Format papirja

Priročnik za študentska dela

Charlotte Street, Bristol, in Snow

Ime in priimek Razred Datum

john whitlock codner, Charlotte Street, Bristol, in Snow (1939), University of Bristol. Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic.

Podrobnosti

Umetnik
john whitlock codner wahooart.com/sl/artists/john-whitlock-codner/
Datumi rojstva in smrti umetnika
1913 – 2008
Naslikano
1939
Prvotna velikost
60 x 47 cm
Na lokaciji
University of Bristol wahooart.com/sl/museums/university-of-bristol-bristol_sl/

In context

Charlotte Street, Bristol, in Snow — john whitlock codner

How big is it?

The original measures 60 × 47 cm (height × width), drawn here beside an adult of average height.

Kdaj je bilo to naslikano?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990
  10. 2000

Osenčeno: življenjsko obdobje john whitlock codner (1913–2008) ▲ to delo, 1939

Primerjajte z

  • Alderman Brown wahooart.com/sl/art/john-whitlock-codner-alderman-brown-AQZSP2-en/
  • Red Decanter wahooart.com/sl/art/john-whitlock-codner-red-decanter-AS7SZT-en/
  • Fruit wahooart.com/sl/art/john-whitlock-codner-fruit-AQZSP4-en/

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: wahooart.com/sl/art/similar/john-whitlock-codner-charlotte-street-bristol-in-snow-AS7SZP-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Phthalo Green #2c2e31

    Shranjena paleta

    • #2C2E31
    • #BDC0C4
    • #5E5E59
    • #91908B
    Naziv primarne barve
    Phthalo Green
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Bold V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Discordant Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Bright Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Umetnik in muzej

    Umetnik

    john whitlock codner

    John Whitlock Codner (1913–2008): A Painter Shaped by War and Tradition

    John Whitlock Codner (1913 – 2008) was a British painter whose artistic journey unfolded against the backdrop of wartime Britain, profoundly influenced by his father’s legacy as a society painter and nurtured by the mentorship of Alfred Munnings. His distinctive style—characterized by meticulous observation of detail and imbued with a quiet dignity—earned him recognition within the Royal West of England Academy (RWA) and secured his place among the prominent artists of the 20th century.

    Early Life & Family Roots

    Education & Influences

    Wartime Camouflage Officer & Artistic Collaboration

    Career as Painter: Style and Technique

    Legacy & Recognition

    Early Life & Family Roots

    Born in Beaconsfield, Buckinghamshire, in 1913, Codner’s artistic inclinations stemmed from a familial connection to Maurice Codner, a respected society painter who championed Munnings's vision and established a formative relationship with the celebrated landscape artist. This exposure to Munnings’s aesthetic sensibilities—marked by bold brushstrokes and an uncompromising commitment to capturing the essence of rural England—would become a cornerstone of Codner’s artistic development.Maurice Codner’s friendship with Alfred Munnings proved instrumental in shaping John Codner's artistic trajectory.

    Education & Influences

    Codner pursued his formal education at St. Edward’s School, Oxford, where he honed his intellectual curiosity alongside fellow students destined for distinguished careers.St. Edward’s School provided a rigorous academic grounding that complemented Codner's burgeoning artistic interests. Subsequently, he enrolled at Regent Street Polytechnic School of Art, immersing himself in the study of painting and furthering his technical skills. This period solidified his understanding of artistic principles and prepared him for a career dedicated to visual representation.The influence of Munnings’s expressive style undoubtedly shaped Codner's approach to landscape painting.

    Wartime Camouflage Officer & Artistic Collaboration

    During the Second World War, Codner served as a camouflage officer in Geoffrey Barkas’s Middle East Command Camouflage Directorate. This experience wasn’t merely a duty obligation; it was an immersive encounter with practical artistry—a necessity for deceiving enemy forces.Codner's wartime service demanded both tactical acumen and artistic creativity. He collaborated closely with Peter Proud, crafting innovative camouflage designs that utilized color palettes and textures to blend seamlessly into the desert landscape. Alongside Steven Sykes (a stained glass artist), Edward Bainbridge Copnall (a sculptor) Jasper Maskelyne (a stage magician) and Peter Proud, Codner worked on Operation Crusader.The collaborative effort with Proud exemplifies Codner’s ability to integrate artistic vision with strategic considerations.

    Career as Painter: Style & Technique

    Codner established his studio in Stokenham, Devon, dedicating himself to painting—primarily figure portraits and still lifes—with unwavering dedication.Codner's meticulous attention to detail and masterful brushwork characterized his distinctive artistic style. He exhibited extensively at the Royal Academy and the RWA, garnering critical acclaim for his evocative depictions of human subjects and landscapes. His works are held in numerous public collections across Britain, testament to their enduring beauty and artistic merit.Codner’s paintings consistently demonstrate a profound understanding of light and color—elements central to conveying emotion and capturing the spirit of his subjects.

    Legacy & Recognition

    John Whitlock Codner was elected as an academician in 1963, cementing his position among Britain's most respected artists.Codner’s election into the Royal West of England Academy symbolized his contribution to British art history. He remained active until his death in 2008, continuing to produce paintings that reflected both tradition and personal vision. His legacy resides not only in his artistic output but also in his role as a mentor and educator—inspiring generations of artists to pursue excellence.Codner’s enduring influence can be seen in the stylistic choices of subsequent painters who admired his unwavering commitment to craft.

    Muzej

    University of Bristol

    On show in Bristol, Združena kraljevina

    Zgodovinski in umetnični pot v Muzejih Univerze v Bristolu

    Muzeji Univerze v Bristolu niso le prostor za izložbe umetnin, temveč živo okno v zgodovinski potek Anglije in Evrope; so poskus razumevanja človeške ustvarjalnosti skozi celotno zgodovino in njene lepote. Nahajajo se v središču Bristola in predstavljajo edinstven sistem, kjer se znanstveno raziskovanje sreča z umetniško navdihom, kar ustvarja izkušnjo, ki presega meje običajnega kulturnega turizma. Njihova zbirka je ogromna in raznolika, saj pokriva tisočletja zgodovine – od staroegipatskih skrivnosti do sodobnih umetnostnih trendov – obiskovalcem ponuja fascinantno potovanje skozi človeško zgodovino in ustvarjalnost. Zgodovinski pomen muzejev še dodatno poudarja njihova arhitekturna dovršenost, ki stoji kot simbol edvardske dobe in ter prostor za pomembne znanstvene konference ter kulturne dogodke.

    Arhaična Egipta: Skriptorium bogate umetnosti in vere

    Prvi vtis, ki ga obiskovalec dobi ob vstopu v Muzeje Univerze v Bristolu, je čarobnost staroegipatske umetnosti. Zbirka združuje dragocenost iz najpomembnejšega arheološkega revirja, vključno s stolpi Olimp in faraonskimi grobi. Sarcofagi in skulpture so izjemno impresivni, saj so ustvarjeni z tehnikami, ki so se uporabljale že stoletja, ter dokazujejo visoko stopnjo umetnosti staroegipatskih mojstrov. Natančen pregled teh del omogoča ne le razumevanje teologije in filozofije staroegiptske civilizacije, temveč tudi občutek za vrhunsko znanje umetnikov, ki so zlato in plemenite kamne uporabili za ustvarjanje dragocenih predmetov. Poudarek na podrobnostih in zgodovinski natančnosti naredi obisk resnično iskanje znanja in estetične izkušnje. Umetniki tistega časa so z uporabo tehnik vgradnje in kombiniranja materialov ustvarjali dela, ki so bila tako presenetljiva kot simbolična, s čimer so izpostavili eleganco in bogato zgodovino arhaične Egipt. Zbirka vključuje sarkofage različnih dinastij, ki uporabljajo plemenite kamne, kot sta onikita in granat, za prikazovanje zapletenih scen iz mitologije in simbolike, ki razkrivajo vero staroegiptskega človeka.

    Hiša Willa Fifth: Arhitektura velike filantropije in klasične ustvarjalnosti

    Hiša Willa Fifth predstavlja simbol edvardske dobe v Angliji; arhitekturno uspešno gradivo, ki je znotraj Univerze v Bristol sta zgradil bogati filantrop William Will in njegova vizija. Osrednja zgodovinska dvorana je izjemno impresivna, saj je okrasljena z ogromnim freskom Williama Morrisa, ki prikazuje scene iz grške mitologije in simbolizira prizadevanja tistega obdobja za izpostavljanje visokih idealov izobraževanja in znanosti. Uporaba marmorja in zlata poudarja položaj univerze kot pomembnega središča kulture in znanja. Vredno je opaziti, da gradnja gostuje pomembne znanstvene dogodke, kar prispeva k njeni zgodovinski pomembnosti. Morrisova freska ni le vrhunsko umetniško delo, temveč izraz filozofije in vrednot edvardske dobe, ki je dajala poseben poudarek umetniški ustvarjalnosti in znanstvenim odkritjem. Dvorana je okrasljena tudi s skulpturami Christophera Rhodosena, barvna paleta pa odraža estetsko usmerjenost obdobja.

    Zbirka teatralskih dekoracij Univerze v Bristolu: Evolucija umetnosti in kulture

    Zbirka teatralskih dekoracij in opreme Univerze v Bristolu je edinstiren vir informacij o zgodovini tehaterjevske umetnosti v Angliji od začetka 19. stoletja do današnjih dni. Kostumi in scenografije, izloženi v muzejih, so izjemno navdihujoči, saj so ustvarjeni z tehnikami, ki so se uporabile že desetletja nazaj in odražajo estetske trende vsake dobe. Zbirka prikazuje raznolikost slogov in umetnostnih šol, kot sta romantizem in barok, obiskovalce pa vključuje v izkušnjo, ki združuje zgodovinsko znanje z umetnično navdihom. Teaterski umetniki so uporabljali tehnike, ki so delo naredila tako vizualno čudovito kot tudi simbolično, s čimer so poudarili eleganco in zgodovinsko natančnost te umetnosti. Zbirka vključuje scenografije različnih obdobij, ki z uporabo raznolikih materialov, kot sta les in zlato, ustvarjajo impresivne postavke za predstave študentov in profesorjev Univerze v Bristolu.

    Sodobna umetnost Univerze v Bristolu:

    Preberite več

    Preverite na spletu

    QR koda za dostop do strani za prenos Charlotte Street, Bristol, in Snow

    wahooart.com/sl/art/download/john-whitlock-codner-charlotte-street-bristol-in-snow-AS7SZP-en/

    Navodila za citiranje umetniškega dela

    MLA
    codner, john whitlock. Charlotte Street, Bristol, in Snow. 1939, University of Bristol. https://wahooart.com/sl/art/john-whitlock-codner-charlotte-street-bristol-in-snow-AS7SZP-en/
    APA
    codner, john whitlock (1939). Charlotte Street, Bristol, in Snow [Painting]. University of Bristol. https://wahooart.com/sl/art/john-whitlock-codner-charlotte-street-bristol-in-snow-AS7SZP-en/
    Chicago
    john whitlock codner. Charlotte Street, Bristol, in Snow. 1939. University of Bristol. https://wahooart.com/sl/art/john-whitlock-codner-charlotte-street-bristol-in-snow-AS7SZP-en/
    Harvard
    codner, john whitlock (1939) Charlotte Street, Bristol, in Snow. University of Bristol. Available at: https://wahooart.com/sl/art/john-whitlock-codner-charlotte-street-bristol-in-snow-AS7SZP-en/

    Look closely

    Charlotte Street, Bristol, in Snow — john whitlock codner

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Alderman Brown, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. john whitlock codner was about 26 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.