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Red Cherries

Ime Razred Datum

Robert Spear Dunning, Red Cherries (1866). Javna lastnina. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
Robert Spear Dunning wahooart.com/sl/artists/robert-spear-dunning/
Datumi rojstva in smrti umetnika
1829 – 1905
Naslikano
1866
Prvotna velikost
24 x 31 cm

V kontekstu

Red Cherries — Robert Spear Dunning

Kakšna je velikost?

Prvotne dimenzije so 24 × 31 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1820
  2. 1830
  3. 1840
  4. 1850
  5. 1860
  6. 1870
  7. 1880
  8. 1890
  9. 1900

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 76 ob smrti.

Naslikano, ko je bil avtor star 37. Umetnik je doživel 76 let. 1 od 25 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje Robert Spear Dunning (1829–1905) ▲ to delo, 1866 vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1875 Glavni delovni leti: 1875–1892 Pozna dela: od 1892

Ti trije pasovi razdelijo dela v tem katalogu, za katera imamo datum, na prvo četrtino, srednjo polovico in zadnjo četrtino. Ne predstavljajo umetnikove popolne produkcije: tanjka obdobja lahko pomeni luknjo v arhivu in ne le obdobje manj intenzivnega ustvarjanja. Iste leta, ki spremljajo življenjsko pot umetnika

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več podobnih del za kombiniranje z tem: wahooart.com/sl/art/similar/robert-spear-dunning-red-cherries-D38M9M-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Walnut #5f361d

    Katalogirana paleta

    • #5F361D
    • #401818
    • #AD7D54
    • #8B4830

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Dark Prevladujoča barvna družina na sliki.
    Ime glavne barve
    Walnut
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Serene V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Strong Color Unity Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Deep_shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Clear Color Presence Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Robert Spear Dunning v zadnjih dvanajst mesecih — skupaj 3 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Kitajska 46,7%
    2. 2 Malezija 46,7%
    3. 3 Združene države Amerike 6,7%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    7 najbolj gledanih del umetnika Robert Spear Dunning

    1. 1 Fruit Still Life, 1880 50,0%
    2. 2 Harvest of Cherries, 1866 12,5%
    3. 3 Tabletop Stil Life, 1881 12,5%
    4. 4 Still Life with Peaches and a Silver Dish, 1882 6,2%
    5. 5 Tabletop Still Life with Fruit, 1884 6,2%
    6. 6 Fruit Still Life with Roses and Honeycomb, 1904 6,2%
    7. 7 Red Cherries, 1866 ta slika 6,2%

    Skupaj ti deli predstavljajo 99,8% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 27 del te umetnice, pri čemer je bilo 7 vsaj enkrat ogledanih. Ta slika zaseda 7 mesto med njimi, s 6,2% takšne pozornosti. Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Robert Spear Dunning

    Rojen v Brunswick, Australia

    Robert Spear Dunning: Master of Opulent Still Life

    Robert Spear Dunning (1829-1905) stands as a pivotal figure in the late 19th-century American art scene, particularly renowned for his exquisitely detailed and dramatically lit still life paintings. More than simply depicting fruit and flowers, Dunning crafted immersive scenes of abundance and luxury, reflecting the prosperity and aesthetic sensibilities of his era. His work represents a significant contribution to the Fall River School of painting, a movement characterized by its focus on domestic subjects rendered with remarkable realism and an emphasis on capturing light and texture.

    Born in Brunswick, Maine, in 1829, Dunning’s early life was shaped by the rhythms of industry and maritime labor. He spent his formative years working in a cotton mill before embarking on a brief career at sea – experiences that undoubtedly informed his later depictions of natural materials and their interaction with light. This practical grounding, combined with an innate artistic talent, led him to pursue formal training, initially under James Roberts in East Thomaston, Maine, and subsequently in New York City’s prestigious National Academy of Design, where he studied under the esteemed Daniel Huntington. Huntington's influence is evident in Dunning’s early work, particularly his portraits and landscapes, but it was in Fall River that Dunning truly established his unique artistic identity.

    The Fall River School and a New Vision of Still Life

    Dunning’s arrival in Fall River coincided with a period of remarkable growth for the city, fueled by its thriving textile industry. This economic prosperity fostered a burgeoning cultural scene, and Dunning played a key role in shaping its artistic landscape. He co-founded the Fall River Evening Drawing School in 1870, alongside John E. Grouard, providing accessible art education to the community and nurturing a new generation of artists. This school became a cornerstone of the Fall River School, an artistic movement distinguished by its focus on domestic subjects – particularly still life – rendered with meticulous detail and a heightened sense of realism.

    Unlike earlier still life traditions that often prioritized idealized representations or allegorical symbolism, Dunning’s paintings were rooted in direct observation. He meticulously depicted the textures, colors, and reflections of everyday objects—apples, pears, peaches, grapes, silverware, ceramics – creating scenes that felt both familiar and utterly captivating. His compositions frequently featured elaborate table settings, often incorporating highly polished surfaces and carved edges, reflecting the opulence of the Victorian era. The influence of the “trompe l’oeil” technique is apparent in his work, as he skillfully rendered reflections to create a sense of depth and illusionism, drawing the viewer into the scene.

    Technique and Style: Light, Texture, and Detail

    Dunning's technical mastery was legendary. He possessed an extraordinary ability to capture the nuances of light and shadow, transforming ordinary objects into shimmering spectacles. His brushwork was remarkably delicate, allowing him to build up layers of color and texture with astonishing precision. The surfaces of his paintings—the glossy skin of a peach, the velvety fuzz of a grape, the reflective sheen of silver—were rendered with an almost photographic realism. He employed a limited palette, primarily utilizing rich reds, yellows, greens, and browns, to create a sense of warmth and intimacy.

    His compositions were carefully balanced, often employing the principle of symmetry or asymmetry to achieve visual harmony. Dunning’s meticulous attention to detail extended beyond the objects themselves; he also paid close attention to the background—often rendering neutral tones that served to enhance the brilliance of his still life subjects. The use of mirrors and reflective surfaces was a particularly innovative element of his style, adding layers of complexity and visual interest.

    Legacy and Recognition

    Robert Spear Dunning’s work enjoyed considerable success during his lifetime, earning him recognition from prominent art institutions such as the National Academy of Design, the American Art-Union, and the Boston Art Club. His paintings are now housed in prestigious collections across North America, including the Smithsonian American Art Museum, the Fall River Historical Society, and the Pennsylvania Academy of the Fine Arts. His influence can be seen in the work of subsequent generations of still life painters, cementing his place as a key figure in American art history.

    Dunning’s legacy extends beyond his individual paintings; he played a crucial role in establishing Fall River as a center for artistic innovation and fostering a vibrant community of artists. His dedication to meticulous observation, technical skill, and an appreciation for the beauty of everyday objects continues to inspire artists today.

    Kje si lahko preberete več

    Skenirajte za več informacij

    QR koda za dostop do strani za prenos Red Cherries

    wahooart.com/sl/art/download/robert-spear-dunning-red-cherries-D38M9M-en/

    Citiranje umetniškega dela

    MLA
    Dunning, Robert Spear. Red Cherries. 1866, https://wahooart.com/sl/art/robert-spear-dunning-red-cherries-D38M9M-en/
    APA
    Dunning, Robert Spear (1866). Red Cherries [Painting]. https://wahooart.com/sl/art/robert-spear-dunning-red-cherries-D38M9M-en/
    Chicago
    Robert Spear Dunning. Red Cherries. 1866. https://wahooart.com/sl/art/robert-spear-dunning-red-cherries-D38M9M-en/
    Harvard
    Dunning, Robert Spear (1866) Red Cherries. Available at: https://wahooart.com/sl/art/robert-spear-dunning-red-cherries-D38M9M-en/

    Oglejte si bližje

    Red Cherries — Robert Spear Dunning

    Poglejte bližje

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Oglejte si Fruit Piece (1849), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    4. Robert Spear Dunning je bil star približno 37, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot značilno za umetnika v tem obdobju?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

    Vaš odgovor

    Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Kakšna barvna paleta je uporabljena v delu "Red Cherries" avtorja Robert Spear Dunning?

    Barve dela "Red Cherries" tvorijo Dark paleto. Ta klasifikacija opisuje prevladujoče barvne družine.

    Kje lahko najdem statistične podatke o "Red Cherries" avtorja Robert Spear Dunning?

    Statistika za "Red Cherries" avtorja Robert Spear Dunning je na strani Statistika pregledov umetninine: vključuje mesečne obiske umetninine, obiske umetninikovih del ter razdelitev nedavnih obiskovalcev po državah in jezikih.

    Kakšnih je originalnih dimenzij "Red Cherries"?

    Originalne dimenzije dela "Red Cherries" znašajo 24 x 31 cm. Prvotne mere so koristna referenca pri izbiri velikosti reprodukcije.