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On the Sofa

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Wilhelm Trübner, On the Sofa (1872). Javna lastnina. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
Wilhelm Trübner wahooart.com/sl/artists/wilhelm-trubner_sl/
Datumi rojstva in smrti umetnika
1851 – 1917
Naslikano
1872
Prvotna velikost
52 x 45 cm
Gibanje
Realism Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander.

V kontekstu

On the Sofa — Wilhelm Trübner

Kakšna je velikost?

Prvotne dimenzije so 52 × 45 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 66 ob smrti.

Naslikano, ko je bil avtor star 21. Umetnik je doživel 66 let. 1 od 47 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje Wilhelm Trübner (1851–1917) ▲ to delo, 1872 vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1875 Glavni delovni leti: 1875–1902 Pozna dela: od 1902

Ti trije pasovi razdelijo dela v tem katalogu, za katera imamo datum, na prvo četrtino, srednjo polovico in zadnjo četrtino. Ne predstavljajo umetnikove popolne produkcije: tanjka obdobja lahko pomeni luknjo v arhivu in ne le obdobje manj intenzivnega ustvarjanja. Iste leta, ki spremljajo življenjsko pot umetnika

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več podobnih del za kombiniranje z tem: wahooart.com/sl/art/similar/wilhelm-trubner-on-the-sofa-AQQUPQ-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Black #0b0b0e

    Katalogirana paleta

    • #0B0B0E
    • #C4B49E
    • #866251
    • #393431

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Ime glavne barve
    Black
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Bold V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Discordant Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Deep_shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Wilhelm Trübner v zadnjih dvanajst mesecih — skupaj 5 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Kitajska 60,0%900 visits
    2. 2 Nemčija 13,3%200 visits
    3. 3 Singapur 13,3%200 visits
    4. 4 Švica 6,7%100 visits
    5. 5 Združene države Amerike 6,7%100 visits

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    16 najbolj gledanih del umetnika Wilhelm Trübner

    1. 1 Maler Hafenmeister with Model (also known as Adam and Eve in Costume), 1873 11,8%200 visits
    2. 2 Girl in a Tree, 1907 11,8%200 visits
    3. 3 Dog with Plate of Sausages (Caesar at the Rubicon), 1878 5,9%100 visits
    4. 4 Erna von Holzhausen on Horseback, 1901 5,9%100 visits
    5. 5 Dog with Sausages (also known as Hail Caesar, We Who are about to Die Salute You), 1878 5,9%100 visits
    6. 6 Jörg Trübner in Rüstung, 1914 5,9%100 visits
    7. 7 The Equestrienne Ida Görz, 1901 5,9%100 visits
    8. 8 Great Dane on Wessling Lake, 1876 5,9%100 visits
    9. 9 The Edge of the Woods at Obing, 1892 5,9%100 visits
    10. 10 Erna von Holzhausen, 1901 5,9%100 visits
    11. 11 Liebespaar mit Hund, 1873 5,9%100 visits
    12. 12 Marbachtal im Odenwald, 1902 5,9%100 visits
    13. 13 Eagle, 1888 5,9%100 visits
    14. 14 Graf Haupt zu Pappenheim, 1884 5,9%100 visits
    15. 15 Georgine Hoffmeister, 1873 5,9%100 visits
    16. — On the Sofa, 1872 ta slika 0,0%0 visits

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 47 del te umetnice, pri čemer je bilo 15 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Wilhelm Trübner

    Rojen v London, Združene kraljestvine

    The Golden Legacy of Wilhelm Trübner

    Born in Heidelberg, Wilhelm Trübner emerged as a profound voice within the landscape of German Realism. His journey into the world of fine art began not with a brush, but with the meticulous precision of a goldsmith; after beginning his training in Hanau, he encountered the classicist painter Anselm Feuerbach, whose encouragement redirected his path toward the canvas. This early intersection of craftsmanship and classical inspiration laid the foundation for a career defined by technical mastery and an unwavering commitment to the truth of the natural world. As he moved through the Kunstschule in Karlsruhe and later the Kunstacademie in Munich, Trübner became part of a transformative era in European painting, shaped by the winds of change blowing from both the local German traditions and the radical innovations of France.

    Trübner’s artistic identity was deeply intertwined with the Leibl Circle, a group of artists that included figures such as Hans Thoma and Carl Schuch. This collective sought to move away from the rigid, often stale academic traditions of the time, favoring instead an unsentimental realism. His development was significantly catalyzed by his encounters with the works of Gustave Courbet, whose alla prima method—working directly and quickly from nature—offered a liberating alternative to the labored processes of the past. This influence, combined with the spontaneous yet restrained spirit he encountered in the art of Manet during his travels through Paris, allowed Trübner to cultivate a style that was both deeply grounded in reality and exquisitely atmospheric.

    A Mastery of Light and Atmosphere

    The essence of Trübner’s work lies in his ability to capture the ephemeral qualities of light and the psychological depth of his subjects. Whether rendering the quiet dignity of a portrait or the sprawling majesty of a woodland scene, his technique emphasizes the interplay of shadow and illumination. In his landscapes, such as the evocative Forest Interior, he employs a painterly approach where colors are allowed to breathe, creating a rhythmic movement across the canvas. His use of golden hues, amber, and ochre can make a forest appear to glow from within, transforming a mere botanical study into a meditative experience on the passage of time and the grandeur of nature.

    His portraiture is equally remarkable for its ability to convey profound stillness and internal reflection. In works like Karl Haberstock, Trübner captures more than just a likeness; he records a state of being. Through deliberate brushwork and a sophisticated command over texture, he invites the viewer into a moment of contemplative repose, where the subject's very presence anchors the composition. This ability to balance the tactile richness of his medium with an ethereal, atmospheric transcendence remains his most enduring achievement, marking him as a master who could find the extraordinary within the ordinary.

    Artistic Contributions and Influence

    Throughout his life, Trübner’s work served as a bridge between the rigorous realism of the mid-19th century and the more fluid, expressive movements that followed. His contributions to the Leibl Circle helped solidify a specific German aesthetic that valued honesty, texture, and the direct observation of nature. His legacy is found in:

    The Refinement of Realism: Moving beyond simple imitation to capture the atmospheric essence of his subjects.

    Technical Innovation: Integrating the spontaneous methods of French masters with German precision.

    Thematic Depth: Elevating landscapes and portraits from mere documentation to profound psychological and natural meditations.

    Trübner’s life was also marked by personal connections to the art world, notably through his marriage to the German artist Alice Trübner. Together, they existed within a vibrant cultural milieu that helped shape the trajectory of modern German painting. His work remains a testament to a period of intense artistic discovery, where the pursuit of "art for art's sake" met a deep respect for the tangible beauty of the world.

    Kje si lahko preberete več

    Skenirajte za več informacij

    QR koda za dostop do strani za prenos On the Sofa

    wahooart.com/sl/art/download/wilhelm-trubner-on-the-sofa-AQQUPQ-en/

    Citiranje umetniškega dela

    MLA
    Trübner, Wilhelm. On the Sofa. 1872, https://wahooart.com/sl/art/wilhelm-trubner-on-the-sofa-AQQUPQ-en/
    APA
    Trübner, Wilhelm (1872). On the Sofa [Painting]. https://wahooart.com/sl/art/wilhelm-trubner-on-the-sofa-AQQUPQ-en/
    Chicago
    Wilhelm Trübner. On the Sofa. 1872. https://wahooart.com/sl/art/wilhelm-trubner-on-the-sofa-AQQUPQ-en/
    Harvard
    Trübner, Wilhelm (1872) On the Sofa. Available at: https://wahooart.com/sl/art/wilhelm-trubner-on-the-sofa-AQQUPQ-en/

    Oglejte si bližje

    On the Sofa — Wilhelm Trübner

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    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Naš katalog to delo uvršča pod: portrait painting, victorian era art, classical composition. Se strinjate? Bi kaj dodali ali odvzeli?
    4. Oglejte si Liebespaar mit Hund (1873), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    5. Realism: Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander. Kje lahko to opazite v tem delu?

    Vaš odgovor

    Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Katera je prevladujoča barva dela "On the Sofa" avtorja Wilhelm Trübner?

    Prevladujoča barva dela "On the Sofa" avtorja Wilhelm Trübner je Black (#0b0b0e).

    Kakšna je barvna intenzivnost dela "On the Sofa" avtorja Wilhelm Trübner?

    Barve v delu "On the Sofa" avtorja Wilhelm Trübner imajo Monochromatic intenzivnost.

    Od kod prihajajo obiskovalci dela "On the Sofa" avtorja Wilhelm Trübner?

    Za delo "On the Sofa" je na voljo stran Statistika pregledov. Ta prikazuje mesečno število obiskov tega dela in drugih del umetnika, s razdelitvijo po državah in jezikih.