1
Stags and Old Oak Near the Wallwitzburg near Dessau
Ročno slikana oljna reprodukcija od $181 36 × 28 cm
Velikost kot pri originalu $224 56 × 43 cm Naročite v originalni velikosti →
Najbolj znano sliko umetnika August Becker je Stags and Old Oak Near the Wallwitzburg near Dessau (1836). Z The Jungfrau (1853) in A view of Schloss Waldleiningen (1863) se dopolnjujejo tri dela, ki jih vsi prepoznajo. Naš katalog vsebuje 24 del avtorja August Becker; spodaj je 24 del, ki jih svet najbolj obišče, od katerih vsaka vključuje leto nastanka, muzej, ki jo hrani, in razlog za njen pomen.
Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno november 2026. Vsako podobno delo na tej strani je mogoče naročiti kot muzejsko kakovostno ročno slikano oljno reprodukcijo ali umetniški natisk v izbrani velikosti.
1 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga August Becker | Slike iz tega seznama |
|---|---|---|---|
 Kraljeva zbirka |
London | 23 | The Jungfrau, A view of Schloss Waldleiningen, The Valley of the Dee near Braemar |
Stags and Old Oak Near the Wallwitzburg near Dessau (1836). Nato sledeta The Jungfrau (1853) in A view of Schloss Waldleiningen (1863).
15 let: delo Stags and Old Oak Near the Wallwitzburg near Dessau iz leta 1836, pri čemer je August Becker rodil/a v 1821.
Stags and Old Oak Near the Wallwitzburg near Dessau, The Jungfrau, A view of Schloss Waldleiningen, The Valley of the Dee near Braemar, Glen Gelder, The Valley of the Dee above Braemar, Caenlochan, Loch Avon, Balmoral in Loch Callater. Zgornja lestica prikazuje leto in muzej za vsako od njih.
V našem katalogu je navedenih 24 del avtorja August Becker, datiranih od 1836 do 1877.
Večina njih se nahaja v Kraljeva zbirka (London). Zgornja tabela navaja muzeje posamezno.
V obdobju 1860s: 16 od 24 del na tej strani izvira iz tega obdobja, med katerimi je A view of Schloss Waldleiningen.
Najstarejšo delo na tej strani je iz Stags and Old Oak Near the Wallwitzburg near Dessau (1836), najnovejše pa iz The Villa Hohenlohe (1877).
The Jungfrau, A view of Schloss Waldleiningen in The Valley of the Dee near Braemar so med 23 dela na tej strani, ki jih hrani Kraljeva zbirka, London.
Da. Vsako sliko na tej strani lahko naročite kot muzejsko kakovostno ročno naslikano oljno reprodukcijo ali umetniški natisk v izbrani velikosti neposredno s strani posamezne slike.
August Becker did not merely paint scenery; he captured the specific, rugged geography of the nineteenth century. His work belongs to the Düsseldorfer Malerschule, a movement defined by a rigorous approach to landscape that favored structural accuracy over mere sentiment. He moved from the initial guidance of Johann Heinrich Schilbach to the specialized landscape training of Johann Wilhelm Schirmer at the Kunstakademie Düsseldorf. This technical foundation allowed him to transition from local German vistas to the dramatic, vertical compositions of the North.
His ability to translate geological scale onto canvas earned him a place in the most prestigious collections of his era. In 1854, while studying in London, his work caught the attention of the British monarchy. Prince Albert purchased his painting "The Jungfrau" as a gift for Queen Victoria. This was no minor social victory; it established Becker as a painter of international standing, leading to further acquisitions by the Queen and invitations to visit Scotland and the Isle of Wight.
Becker’s career was defined by his movement through significant European landscapes. He did not stay confined to the Rhine valley, instead seeking out the specific light and form of diverse regions. His travels were purposeful, often dictated by the specific demands of his patrons or the availability of new subject matter.
The sheer volume of his work—over 360 paintings—indicates a highly disciplined professional practice. He was a painter of precision, capable of shifting from the intimate details of the Nahe region to the vast, sweeping scales of Norwegian fjords. His later years saw him teaching, including lessons for Princess Antonia, proving his technical authority was recognized by the aristocracy. While much of his work remains in private or royal hands, with about 80 paintings located in England, his presence in the Kunst Archiv Darmstadt ensures his place in the historical record of German landscape painting.
