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Priročnik za študentska dela

Variation on Red

Ime in priimek Razred Datum

marion elizabeth adnams, Variation on Red (1949), Salford Museum - Art Gallery. Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic.

Podrobnosti

Umetnik
marion elizabeth adnams wahooart.com/sl/artists/marion-elizabeth-adnams/
Datumi rojstva in smrti umetnika
1898 – 1995
Naslikano
1949
Prvotna velikost
55 x 42 cm
Na lokaciji
Salford Museum - Art Gallery wahooart.com/sl/museums/salford-museum-art-gallery-greater-manchester_sl/

V kontekstu

Variation on Red — marion elizabeth adnams

Dimenzije

Prvotne dimenzije so 55 × 42 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980
  11. 1990

Osenčeno: življenjsko obdobje marion elizabeth adnams (1898–1995) ▲ to delo, 1949

Primerjajte z

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Več del, ki bi jih postavili ob to: wahooart.com/sl/art/similar/marion-elizabeth-adnams-variation-on-red-AQST27-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Phthalo Green #171717

    Shranjena paleta

    • #171717
    • #9A815E
    • #854030
    • #413431
    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Phthalo Green
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Gentle V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Strong Color Unity Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Deep_shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Subtle Color Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Umetnik in muzej

    Umetnik

    marion elizabeth adnams

    A Visionary of the Surreal: The Life and Legacy of Marion Elizabeth Adnams

    Born on December 3rd, 1898, in the heart of Derby, England, Marion Elizabeth Adnams emerged as a singular voice within the British modernist movement. Her artistic journey was deeply rooted in the textures of her upbringing; the daughter of John Frederick Adnams, a woodwork teacher at Derby School, she inherited a meticulous eye for detail and an appreciation for the structural beauty of natural forms. While her formal education at University College Nottingham led her to earn a degree in Modern Languages in 1919, her heart remained tethered to the visual arts. This intellectual breadth, combined with a linguistic sensitivity, likely informed the layered, often cryptic narratives found within her later canvases.

    Between 1927 and 1930, Adnlam embarked on a transformative European pilgrimage, traversing Belgium, France, and Italy. This period was foundational, as she utilized woodcuts to document the architectural grandeur of the continent. These early graphic works were not merely travelogues but exercises in distillation, where she learned to capture complex structures through striking, simplified forms. It was during these travels that her artistic horizons expanded, allowing her to forge connections with titans of modernism such as Duncan Grant and Henry Moore, setting the stage for her emergence as a significant figure in the Surrealist circle.

    The Dreamscapes of Derby and Beyond

    Adnams is most celebrated for her surrealist paintings, works characterized by an uncanny ability to juxtapose seemingly unrelated objects within unfamiliar, often outdoor environments. Her technique masterfully blends elements of realism with a dreamlike, unsettling atmosphere. In her compositions, the familiar becomes strange; a landscape might feature a sudden, misplaced object that disrupts the viewer's sense of reality, inviting deep contemplation of the subconscious. This mastery of juxtaposition allowed her to create worlds that feel both grounded in physical detail and untethered from logic.

    Her subject matter often drew inspiration from her native surroundings, incorporating landmarks and landscapes near Derby into her surrealist visions. A notable example is her 1946 work, "Aftermath," an oil on panel that serves as a profound meditation on mortality and mystery. By placing a skull adorned with a red ribbon against a beach backdrop, Adnams forces the viewer to grapple with symbols of life and death amidst a serene yet haunting setting. Such works demonstrate her capacity to use the landscape not just as a setting, but as a psychological stage where symbolic dramas unfold.

    Professional Eminence and Artistic Recognition

    While many recognize her for her evocative canvases, Adnams also maintained a distinguished career in art education. Her professional trajectory saw her serving as an art mistress at Derby's Central School for Girls and later as a senior lecturer at the Derby Diocesan Training College, where she eventually rose to the position of Head of Art. This pedagogical role allowed her to remain deeply embedded in the academic and creative life of her community, even as her personal work reached international stages.

    The historical significance of Adnams's work is cemented by her inclusion in prestigious exhibitions and permanent collections. Her achievements include:

    Exhibiting alongside masters: Between 1938 and 1970, she showcased her surrealist works at the British Art Centre in London, standing alongside luminaries such as Max Ernst, Jack Bilbo, and Eileen Agar.

    Institutional recognition: Her first major sale, The Living Tree (1939), was acquired by the Manchester Art Gallery for their Rutherson Collection of Modern Art for Schools, marking her arrival in the canon of significant British modernists.

    Enduring legacy: Today, her works are preserved in vital institutions such as the National Galleries of Scotland and the Manchester Art Gallery, ensuring that her unique vision of the surreal continues to haunt and inspire contemporary viewers.

    Through her meticulous woodcuts, haunting portraits like "The Lost Infanta," and her profound landscapes, Marion Elizabeth Adnams remains a vital link in the chain of 20th-century British art—a painter who could find the extraordinary hidden within the ordinary.

    Muzej

    Salford Museum - Art Gallery

    Na razstavi v Greater Manchester, United Kingdom

    A Victorian Legacy Preserved: Exploring Salford Museum & Art Gallery

    Salford Museum & Art Gallery stands as a testament to both artistic heritage and local identity, nestled in the heart of Greater Manchester. Founded in 1850 as Britain’s first free public library—a bold vision for its time—the museum resides within Lark Hill House, a magnificent mansion constructed in 1790 that now serves as an evocative backdrop to its remarkable collections. More than just bricks and mortar, Lark Hill embodies the spirit of Victorian ambition and philanthropy, mirroring the values underpinning the institution’s enduring mission.

    Architectural Significance:

    The mansion's Georgian façade speaks volumes about the era’s aesthetic sensibilities—symmetry, grandeur, and meticulous craftsmanship are hallmarks of its design. Its interior spaces have been thoughtfully preserved, allowing visitors to step back in time and experience the atmosphere of Victorian society.

    A Journey Through Time:

    Lark Hill Place, a meticulously recreated Victorian streetscape, isn’t merely decorative; it's an immersive educational tool. Visitors can wander amongst period shops and residences, gaining firsthand insight into daily life during the 1890s—a fascinating contrast to the modern cityscape surrounding it.

    Celebrating Artistic Diversity: The Museum’s Collection Highlights

    Salford’s artistic treasures span centuries, reflecting influences from across Europe and beyond. The Paintings Gallery houses masterpieces by artists ranging from Romantic painters like John Constable to Impressionists experimenting with light and color. Examining these canvases reveals not only stylistic evolution but also the cultural preoccupations of their respective times—themes of landscape, portraiture, and mythology are recurring motifs.

    Ceramic Excellence:

    The Ceramics Collection showcases a stunning progression in pottery techniques and artistic expression. From Staffordshire porcelain to Wedgwood stoneware, each piece tells a story about industrial innovation and decorative artistry.

    Decorative Arts Showcase:

    Explore exquisitely crafted furniture pieces—Victorian sofas upholstered in velvet and mahogany tables adorned with inlaid marquetry—alongside textiles featuring intricate floral patterns and vibrant hues. These objects illuminate the tastes of Victorian elites and demonstrate the skill of artisans working at the forefront of their craft.

    More Than Just Exhibits: Engaging Experiences

    Salford Museum & Art Gallery distinguishes itself through its commitment to fostering connections between art and community. Regular events, including artist talks and workshops, provide opportunities for visitors to engage directly with artistic ideas and practices. Furthermore, the ‘Relax with Art’ sessions offer a tranquil space for contemplation and reflection—a welcome respite from the bustle of urban life.

    Accessibility & Community Focus:

    Admission is free, reflecting the museum's dedication to inclusivity and ensuring that art appreciation remains accessible to all.

    Supporting Local Talent:

    The Museum’s Shop offers a curated selection of gifts inspired by Salford’s artistic heritage—a tangible reminder of the museum’s mission to celebrate creativity.

    A Destination for Inspiration

    Whether you're an art historian researching Victorian aesthetics, an interior designer seeking inspiration for elegant spaces, or simply someone captivated by history and beauty, Salford Museum & Art Gallery promises a rewarding experience. Its unique blend of architectural grandeur, artistic diversity, and community engagement makes it a truly exceptional cultural institution.

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    Navodila za citiranje umetniškega dela

    MLA
    adnams, marion elizabeth. Variation on Red. 1949, Salford Museum - Art Gallery. https://wahooart.com/sl/art/marion-elizabeth-adnams-variation-on-red-AQST27-en/
    APA
    adnams, marion elizabeth (1949). Variation on Red [Painting]. Salford Museum - Art Gallery. https://wahooart.com/sl/art/marion-elizabeth-adnams-variation-on-red-AQST27-en/
    Chicago
    marion elizabeth adnams. Variation on Red. 1949. Salford Museum - Art Gallery. https://wahooart.com/sl/art/marion-elizabeth-adnams-variation-on-red-AQST27-en/
    Harvard
    adnams, marion elizabeth (1949) Variation on Red. Salford Museum - Art Gallery. Available at: https://wahooart.com/sl/art/marion-elizabeth-adnams-variation-on-red-AQST27-en/

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    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Oglejte si The Lost Infanta (1944), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    4. marion elizabeth adnams je bil star približno 51, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot delo umetnika v tem obdobju?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

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