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The prison

Ime Razred Datum

Vilijam Hogart, The prison (1735). Javna lastnina. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
Vilijam Hogart wahooart.com/sl/artists/vilijam-hogart_sl/
Datumi rojstva in smrti umetnika
1697 – 1764
Naslikano
1735
Tehnika
Oil
Prvotna velikost
62 x 75 cm
Obdobje
Early Modern
Artistic style
British painting
Influences
Satire, Moral tales
Notable elements
Social satire, scene
Subject or theme
Human behavior

V kontekstu

The prison — Vilijam Hogart

Kakšna je velikost?

Prvotne dimenzije so 62 × 75 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1690
  2. 1700
  3. 1710
  4. 1720
  5. 1730
  6. 1740
  7. 1750
  8. 1760

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 67 ob smrti.

Naslikano, ko je bil avtor star 38. Umetnik je doživel 67 let. 21 od 96 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje Vilijam Hogart (1697–1764) ▲ to delo, 1735 vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1735 Glavni delovni leti: 1735–1750 Pozna dela: od 1750

Ti trije pasovi razdelijo dela v tem katalogu, za katera imamo datum, na prvo četrtino, srednjo polovico in zadnjo četrtino. Ne predstavljajo umetnikove popolne produkcije: tanjka obdobja lahko pomeni luknjo v arhivu in ne le obdobje manj intenzivnega ustvarjanja. Iste leta, ki spremljajo življenjsko pot umetnika

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več podobnih del za kombiniranje z tem: wahooart.com/sl/art/similar/william-hogarth-the-prison-8XZ733-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Espresso #3b2726

    Katalogirana paleta

    • #3B2726
    • #81675A
    • #BDA78F
    • #573D38

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Ime glavne barve
    Espresso
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Gentle V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Strong Color Unity Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Deep_shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Vilijam Hogart v zadnjih dvanajst mesecih — skupaj 35 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Kitajska 49,1%
    2. 2 Romunija 9,4%
    3. 3 Združene države Amerike 8,4%
    4. 4 Singapur 4,3%
    5. 5 Hong Kong 3,6%
    6. 6 Francija 3,3%
    7. 7 Italija 3,3%
    8. 8 Argentina 2,0%
    9. 9 Kolumbija 2,0%
    10. 10 Španija 1,5%
    11. · 25 drugih držav 13,1%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    20 najbolj gledanih del umetnika Vilijam Hogart

    1. 1 Plakat ena iz Rakeove proge 6,2%
    2. 2 The Marriage Contract, 1745 3,4%
    3. 3 Poroka po modi - 6, Smrt gospe 3,2%
    4. 4 Plate šest iz Časovnika Škorcova napredovanja 3,0%
    5. 5 Plošča dva iz Rakeove uspešnosti 2,4%
    6. 6 The Death of the Earl 2,1%
    7. 7 Marriage à la Mode, 1743 1,9%
    8. 8 Poroka po modi, 1743 1,7%
    9. 9 The Banquet, 1755 1,7%
    10. 10 Night, plate four from The Four Times of the Day 1,7%
    11. 11 William Hogarth, Portret kapitana Thomasa Corama, 1740 © Coram v skrbi Muzeja za sirotince (Foundling Museum), 1740 1,5%
    12. 12 The Marriage of Stephen Beckingham and Mary Cox, 1729 1,5%
    13. 13 Marriage A-la-Mode - 2, The Tête à Tête 1,5%
    14. 14 The Madhouse, 1735 1,5%
    15. 15 Satan, greh in smrt (Scena iz Miltona), 1735 1,3%
    16. 16 The Countess's Morning Levee, 1745 1,3%
    17. 17 Canvassing for Votes 1,3%
    18. 18 The Suicide of the Countess 1,3%
    19. 19 The Orgy, 1735 1,1%
    20. — The prison, 1735 ta slika 0,0%

    Skupaj ti deli predstavljajo 39,6% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 241 del te umetnice, pri čemer je bilo 166 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    O tem umetniškem delu

    The prison — Vilijam Hogart

    A Glimpse into The Prison

    In William Hogarth’s 1735 painting, The prison, the viewer is drawn into an intimate and lively room where social interaction takes center stage. The composition captures a group of individuals gathered together, some seated around a dining table while others stand or engage in conversation with one another. A sense of human connection permeates the scene, as the figures navigate their shared space in a way that suggests a moment of communal life.

    The setting is detailed with specific objects that ground the social gathering. Near the center of the room, a chair is positioned prominently, and towards the left side, a dining table holds a visible cup, hinting at a shared meal or drink among the participants. Through this arrangement of people and objects, the artwork presents a snapshot of a group interacting within an enclosed, domestic atmosphere.

    Umetnik in muzej

    Umetnik

    Vilijam Hogart

    Rojen v London, Združeno kraljestvo Velike Britanije in Irsko

    A London Life in Ink and Paint: The World of William Hogarth

    William Hogarth, born into the bustling heart of 18th-century London in 1697, was more than just an artist; he was a visual historian, a keen observer of human nature, and a satirical commentator on the societal currents of his age. His life story is inextricably linked to the very fabric of England during a period of significant transformation – its burgeoning ambitions, underlying anxieties, and pervasive hypocrisies all finding potent expression in his remarkably detailed and often biting works. The son of a struggling Latin schoolmaster, Hogarth’s early experiences instilled within him both a love for learning and a sharp awareness of social inequalities, a foundation that would prove crucial to shaping his artistic vision. Initially apprenticed to an engraver, he quickly demonstrated a talent extending beyond mere technical skill; he possessed an innate ability to observe the nuances of human behavior and translate them into compelling visual narratives. However, he chafed against the constraints of traditional engraving, seeking a more expressive outlet for his burgeoning creativity. This led him to studies at both St Martin’s Lane Academy and under Sir James Thornhill, where he honed his skills in painting and composition, absorbing influences that would later inform his unique style.

    The Birth of Modern Moral Subjects

    Hogarth's true innovation lay not simply what he painted, but how. He pioneered what he termed “modern moral subjects” – series of pictures designed to tell a story, often imbued with a strong satirical edge. These weren’t isolated portraits or landscapes; they were visual novels unfolding before the viewer’s eyes, offering pointed commentary on contemporary society. A Harlot's Progress, created in 1742, stands as perhaps his most famous example. This series of six paintings meticulously follows the tragic downfall of Mary, a young woman arriving in London full of hope but quickly succumbing to the temptations and dangers of city life. Each scene is rendered with painstaking detail, filled with symbolic elements that reveal the moral decay surrounding her. The meticulous depiction of every step of Mary’s descent into prostitution served as an unflinching indictment of societal attitudes towards women and morality. Similarly, A Rake's Progress, begun in 1733, charts the reckless decline of Tom Rakewell, a man who squanders his inheritance on gambling, debauchery, and ultimately, madness. These weren’t merely cautionary tales; they were unflinching portraits of a society grappling with issues of class, morality, and social mobility. Hogarth's genius resided in his ability to elevate everyday scenes – the bustling streets of London, the opulent interiors of the wealthy, the squalid lives of the poor – into works of art that resonated deeply with his audience. He didn’t shy away from depicting the harsh realities of life, presenting them with a blend of humor and pathos that forced viewers to confront uncomfortable truths about themselves and their society.

    Technique and Influences: A Synthesis of Styles

    Hogarth's artistic style was a unique amalgamation of diverse influences. He greatly admired the realism and narrative detail found in the works of Dutch genre painters like Pieter de Hooch, evident in his meticulous depictions of interiors and everyday life. The influence of Rembrandt’s masterful use of chiaroscuro – dramatic contrasts between light and shadow – can also be discerned in Hogarth's paintings. Furthermore, Hogarth was profoundly affected by the satirical prints produced in France during the Enlightenment, particularly those of Jean-Baptiste Simeon Chardin and François Boucher. He absorbed stylistic elements from these artists, adapting them to his own distinctive vision. However, Hogarth wasn’t simply imitating these sources; he was synthesizing them into something entirely new and distinctly his own. His technique was characterized by a masterful use of line and shading, particularly evident in his engravings. He employed a distinctive cross-hatching technique that created depth and texture, bringing his scenes to life with remarkable clarity. This painstaking process ensured that every detail—from the folds of fabric to the expressions on faces—was rendered with precision and conviction. He also possessed an exceptional eye for composition, arranging figures and objects within the frame to create dynamic and engaging narratives. Like many artists of his time, Hogarth studied under Sir James Thornhill, honing his skills in painting and mastering the conventions of theatrical illusionism – a technique that would later contribute to the grandeur of his monumental canvases.

    Major Achievements: Shaping English Art History

    William Hogarth’s contribution to English art history is undeniable. He established a distinctly British artistic identity, rejecting continental stylistic trends in favor of a style rooted in observation and moral reflection. His series of paintings—including A Harlot's Progress, Marriage A-la-Mode, and Gin Lane—became iconic representations of the social landscape of his era, capturing both its beauty and its ugliness with uncompromising honesty. These works challenged viewers to confront uncomfortable truths about themselves and their society, sparking debate and inspiring artists for generations to come. Moreover, Hogarth’s engravings achieved unprecedented popularity, disseminating his satirical commentary throughout England and beyond. His prints served as a powerful tool for social critique, exposing corruption and hypocrisy while simultaneously celebrating virtue and compassion. He is considered one of the fathers of political cartooning and comic strips, paving the way for visual storytelling in popular culture—a legacy that continues to endure today.

    Historical Significance: A Voice for Change

    Hogarth’s artistic vision was driven by a deep concern for social justice and moral responsibility. He believed that art should not merely be aesthetically pleasing but should also serve a purpose beyond mere decoration—namely, to provoke thought and inspire action. His unflinching depictions of poverty, prostitution, and gambling served as a catalyst for reform movements, prompting discussions about societal ills and advocating for compassionate solutions. By confronting viewers with uncomfortable realities, Hogarth compelled them to examine their own values and behaviors, urging them to strive for a more humane and equitable world. He remains a pivotal figure in the history of English art, celebrated not only for his artistic brilliance but also for his unwavering commitment to social reform—a testament to the enduring power of art as a force for change.

    Kje si lahko preberete več

    Skenirajte za več informacij

    QR koda za dostop do strani za prenos The prison

    wahooart.com/sl/art/download/william-hogarth-the-prison-8XZ733-en/

    Citiranje umetniškega dela

    MLA
    Hogart, Vilijam. The prison. 1735, https://wahooart.com/sl/art/william-hogarth-the-prison-8XZ733-en/
    APA
    Hogart, Vilijam (1735). The prison [Painting]. https://wahooart.com/sl/art/william-hogarth-the-prison-8XZ733-en/
    Chicago
    Vilijam Hogart. The prison. 1735. https://wahooart.com/sl/art/william-hogarth-the-prison-8XZ733-en/
    Harvard
    Hogart, Vilijam (1735) The prison. Available at: https://wahooart.com/sl/art/william-hogarth-the-prison-8XZ733-en/

    Oglejte si bližje

    The prison — Vilijam Hogart

    Poglejte bližje

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Naš katalog to delo uvršča pod: social commentary, human interaction, 18th century scene. Se strinjate? Bi kaj dodali ali odvzeli?
    4. Poglejte nazaj na Plakat ena iz Rakeove proge, ki ste ga prej videli v tem priročniku. Navedite dve stvari, ki jih deli z tem delom, in eno, ki je drugačnja.
    5. Vilijam Hogart je bil star približno 38, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot značilno za umetnika v tem obdobju?

    Vaš odgovor

    Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Umetniški kviz

    The prison — Vilijam Hogart

    Kako dobro poznate to umetniško delo?

    Za vsako od spodnjih 5 vprašanj izberite en odgovor. Vsako ima natanko en pravilni odgovor.

    1. 1. Who is the artist of the painting 'The Prison'?

      • A James Thornhill
      • B William Hogarth
      • C Pieter de Hooch
    2. 2. In what year was 'The Prison' created?

      • A 1735
      • B 1742
      • C 1751
    3. 3. What can be seen on the table in the painting?

      • A A piece of fruit
      • B A cup
      • C A loaf of bread
    4. 4. What is the size of the artwork?

      • A 50 x 60 cm
      • B 62 x 75 cm
      • C 80 x 100 cm
    5. 5. According to the photo description, what is the overall composition capturing?

      • A The decay of London
      • B Social interaction and human connection
      • C The beauty of the English landscape

    Moj rezultat: ____ od 5

    Ključ odgovorov — za učitelje

    To se začne na novi tiskani strani, zato lahko te strani pri kopiranju preprosto izpustite.

    1B · 2A · 3B · 4B · 5B

    Preverite vsak odgovor v primerjavi z zapisom v katalogu za to sliko

    Vprašanja in odgovori

    Kakšno stopnjo kontrasta prikazuje "The prison" avtorja Vilijam Hogart?

    "The prison" avtorja Vilijam Hogart prikazuje Gentle kontrast med svetlim in temnimi cončami.

    Katero tehniko je bila uporabljena za "The prison" in kdaj je bila ustvarjena?

    Tehnika dela "The prison" avtorja Vilijam Hogart je Oil, del pa je datiran v 1735.

    Kako lahko dobim digitalno datoteko dela "The prison" avtorja Vilijam Hogart?

    Digitalno sliko dela "The prison" avtorja Vilijam Hogart lahko kupite na njegovi strani Visokoresolucijska digitalna slika: prenos digitalne slike visoke ločljivosti.