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Chrysler Corporation

Ime in priimek Razred Datum

Margaret Bourke-White, Chrysler Corporation (1932). Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic.

Podrobnosti

Umetnik
Margaret Bourke-White wahooart.com/sl/artists/margaret-bourke-white/
Datumi rojstva in smrti umetnika
1904 – 1971
Naslikano
1932
Prvotna velikost
33 x 23 cm

V kontekstu

Chrysler Corporation — Margaret Bourke-White

Kakšna je velikost?

Originalne dimenzije so 33 × 23 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970

Osenčeno: življenjsko obdobje Margaret Bourke-White (1904–1971) ▲ to delo, 1932

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: wahooart.com/sl/art/similar/margaret-bourke-white-chrysler-corporation-AS7V7R-en/

Barve

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    Glavna barva

    Phthalo Green #28231d

    Shranjena paleta

    • #28231D
    • #AAA092
    • #4E473E
    • #756C62
    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Phthalo Green
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Gentle V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Unified Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Deep_shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Umetnik in muzej

    Umetnik

    Margaret Bourke-White

    Rojen v The Bronx, United States of America

    Early Life and Education

    Born: June 14, 1904, in the Bronx, New York City, U.S.

    Died: August 27, 1971 (aged 67)

    Parents: Joseph White and Minnie Bourke. Her father was an engineer and inventor; her mother a resourceful homemaker.

    Education: Attended Columbia University briefly, then transferred to the University of Michigan and Cornell University, graduating with a B.A. in biology in 1927.

    Early interest in photography fostered by her father's enthusiasm for cameras and machines.

    Career Beginnings: Architectural and Industrial Photography

    1920s: Started as a freelance photographer in Cleveland, Ohio.

    Developed a distinctive style focusing on architectural and industrial subjects.

    Her photographs of steel mills gained recognition, leading to a commission from Fortune magazine.

    1929-1935: Worked for Fortune, documenting American industry during the Great Depression.

    First Western photographer permitted to photograph Soviet industry in 1930.

    Created a monumental photo mural about radio for NBC's rotunda at Rockefeller Plaza in 1933.

    Rise to Prominence with *Life* Magazine and Documentary Work

    1936: Became the first female staff photographer for Life magazine.

    Her photograph of the construction of Fort Peck Dam appeared on the cover of Life's first issue, establishing her national recognition.

    Documented the Great Depression and Dust Bowl, highlighting social injustices.

    Collaborated with novelist Erskine Caldwell on You Have Seen Her Face (1937), a powerful photographic study of Southern sharecroppers.

    Covered World War II as a war photojournalist, documenting key events including the liberation of Buchenwald concentration camp.

    Later Career and Global Perspectives

    1940s-1950s: Continued working for Life magazine, covering international events.

    Photographed apartheid in South Africa, bringing attention to racial segregation.

    Covered the Korean War.

    Developed Parkinson's disease later in life, which impacted her career.

    Legacy and Historical Significance

    Pioneering Photojournalist: Broke barriers for women in photojournalism, demonstrating skill and courage in a male-dominated field.

    Documentary Vision: Her work documented significant historical events and social issues, providing valuable insights into the 20th century.

    Influence on Photography: Helped popularize industrial photography and established Life magazine as a leading platform for photojournalism.

    Firsts: First female war correspondent, first foreign photographer in the Soviet Union, and many other groundbreaking achievements.

    Her photographs are held in major museum collections including MoMA and the Library of Congress.

    Preberite več

    Preverite na spletu

    QR koda za dostop do strani za prenos Chrysler Corporation

    wahooart.com/sl/art/download/margaret-bourke-white-chrysler-corporation-AS7V7R-en/

    Navodila za citiranje umetniškega dela

    MLA
    Bourke-White, Margaret. Chrysler Corporation. 1932, https://wahooart.com/sl/art/margaret-bourke-white-chrysler-corporation-AS7V7R-en/
    APA
    Bourke-White, Margaret (1932). Chrysler Corporation [Painting]. https://wahooart.com/sl/art/margaret-bourke-white-chrysler-corporation-AS7V7R-en/
    Chicago
    Margaret Bourke-White. Chrysler Corporation. 1932. https://wahooart.com/sl/art/margaret-bourke-white-chrysler-corporation-AS7V7R-en/
    Harvard
    Bourke-White, Margaret (1932) Chrysler Corporation. Available at: https://wahooart.com/sl/art/margaret-bourke-white-chrysler-corporation-AS7V7R-en/

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    Chrysler Corporation — Margaret Bourke-White

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    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Oglejte si Wind Tunnel Construction, Fort Peck Dam, Montana (1936), ki ste ga že videli v tem priročniku. Navedite dve stvari, ki jih deli z tem delom, in eno, ki je drugačnja.
    4. Margaret Bourke-White je bil star približno 28, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot delo umetnika v tej dobi?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

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