines. The composition relies on a muted palette, where shades of gray dictate the mood, creating a…

Več slikic umetnika Ben Nicholson, od 11 do 100

May 1956 (hendrifter) (1956) avtorja Ben Nicholson
#12

May 1956 (hendrifter)

1956 · Arts Council Collection

To stand before Ben Nicholson’s May 1956 (hendrifter) is to encounter a moment of profound, almost crystalline stillness. This work does not shout its presence; rather, it invites…

c.1922 (Balearic Islands) (1924) avtorja Ben Nicholson
#13

c.1922 (Balearic Islands)

1924 · Kettle's Yard

Ben Nicholson's "c.1922 (Balearic Islands)" isn’t merely a painting; it’s a distilled moment of introspection, captured with the quiet intensity characteristic of the artist’s mature style. Painted in…

1927 (Winifred and Jake) (1928) avtorja Ben Nicholson
#14

1927 (Winifred and Jake)

1928 · Pallant House Gallery

The artwork titled 1927 (Winifred and Jake) is a painting by the artist Ben Nicholson. Completed in 1927, this work functions as a portrait of Winifred and Jake…

1938 (1938) avtorja Ben Nicholson
#15

1938

1938 · Narodna galerija Viktorije

is an oil on canvas work by the British artist Ben Nicholson. Created in 1938, the piece marks a significant period in the artist's career, coinciding with a…

1930 (Christmas night) (1930) avtorja Ben Nicholson
#16

1930 (Christmas night)

1930 · Kettle's Yard

The painting 1930 (Christmas night) is a work by Ben Nicholson OM. Created in 1930, the piece captures a quiet domestic scene through a lens of geometric simplicity.…

1925 (zemeljski pokraj) (1925) avtorja Ben Nicholson
#17

1925 (zemeljski pokraj)

1925 · Pallant House Gallery

Ben Nicholson OM (1894-1982) stands as a monumental figure in British Modernism, celebrated for his pioneering exploration of abstraction and his profound engagement with the materiality of art.…

1925 (jar and goblet) (1925) avtorja Ben Nicholson
#19

1925 (jar and goblet)

1925 · Kettle's Yard

Ben Nicholson OM's "Jar and Goblet," created in 1925, stands as a cornerstone of British Modernism—a deceptively simple painting that belies its profound exploration of form, color, and…

1944–5 (painted relief) (1945) avtorja Ben Nicholson
#22

1944–5 (painted relief)

1945 · The Pier Arts Centre

In the quiet, profound stillness of Ben Nicholson’s 1944–5, one encounters more than just an arrangement of shapes; one enters a meticulously constructed universe of balance and light.…

Exhibition Sign (1933) avtorja Ben Nicholson
#72

Exhibition Sign

1933 · Kettle's Yard

The Quiet Geometry of “Exhibition Sign” Ben Nicholson’s “Exhibition Sign,” painted in 1933, isn't merely a sign; it’s a distilled meditation on form, color, and the very act…

1933 (design) (1933) avtorja Ben Nicholson
#87

1933 (design)

1933 · Laing Art Gallery

In the quiet evolution of British modernism, few works capture the playful intersection of geometry and organic life as poignantly as Ben Nicholson OM’s 1933 design. This captivating…

1945 (still life with flag) (1945) avtorja Ben Nicholson
#88

1945 (still life with flag)

1945 · Muzej umetnosti in arheologije Ashmolean

In the quiet aftermath of global upheaval, Ben Nicholson OM captured a moment of profound structural stillness in his 1945 masterpiece, 1945 (still life with flag). This evocative…

1928 (foothills, Cumberland) (1928) avtorja Ben Nicholson

In the quiet, evocative landscape of 1928 (foothills, Cumberland), we encounter a moment frozen in time, captured by the masterful hand of Ben Nicholson. This oil on canvas…

1932 (Talc de Coty) (1932) avtorja Ben Nicholson
#90

1932 (Talc de Coty)

1932 · The Pier Arts Centre

In the evocative realm of British Modernism, few works capture the experimental spirit of the early twentieth century as tangibly as Ben Nicholson’s 1932 (Talc de Coty). This…

c.1930 (framed lid) (1930) avtorja Ben Nicholson
#91

c.1930 (framed lid)

1930 · Pallant House Gallery

The artwork "c.1930 (framed lid)" by Ben Nicholson Om is a captivating piece that showcases the artist's unique style and technique. Created in 1930, this pen drawing measures…

November 3 1950 (still life winter) (1950) avtorja Ben Nicholson
#92

November 3 1950 (still life winter)

1950 · The Phillips Collection

We are looking at November 3 1950 (still life winter), a work created by Ben Nicholson in 1950. This piece belongs to the collection of the Phillips Collection,…

March 1949 (Trencrom) (1949) avtorja Ben Nicholson
#93

March 1949 (Trencrom)

1949 · British Council Collection

In the vast landscape of twentieth-century abstraction, few works capture the delicate equilibrium between structure and spontaneity as masterfully as Ben Nicholson’s March 1949 (Trencrom). This commanding piece…

c.1928 (Cumbrian landscape) (1928) avtorja Ben Nicholson
#94

c.1928 (Cumbrian landscape)

1928 · Kettle's Yard

Ben Nicholson’s “Cumbrian Landscape (No. 2),” painted in 1928, isn't merely a depiction of a rural scene; it’s an invitation to pause and contemplate the quiet beauty of…

August 1956 (Val d'Orcia) (1956) avtorja Ben Nicholson
#95

August 1956 (Val d'Orcia)

1956 · Tate Modern

Ben Nicholson’s “August 1956 (Val d’Orcia)” isn't merely a depiction of a Tuscan hillside; it’s an invitation to contemplate the very nature of perception and memory. Painted in…

1946 (window in Cornwall) (1946) avtorja Ben Nicholson
#96

1946 (window in Cornwall)

1946 · The Whitworth

Ben Nicholson’s “1946 (Window in Cornwall)” isn't merely a depiction of a landscape; it’s an invitation to contemplate the very essence of perception. Created in 1946, this remarkable…

date unknown (king III) avtorja Ben Nicholson
#97

date unknown (king III)

Pallant House Gallery

In the intimate dimensions of this captivating work, titled date unknown (king III), we are invited into a world that feels both profoundly personal and grandly mythic. At…

1926 (still life with fruit – version 2) (1926) avtorja Ben Nicholson
#98

1926 (still life with fruit – version 2)

1926 · British Council Collection

Ben Nicholson's "1926 (Still Life with Fruit – Version 2)" isn’t merely a depiction of apples and oranges; it’s a carefully constructed meditation on form, stillness, and the…

1934 (relief) (1934) avtorja Ben Nicholson
#99

1934 (relief)

1934 · Kettle's Yard

Ben Nicholson’s ‘1934 (relief)’ isn't merely a painting; it’s a distilled moment, a carefully constructed fragment of a world viewed through the lens of geometric abstraction. Created in…

1924 (goblet and two pears) (1924) avtorja Ben Nicholson
#100

1924 (goblet and two pears)

1924 · Kettle's Yard

Ben Nicholson's "1924 (Goblet and Two Pears)" isn’t merely a still life; it’s a carefully constructed meditation on form, texture, and the quiet beauty of everyday objects. Painted…

Slike umetnika Ben Nicholson po obdobjih

Motivi, ki jih je Ben Nicholson naslikal največ

Četiri teme, ki se najpogosteje pojavljajo med temi mojstrovinami, s najboljšim primerom za vsako izmed njih.

Kje si lahko ogledate slike avtorja Ben Nicholson

8 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga Ben Nicholson Slike iz tega seznama
Kettle's Yard, CambridgeKettle's Yard Cambridge 17 1932–33 (musical instruments), c.1922 (Balearic Islands), 1930 (Christmas night)
The Pier Arts Centre, StromnessThe Pier Arts Centre Stromness 9 1944–5 (painted relief), 1929 (fireworks), 1935 (painting)
Pallant House Gallery, ChichesterPallant House Gallery Chichester 8 1946 (cerulean abstraction), 1927 (Winifred and Jake), 1925 (zemeljski pokraj)
The Phillips Collection, Washington, D.C.The Phillips Collection Washington, D.C. 5 December 13-17 1947 (Trendine 2), March 17 1950 (still life), February 1955 (talisman)
British Council Collection, LondonBritish Council Collection London 4 March 1949 (Trencrom), 1926 (still life with fruit – version 2)
Abbot Hall Art Gallery, KendalAbbot Hall Art Gallery Kendal 3 1932 (crowned head the queen), 1930–1936 (composition still life)
Dudmaston HallDudmaston Hall 2 Composition, Four Squares, Two Circles
Arts Council Collection, LondonArts Council Collection London 3 May 1956 (hendrifter)

Ben Nicholson, desetletje za desetletjem: ključna slika vsakega obdobja

  1. 1910s
  2. 1920s
  3. 1930s
  4. 1940s
    1946 (cerulean abstraction) (1946) avtorja Ben Nicholson
    1. od 100

    1946 (cerulean abstraction)

    Starost 46 – 55 · Pallant House Gallery

    Ben Nicholson OM’s “1946,” a cerulean abstraction housed at Pallant House Gallery, stands as a testament to the burgeoning modernist movement and Nicholson's singular vision for capturing emotion…

  5. 1950s
    May 1956 (hendrifter) (1956) avtorja Ben Nicholson
    #12 od 100

    May 1956 (hendrifter)

    Starost 56 – 65 · Arts Council Collection

    To stand before Ben Nicholson’s May 1956 (hendrifter) is to encounter a moment of profound, almost crystalline stillness. This work does not shout its presence; rather, it invites…

  6. 1960s

Čaščitovna dela umetnika Ben Nicholson: vprašanja in odgovori

Za katero sliko je Ben Nicholson najbolj znan/a?Prikaži odgovor

1946 (cerulean abstraction) (1946), Pallant House Gallery, Chichester. Nato sledeta 1933 (St Rémy self portrait with Barbara Hepworth) (1933) in 1934 (painted relief) (1934).

Koliko je bil Ben Nicholson let, ko je sliko 1946 (cerulean abstraction)?Prikaži odgovor

52 let: delo 1946 (cerulean abstraction) iz leta 1946, pri čemer je Ben Nicholson rodil/a v 1894.

Kakih deset najboljših slik je Ben Nicholson?Prikaži odgovor

1946 (cerulean abstraction), 1933 (St Rémy self portrait with Barbara Hepworth), 1934 (painted relief), 1928 (Walton Wood cottage no.1), 1948 (still life), 1924 (first abstract painting, Chelsea), 1932–33 (musical instruments), 1932 (Au Chat Botté), Jan 27 1933 in 1932 (Auberge de la Sole Dieppoise). Zgornja lestica prikazuje leto in muzej za vsako od njih.

Koliko del je naslikal Ben Nicholson?Prikaži odgovor

V našem katalogu je navedenih 127 del avtorja Ben Nicholson, datiranih od 1914 do 1969.

V katerih muzejih lahko vidim majسترstva umetnika Ben Nicholson?Prikaži odgovor

Večina njih se nahaja v Kettle's Yard (Cambridge), The Pier Arts Centre (Stromness) in Pallant House Gallery (Chichester). Zgornja tabela navaja muzeje posamezno.

Kdaj je Ben Nicholson naslikal svoja remekpäla?Prikaži odgovor

V obdobju 1930s: 39 od 100 del na tej strani izvira iz tega obdobja, med katerimi je 1933 (St Rémy self portrait with Barbara Hepworth).

Kakšna sta prva in zadnja znana slika umetnika Ben Nicholson?Prikaži odgovor

Najstarejšo delo na tej strani je iz 1914 (the striped jug) (1914), najnovejše pa iz 1969 (Holkham Sands No. 1) (1969).

Kateri so bili najljubše teme Ben Nicholson?Prikaži odgovor

Geometric shapes (10), Geometric (9) in Abstract (7), med 100 dela na tej strani.

Katero tehniko je raje uporabljal/a Ben Nicholson?Prikaži odgovor

Oil On Canvas: 15 od 100 del na tej strani.

Kateri umetniški slog zastopa Ben Nicholson?Prikaži odgovor

Cubism, kot to pokažejo slike na tej strani.

Katera umetniška dela avtorja Ben Nicholson so razstavljena v muzeju Kettle's Yard?Prikaži odgovor

1932–33 (musical instruments), c.1922 (Balearic Islands) in 1930 (Christmas night) so med 11 dela na tej strani, ki jih hrani Kettle's Yard, Cambridge.

Življenje umetnika Ben Nicholson

Ben Nicholson OM: Življenje v abstrakcijski umetnosti

  • Rod: 10. april 1894, Denham, Buckinghamshire, Združena kraljevina
  • Umrl: 6. februar 1982, London, Združena kraljevina

Zgodnje življenje in umetniška izobraževanja

  • Ben Nicholson se je rodil v umetniški družini; njegov oče, Sir William Nicholson, in mati, Mabel Pryde, sta bila oba izjemno usposobljena slikarja. To okolje je že od mladega v njem spodbudilo globoko spoštovanje do umetnosti.
  • Svojo zgodnjo izobraževanje je pridobil v šolah Tyttenhangar Lodge Preparatory School, Seaford, Heddon Court, Hampstead in Gresham's School v Holt, Norfolk.
  • Nicholson je formalno študiral na Slade School of Fine Art (1910–1911), kjer je sodeloval z izjemnimi umetniki, kot so Paul Nash, Stanley Spencer, Mark Gertler in Edward Wadsworth. Po pričestih je v tem obdobju preživel veliko časa ob biljardu, saj je v geometriji in gibanju igre prepoznal svojo esteto.

Umetniška razvojnost in vplivi

  • Zgodnja dela: Nicholsonovi začetni umetniški prizadevanja so vključevali naturalističečne življenjske slike, ki so bile pod vplivom sloga njegovega očeta.
  • Vpliv kubizma: Okoli leta 1926 je začel raziskovati abstrakcijo, močno navdihnjen s sintetičnim kubizmom in delom Pabla Picassa.
  • Neoplasticizem in primitivni slog: Srečanje s Pietom Mondrianom ga je uvedlo v neoplasticizem, medtem ko je srečanje z Henrijem Rousseauav vzbudilo zanimanje za primitivni slog. Ti vplivi so bistveno oblikovali njegovo umetniško smer.
  • Ključni gibanja: Nicholson se je vključil v več pomembnih umetnostnih gibanj dnešnjega časa, vključno s skupino Seven and Five Society (v kateri je sodeloval kot predsednik), Unit One in Abstraction-Création.

Pomembna dela in umetniški slog

  • Reliefi: Nicholson je posebej znan po svojih abstrakcijskih reliefih, ki so se začeli pojavljati leta 1933. Ta dela so združevala slikarstvo s slikarskimi elementi in ustvarjala edinstveno vizualno izkušnjo. Bele reliefe iz sredine 30. let 20. stoletja velja za njegove najpomembnejše dosežke.
  • Življenjske slike in pejzaži: Čeprav je znan po abstrakciji, je Nicholson ustvarjal tudi prepričljive življenjske slike in pejzaže, v njih pa je pogosto vključeval geometrične oblike in utihnene barve.
  • _
  • Nicholsonov zid: Pomembno javno del je "Nicholson Wall", mural, ustvarjen za vrt v Sutton Place v Guildfordu, Surrey, ki dokazuje njegovo prepričanje, da bi morala biti abstrakcija dostopna širšemu občinku.
  • Materiali in tehnike: Eksperimentiral je z različnimi materiali in tehnikami, vključno z oljnimi barvami, svinčnikom, šutrom in masonitom, ki jih je pogosto združeval na inovativne načine.

Dedstvo in zgodovinski pomen

  • Moderna britanska umetnost: Ben Nicholson je prepoznan kot ključna figura moderne britanske umetnosti, saj je pomembno prispeval k razvoju abstrakcije in reliefnelike.
  • Mednarodno priznanje: Njegovo del je doseglo mednarodni uspeh z izpostavami na prestižnih mestih, kot je Bienale v Benetkah, ter retrospektivami v največjih muzejih po vsem svetu. Prejel je šte številne nagrade, vključno z Redom zasluge leta 1968.
  • Aukcionski rekord: Nicholsonove slike dosegajo visoke cene na dražbah, kar odraža njihovo umetniško vrednost in zgodovinski pomen. Na primer, delo "Sept 53 (Balearic)" je bilo leta 2011 pri Christie's v New Yorku prodano za 1.650.500$, "Fiddle and Spanish Guitar" pa je leta 2012 pri Christie's v Parizu dosegl 3.313.000 €.
  • Vpliv na naslednje umetnike: Nicholsonov inovativni pristop k abstrakciji ter njegovo raziskovanje forme in prostora sta vplinjala na generacije umetnikov.