Adèle Romany, 1769 – 1846

37 najbolj znanih slik umetnika Adèle Romany

Slika, ki je prinesla slavo umetniku Adèle Romany, je Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795); razpostaja v muzeju National Museum of Women in the Arts, Washington, D.C.. Madame Coury, Duhamel Widow (1811) in Portrait of a Young Woman (1804) sledeta tem v srcih zbirateljev in obiskovalcev muzejev. Od 39 del umetnika Adèle Romany v našem katalogu so teh 37 najbolj občudovalnih, od katerih je vsak predstavljen z letnico nastanka, muzejem in tistim, kar ga loči od drugih.

Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno november 2026. Vsako podobno delo na tej strani je mogoče naročiti kot muzejsko kakovostno ročno slikano oljno reprodukcijo ali umetniški natisk v izbrani velikosti.

Portret Adèle Romany
Adèle Romany · 1769 – 1846
Rodil se · umrl
1769 – 1846, Paris
Gibanje
Neoclassicism
Delo v našem katalogu
39
Najbolj znana
Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)
Največ del v
Library-museum of the Comédie-Française

Adèle Romany: deset slikarskihic podi

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) avtorja Adèle Romany
1

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou

1795 · Oil · National Museum of Women in the Arts, Washington, D.C.

The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.

Ročno slikana oljna reprodukcija od $181 27 × 36 cm Velikost kot pri originalu $525 97 × 128 cm Naročite v originalni velikosti →
Madame Coury, Duhamel Widow (1811) avtorja Adèle Romany
2

Madame Coury, Duhamel Widow

1811 · Oil On Canvas · Nationalmuseum, Stockholm

In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…

Ročno slikana oljna reprodukcija od $181 28 × 36 cm Velikost kot pri originalu $470 90 × 117 cm Naročite v originalni velikosti →
Portrait of a Young Woman (1804) avtorja Adèle Romany
3

Portrait of a Young Woman

1804 · Oil On Canvas · Musée Marmottan Monet, Pariz

The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of portraiture. The subject of the painting is a single young woman, depicted in a full-length vertical composition.

Ročno slikana oljna reprodukcija od $181 29 × 35 cm Velikost kot pri originalu $245 51 × 61 cm Naročite v originalni velikosti →
Portrait of Julie Candeille (1791) avtorja Adèle Romany
4

Portrait of Julie Candeille

1791 · Oil On Canvas

In Portrait of Julie Candeille, Adèle Romany employs a formal, neoclassical arrangement to present the subject in a medium close-up. The figure is contained within an oval vignette, a choice that creates a sense of depth and focuses the viewer's attention on the sitter. This geometric structure provides a controlled boundary against a soft, atmospheric background of dark greenery. The composition balances the organic fluidity of the subject with this…

Ročno slikana oljna reprodukcija od $181 29 × 34 cm
Portrait of a Young Harpist (1795) avtorja Adèle Romany
5

Portrait of a Young Harpist

1795 · Oil On Canvas · Palais des Beaux-Arts de Lille, Lille

The air in the room feels heavy with the scent of old wood and the quiet anticipation of a single note. A young woman sits poised, her body angled toward the left as her fingers prepare to brush against the vertical strings of a harp. The warm, reddish-brown wood of the instrument catches the light, creating a soft glow that contrasts against the deep, muted teal of the background. She…

Ročno slikana oljna reprodukcija od $181 28 × 35 cm Velikost kot pri originalu $354 73 × 92 cm Naročite v originalni velikosti →
Portrait of a woman (1795) avtorja Adèle Romany
6

Portrait of a woman

1795 · Oil On Canvas · Musée Jacquemart-André, Pariž

The Portrait of a woman by Adèle Romany captures a single, quiet moment from 1795. This bust-length composition is set within an oval format, focusing the viewer's attention on the presence of the sitter. The subject is an elegant and intimate young woman, her likeness emerging from a dark, muted background that recedes into shadow.

Ročno slikana oljna reprodukcija od $181 29 × 35 cm Velikost kot pri originalu $294 62 × 76 cm Naročite v originalni velikosti →
Portrait of Amélie-Justine Pontois (1795) avtorja Adèle Romany
7

Portrait of Amélie-Justine Pontois

1795 · Oil

In this oval-format portrait, we encounter Amélie-Justine Pontois in a moment of quiet poise. The composition, captured in a three-quarter view, positions her with a gentle sense of movement that avoids the stiffness often found in formal commissions of the era. She is rendered with a soft, luminous quality, her skin tones warming against a background of atmospheric greys and deep, nebulous shadows. There is a certain stillness here, a…

Ročno slikana oljna reprodukcija od $181 28 × 36 cm Velikost kot pri originalu $243 49 × 61 cm Naročite v originalni velikosti →
Charles-Antoine d'Artenay (1792) avtorja Adèle Romany
8

Charles-Antoine d'Artenay

1792 · Oil On Canvas · Château de Versailles, Versailles

The man sits in a quiet, oval frame, caught in a moment of stillness. He is a figure of the late eighteenth century, draped in the heavy, tactile weight of a dark coat. A crisp white cravat provides a sharp, bright break against the warmth of his skin and the earthy tones of his attire. Light falls from the upper left, carving the geometry of his face with a gentle…

Ročno slikana oljna reprodukcija od $181 29 × 35 cm Velikost kot pri originalu $256 53 × 65 cm Naročite v originalni velikosti →
Portrait of Amélie-Justine and Charles-Édouard Pontois (1800) avtorja Adèle Romany
9

Portrait of Amélie-Justine and Charles-Édouard Pontois

1800 · Oil

The air feels still, as if the world has paused to allow this couple a moment of private repose. Amélie-Justine and Charles-Édouard Pontois lean toward one another, their connection felt through the gentle tilt of their heads and the soft drape of a shawl. She rests her arm upon his shoulder, a gesture of quiet intimacy that speaks of a shared life lived in the calm of a changing era.…

Ročno slikana oljna reprodukcija od $206 28 × 35 cm Velikost kot pri originalu $380 73 × 92 cm Naročite v originalni velikosti →
A young person hesitating to play the piano in front of her family (1804) avtorja Adèle Romany
10

A young person hesitating to play the piano in front of her family

1804 · Oil On Canvas · Frances Lehman Loeb Art Center

The scene unfolds within the quiet tension of "A young person hesitating to play the piano in front of her family," an oil on canvas work that captures a fleeting moment of domestic hesitation. Adèle Romany brings this intimate gathering to life, freezing a single instance of social grace and youthful uncertainty. The figures are suspended in a poised, formal arrangement that suggests the weight of expectation hanging in the…

Ročno slikana oljna reprodukcija od $281 36 × 28 cm Velikost kot pri originalu $749 146 × 113 cm Naročite v originalni velikosti →

Več slikic umetnika Adèle Romany, od 11 do 37

Portrait of Emilie Leverd (1808) avtorja Adèle Romany
#21

Portrait of Emilie Leverd

1808 · Library-museum of the Comédie-Française

Portrait of Emilie Leverd by Adèle Romany is a three-quarter length portrait composed with a deliberate sense of balance. The subject is positioned slightly off-center, directing her gaze…

Naročite reprodukcijo od $181 →
Mlle Raucourt as Agrippine (1812) avtorja Adèle Romany
#22

Mlle Raucourt as Agrippine

1812 · Library-museum of the Comédie-Française

In this portrait, titled Mlle Raucourt as Agrippine, the artist Adèle Romany presents a striking study of the celebrated French actress Françoise Marie Antoinette Saucerotte. Known professionally as…

Prinesite si domov od $181 →
Baptiste cadet (1832) avtorja Adèle Romany
#36

Baptiste cadet

1832 · Library-museum of the Comédie-Française

The artwork titled Baptiste cadet is a portrait executed by the artist Adèle Romany. This specific piece was created in 1832. The subject of the painting is a…

Naročite reprodukcijo od $181 →

Slike umetnika Adèle Romany po obdobjih

Motivi, ki jih je Adèle Romany naslikal največ

Četiri teme, ki se najpogosteje pojavljajo med temi mojstrovinami, s najboljšim primerom za vsako izmed njih.

Kje si lahko ogledate slike avtorja Adèle Romany

8 muzejev, ki vsebujo največ slik na tej strani.

Muzej Mesto Sloga Adèle Romany Slike iz tega seznama
Library-museum of the Comédie-Française Paris 5 Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury
Château de Versailles, VersaillesChâteau de Versailles Versailles 2 Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack
Muzej fine arts, BostonMuzej fine arts Boston 2 Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar
National Museum of Women in the Arts, Washington, D.C.National Museum of Women in the Arts Washington, D.C. 1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou
Nationalmuseum, StockholmNationalmuseum Stockholm 1 Madame Coury, Duhamel Widow
Musée Marmottan Monet, ParizMusée Marmottan Monet Pariz 1 Portrait of a Young Woman
Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 1 Portrait of a Young Harpist
Musée Jacquemart-André, ParižMusée Jacquemart-André Pariž 1 Portrait of a woman

Adèle Romany, desetletje za desetletjem: ključna slika vsakega obdobja

  1. 1790s
  2. 1800s
    Portrait of a Young Woman (1804) avtorja Adèle Romany
    #3 od 37

    Portrait of a Young Woman

    Starost 31 – 40 · Musée Marmottan Monet

    The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of…

  3. 1810s
    Madame Coury, Duhamel Widow (1811) avtorja Adèle Romany
    #2 od 37

    Madame Coury, Duhamel Widow

    Starost 41 – 50 · Nationalmuseum

    In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence…

  4. 1830s
    Portrait de Zoé Prévost, de l'Opéra-Comique (1830) avtorja Adèle Romany
    #32 od 37

    Portrait de Zoé Prévost, de l'Opéra-Comique

    Starost 61 – 70 · Musée Magnin

    The artwork is titled Portrait de Zoé Prévost, de l'Opéra-Comique and was executed by the artist Adèle Romany. This portrait depicts Geneviève-Aimé-Zoë Prévost, a figure known in professional…

Čaščitovna dela umetnika Adèle Romany: vprašanja in odgovori

Za katero sliko je Adèle Romany najbolj znan/a?Prikaži odgovor

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), National Museum of Women in the Arts, Washington, D.C.. Nato sledeta Madame Coury, Duhamel Widow (1811) in Portrait of a Young Woman (1804).

Koliko je bil Adèle Romany let, ko je sliko Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou?Prikaži odgovor

26 let: delo Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou iz leta 1795, pri čemer je Adèle Romany rodil/a v 1769.

Kakih deset najboljših slik je Adèle Romany?Prikaži odgovor

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois in A young person hesitating to play the piano in front of her family. Zgornja lestica prikazuje leto in muzej za vsako od njih.

Koliko del je naslikal Adèle Romany?Prikaži odgovor

V našem katalogu je navedenih 39 del avtorja Adèle Romany, datiranih od 1791 do 1836.

V katerih muzejih lahko vidim majسترstva umetnika Adèle Romany?Prikaži odgovor

Večina njih se nahaja v Library-museum of the Comédie-Française (Paris), Château de Versailles (Versailles) in Muzej fine arts (Boston). Zgornja tabela navaja muzeje posamezno.

Kdaj je Adèle Romany naslikal svoja remekpäla?Prikaži odgovor

V obdobju 1800s: 13 od 37 del na tej strani izvira iz tega obdobja, med katerimi je Portrait of a Young Woman.

Kakšna sta prva in zadnja znana slika umetnika Adèle Romany?Prikaži odgovor

Najstarejšo delo na tej strani je iz Portrait of Julie Candeille (1791), najnovejše pa iz Portrait of Voltaire (1836).

Kateri so bili najljubše teme Adèle Romany?Prikaži odgovor

Woman (24), Man (14) in White dress (6), med 37 dela na tej strani.

Katero tehniko je raje uporabljal/a Adèle Romany?Prikaži odgovor

Oil On Canvas: 29 od 37 del na tej strani.

Kateri umetniški slog zastopa Adèle Romany?Prikaži odgovor

Neoclassicism, kot to pokažejo slike na tej strani.

Katera umetniška dela avtorja Adèle Romany so razstavljena v muzeju Library-museum of the Comédie-Française?Prikaži odgovor

Portrait of Emilie Leverd, Mlle Raucourt as Agrippine in Portrait of Fleury so med 5 dela na tej strani, ki jih hrani Library-museum of the Comédie-Française, Paris.

Ali lahko lastam reprodukcijo stvaritve mojstra Adèle Romany?Prikaži odgovor

Da. Vsako sliko na tej strani lahko naročite kot muzejsko kakovostno ročno naslikano oljno reprodukcijo ali umetniški natisk v izbrani velikosti neposredno s strani posamezne slike.

Življenje umetnika Adèle Romany

Adèle de Romance (Adèle Romanée): A Life in Miniature and Portraiture

Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.

Early Life and Artistic Training

  • Birth and Legitimation: Born Jeanne Marie Mercier in Paris, Adèle was initially recognized as an illegitimate child. In 1778, at age eight, she was legitimized by her father, Godefroy V, Marquis de Romance, brother of the writer Germain-Hyacinthe de Romance, from this point adopting the name Adèle de Romance.
  • Formal Education: She received formal artistic training under Jean-Baptiste Regnault, a prominent French history painter and academician. This foundational education provided her with a strong understanding of drawing, composition, and color theory – essential skills for both miniature painting and portraiture.
  • Marriage to François Antoine Romany: In 1790, Adèle married fellow miniature painter François Antoine Romany. While their marriage eventually ended in divorce, it significantly influenced her early career as she often exhibited under his surname, "Romany."

Artistic Style and Notable Works

  • Specialization: Adèle de Romance’s artistic focus centered on miniatures and portraits, particularly those depicting individuals involved in the performing arts. This niche allowed her to cultivate a clientele within Parisian theatrical and musical circles.
  • Exhibitions at the Paris Salon: From 1793 to 1808, she exhibited her works under the name "Romany," and subsequently from 1808 to 1833 as “Romanée.” She presented a substantial body of work over forty years, demonstrating consistent artistic output.
  • Notable Works:
    • Portrait of Auguste Vestris: This piece, housed at the Rhode Island School of Design Museum of Art, exemplifies her skill in capturing likeness and character.
    • Self-portrait with her children (1800): A poignant depiction showcasing both artistic talent and familial life.
    • Portraits of Mlle Raucourt and Mlle Emilie Leverd: These portraits, exhibited at various Salons, further solidified her reputation for capturing the essence of theatrical personalities.
  • Artistic Characteristics: Her miniatures are known for their delicate detail, refined color palettes, and ability to convey a sense of personality within a small format. Her larger portraits demonstrate a similar attention to detail and an understanding of light and shadow.

Recognition and Historical Significance

  • Gold Medal of the Jury (1808): This prestigious award recognized her artistic merit and contributed to her standing within the French art establishment.
  • Influence on Other Artists: While not a revolutionary figure, Adèle de Romance’s consistent production of high-quality miniatures and portraits helped maintain the popularity of these genres during a period when larger historical paintings were gaining prominence.
  • Representation of Performing Arts: Her focus on portraying actors, actresses, and musicians provides valuable visual documentation of Parisian theatrical life in the late 18th and early 19th centuries. The Comédie-Française holds a significant collection of her works due to this specialization.
  • Financial Acumen: Beyond her artistic pursuits, Adèle demonstrated business savvy through financial speculations during periods of political upheaval, showcasing an entrepreneurial spirit uncommon for women artists of the time.

Legacy and Rediscovery

Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.