Vodnik po študentskem umetniškem delu
Avtorske pravice To del je v javni domeni. Reginald Marsh je umrl/a leta 1954; avtorska pravica velja 70 let po smrti avtorja, zato je pretekla leta 2024.
V kontekstu
Hudson's Burlesque — Reginald Marsh
Prvotne dimenzije so 69 × 102 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.
Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 56 ob smrti.
Osenčeno: življenjsko obdobje Reginald Marsh (1898–1954) vsaka datirana slika, desetletje za desetletjem
Prva dela: do 1932 Glavni delovni leti: 1932–1948 Pozna dela: od 1948
Ti trije pasovi razdelijo dela v tem katalogu, za katera imamo datum, na prvo četrtino, srednjo polovico in zadnjo četrtino. Ne predstavljajo umetnikove popolne produkcije: tanjka obdobja lahko pomeni luknjo v arhivu in ne le obdobje manj intenzivnega ustvarjanja. Iste leta, ki spremljajo življenjsko pot umetnika
Za ta posnetek ni v evidenci natančne leta — glede na življenjsko dobo umetnika in slog dela, za katero desetletje bi ugledali?
Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.
Več podobnih del za kombiniranje z tem: wahooart.com/sl/art/similar/reginald-marsh-hudson-s-burlesque-AQQTA2-en/
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Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.
Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 24 del te umetnice, pri čemer je bilo 18 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za posamezne mesece
Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.
Umetnik in muzej
Rojen v Paris, France
Reginald Marsh stands as a pivotal figure in American Social Realism, renowned for his strikingly detailed depictions of New York City during the 1920s and 1930s. More than just documenting scenes of Coney Island beaches or burlesque performances—though these undeniably populate his oeuvre—Marsh’s art embodies a profound engagement with the textures and rhythms of urban life, underpinned by an unwavering commitment to artistic exploration. His legacy resides not only in his iconic images but also in his pioneering techniques and enduring influence on subsequent generations of artists.
Born in Paris in 1898 above the Café du Dome, Marsh's formative years were steeped in a rich artistic heritage. The son of Frederick Dana Marsh—a muralist who championed American Impressionism—and Alice Randall—a miniaturist painter—Marsh’s family fostered an environment where creativity flourished from his earliest days. Moving to Nutley, New Jersey, at the age of two, he benefited from proximity to Frank Fowler's Artist Colony, a haven for American painters seeking inspiration and camaraderie, which further cemented his connection to the artistic tradition. This early exposure to both the delicate precision of miniature painting and the grand scale of muralism would later inform his ability to capture both the intimate human moment and the sweeping energy of the metropolis.
Marsh’s path to becoming a master of urban realism was far from linear. He pursued formal education with great diligence, earning a Bachelor’s degree in Law from Yale University in 1920 before subsequently delving into art studies at the Yale Art School. During this period, he honed his skills as an illustrator for the Yale Record, immersing himself in the vibrant spirit of collegiate life and developing an early mastery of visual storytelling. This formative period solidified his artistic sensibilities and prepared him for a career dedicated to capturing the essence of human experience through compelling imagery.
As his professional journey began in New York City, Marsh tirelessly sought to document the pulse of the streets. His work often utilized diverse media to achieve specific atmospheric effects, ranging from the gritty energy of conte crayon and gouache to the thick, dynamic impasto of oil paintings. Whether he was portraying the hedonistic atmosphere of Jimmy Kelly's burlesque nightclub or the maritime commerce found in his mural studies like Atlantic Liner in Harbor, Marsh possessed a unique ability to translate the chaos of the city into structured, rhythmic compositions.
The significance of Reginald Marsh lies in his role as a visual historian of a vanished era. His work serves as a window into the Social Realist movement, focusing on the lives of the working class and the raw, unvarnished reality of New York's most famous districts, such as the Bowery and Coney Island. His paintings are characterized by:
Dynamic Movement: A mastery of capturing the frantic, overlapping motion of crowds in subway stations, beaches, and dance halls.
Textural Depth: The use of varied techniques to replicate the grime, light, and physical weight of an industrializing city.
Human Connection: An ability to find poignant, individual emotions within massive, anonymous urban gatherings.
Beyond his crowded street scenes, Marsh also demonstrated a remarkable capacity for portraiture, blending realism with subtle emotion as seen in his black and white oil works. Through his dedication to the "urban grit," Reginald Marsh did more than paint New York; he immortalized its soul, ensuring that the energy of the early twentieth century would continue to resonate through the decades.
wahooart.com/sl/art/download/reginald-marsh-hudson-s-burlesque-AQQTA2-en/
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Hudson's Burlesque — Reginald Marsh
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Delo "Hudson's Burlesque" ima predogled z augmented reality: stran Predogled v AR za to umetnino prikazuje delo v vašem lastnem prostoru na združljivi napravi.
Format dela "Hudson's Burlesque" je Landscape, njegova prvotna velikost pa znaša 69 x 102 cm. Oba podatka sta koristna pri načrtovanju reprodukcije.
Barve dela "Hudson's Burlesque" avtorja Reginald Marsh prikazujejo Muted zasičenost z intenzivnostjo Monochromatic.