Format papirja

Priročnik za študentska dela

Summer

Ime in priimek Razred Datum

Judithe Hernández, Summer (2013), Museo Eduardo Carrillo. Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Podrobnosti

Umetnik
Judithe Hernández wahooart.com/sl/artists/judithe-hernandez/
Datumi rojstva in smrti umetnika
1948 –
Naslikano
2013
Na lokaciji
Museo Eduardo Carrillo wahooart.com/sl/museums/museo-eduardo-carrillo-santa-cruz/

V kontekstu

Summer — Judithe Hernández

Kdaj je bilo to naslikano?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000
  8. 2010

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja, pri čemer se leta od rojstva štejejo od 0 naprej.

Naslikano, ko je bil avtor star 65. 0 od 4 datiranih del tega umetnika v našem katalogu je nastalo prej.

▲ to delo, 2013 vsaka datirana slika, desetletje za desetletjem

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: wahooart.com/sl/art/similar/judithe-hernandez-summer-D6A9N8-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Espresso #6b5741

    Shranjena paleta

    • #6B5741
    • #C1B9B0
    • #E8691C
    • #401711

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Dark Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Espresso
    Intenzivnost
    Vivid Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Bold V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Balanced Harmony Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Bright Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Vivid Color Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Judithe Hernández v zadnjih dvanajst mesecih — skupaj 2 držav. Od kod ti podatki prihajajo

    Deset vodilnih držav

    1. 1 Združene države Amerike 81,8%
    2. 2 Kitajska 18,2%

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri od njih? Zapišite en razlog, zakaj bi jo lahko gledali ljudje z daljave.

    3 najbolj gledanih del umetnika Judithe Hernández

    1. 1 Virgen de la Oscuridad 61,5%
    2. 2 Summer, 2013 ta slika 30,8%
    3. 3 Maidens of Spring, 2013 7,7%

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 5 del te umetnice, pri čemer je bilo 3 vsaj enkrat ogledanih. Ta slika zaseda 2 mesto med njimi, s 30,8% takšne pozornosti. Isto velja tudi za vsak posamezen mesec

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in to: navedite eno stvar, ki bi lahko naredila sliko znano, oltre tem, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Judithe Hernández

    Rojen v Los Angeles, United States of America

    Judithe Hernández: A Life in Art

    Early Life and Education

    Born in Los Angeles, California, in 1948, Judithe Hernández emerged as a significant voice within the Chicano art movement.

    Her early life experiences deeply influenced her artistic trajectory, fostering a commitment to representing marginalized communities and challenging societal norms.

    Hernández’s formal education provided a foundation for her artistic explorations, though much of her development occurred through self-study and engagement with the vibrant art scene in Los Angeles.

    Artistic Development and Influences

    Early Mural Work: Hernández first gained recognition in the 1970s for her powerful murals, which addressed social and political issues relevant to the Chicano community.

    Influences: Her work reflects influences from Mexican folk art, pre-Columbian imagery, and feminist perspectives. She draws inspiration from indigenous cultures and their storytelling traditions.

    A shift in her practice led her to explore pastels on paper, allowing for more intimate and nuanced explorations of themes like gender roles and cultural identity.

    Los Four and Collaborative Spirit

    Founding Member: In 1974, Hernández became the fifth – and only female – member of Los Four, a groundbreaking collective of Chicano artists alongside Carlos Almaraz, Frank Romero, Robert de la Rocha, and Gilbert Luján.

    Collective Impact: Los Four played a pivotal role in bringing Chicano art to wider audiences, challenging the mainstream art world and advocating for greater representation.

    Hernández also briefly participated with Centro de Arte Público, further demonstrating her commitment to collaborative artistic endeavors.

    Themes and Artistic Style

    Key Themes: Hernández’s work consistently engages with themes of identity, gender, social justice, and the complexities of cultural heritage.

    Indigenist Imagery: She frequently incorporates pre-Columbian symbols and narratives into her art, reclaiming indigenous traditions and challenging colonial perspectives.

    Artistic Style: Her style is characterized by vibrant colors, dynamic compositions, and a blend of realism and symbolism. Her pastel works are particularly noted for their delicate textures and expressive power.

    Major Achievements and Historical Significance

    Pioneering Role: Hernández is recognized as a pioneering figure in Chicano art, breaking barriers for women artists within the movement.

    Legacy of Activism: Her work continues to inspire dialogue about social and political issues, advocating for equality and cultural understanding.

    Exhibitions & Recognition: Hernández’s art has been exhibited in numerous galleries and museums across the United States, solidifying her reputation as a significant contemporary artist. She remains an active educator and mentor to emerging artists.

    Muzej

    Museo Eduardo Carrillo

    Na razstavi v Santa Cruz, United States of America

    A Living Legacy of Chicano Vision

    In the heart of Santa Cruz, where the cultural currents of Monterey Bay meet a profound sense of historical reclamation, lies the

    Museo Eduardo Carrillo

    . More than a mere repository for canvas and pigment, this Artist Endively Foundation serves as a vibrant, breathing testament to the life and soul of Eduardo Carrillo, a titan of the Chicano art movement. To step into the world of the Museo is to enter a space where the boundaries between the ancestral past and the contemporary present dissolve. The institution was born from Carrillo’s own unwavering commitment to ensuring that the voices of Mexican-American artists are not just heard, but etched into the permanent fabric of American art history. It is a sanctuary for those who seek to understand the intersection of identity, heritage, and the transformative power of the brush.

    The collection itself is a mesmerizing journey through a singular, multifaceted psyche. Visitors are greeted by Carrillo’s captivating oeuvre, where the meticulous technical precision of European Renaissance and Mannerist traditions meets the dreamlike, symbolic depth of Surrealism. His paintings are visual narratives that pulse with life; one might find themselves lost in landscapes that feel like fever dreams, populated by motifs drawn from Mexican mythology and Aztec deities. The artist’s technique—characterized by a sophisticated layering of color and a delicate blending of textures—creates an emotional resonance that pulls the viewer into his spiritual explorations. These works do not merely depict scenes; they evoke the very essence of

    cultural memory

    , using vibrant palettes reminiscent of traditional Mexican textiles to celebrate a heritage that is both ancient and urgently modern.

    A Bridge Between Tradition and Community

    Beyond the intimate scale of his easel paintings, the Museo celebrates the monumental spirit of Carrillo’s public works. His murals, conceived during his pivotal leadership in the

    Califas Legacy Project

    , stand as powerful architectural interventions in the community's consciousness. These large-scale pieces capture the burgeoning Chicano art scene of Monterey Bay between 1965 and 1981, serving as much as social commentary as they do aesthetic triumphs. For the collector or interior designer, these works represent a profound connection to the movement known as

    El Movimiento

    , offering a piece of history that speaks volumes about resistance, representation, and the reclamation of space.

    What truly distinguishes the Museo Eduardo Carrillo is its intimate, specialized focus. Unlike sprawling metropolitan institutions that attempt to encompass all of human history, this museum offers an unparalleled depth of insight into a specific, vital cultural lineage. It is a place where scholarship meets passion, and where the digital and physical realms converge through online exhibitions and collaborative publications. The institution's dedication to this legacy is further cemented through its active role in supporting the next generation, notably through the annual Eduardo Carrillo Scholarship, which has nurtured hundreds of emerging talents. For the art lover, it offers a rare opportunity to witness the meticulous fusion of indigenous philosophies and Western techniques; for the designer, it provides a source of profound inspiration found in the textures of history and the bold, symbolic language of Chicano identity.

    Preberite več

    Preverite na spletu

    QR koda za dostop do strani za prenos Summer

    wahooart.com/sl/art/download/judithe-hernandez-summer-D6A9N8-en/

    Navodila za citiranje umetniškega dela

    MLA
    Hernández, Judithe. Summer. 2013, Museo Eduardo Carrillo. https://wahooart.com/sl/art/judithe-hernandez-summer-D6A9N8-en/
    APA
    Hernández, Judithe (2013). Summer [Painting]. Museo Eduardo Carrillo. https://wahooart.com/sl/art/judithe-hernandez-summer-D6A9N8-en/
    Chicago
    Judithe Hernández. Summer. 2013. Museo Eduardo Carrillo. https://wahooart.com/sl/art/judithe-hernandez-summer-D6A9N8-en/
    Harvard
    Hernández, Judithe (2013) Summer. Museo Eduardo Carrillo. Available at: https://wahooart.com/sl/art/judithe-hernandez-summer-D6A9N8-en/

    Poglejte bližje

    Summer — Judithe Hernández

    Poglejte rafinirano

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Poglejte nazaj na Virgen de la Oscuridad, ki ste ga prej videli v tem priročniku. Navedite dve stvari, ki jih deli z tem delom, in eno, ki je drugačnja.
    4. Judithe Hernández je bil star približno 65, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot delo umetnika v tem obdobju?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

    Vaš odgovor

    Zapišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Ali lahko vidim rentgenski pregled dela "Summer" avtorja Judithe Hernández?

    X-ray pogled dela "Summer" avtorja Judithe Hernández je na strani Rentgenski pregled umetninine: interaktivno raziskovanje slike skozi enajst optičnih slojev.

    Koliko je bil star/a Judithe Hernández, ko je ustvaril/a "Summer"?

    Ko je bilo delo "Summer" ustvarjeno leta 2013, je bil Judithe Hernández – rojen leta 1948 – star 65 let.

    Kako nasičena je paleta dela "Summer"?

    Barve dela "Summer" avtorja Judithe Hernández imajo Vivid Color zasičenost. Zasičenost opisuje, kako živahne ali utišane so barve.