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Vodnik po študentskem umetniškem delu

Jocotoco Antpitta

Ime Razred Datum

Jane Kim, Jocotoco Antpitta (2015), Cornell Lab of Ornithology. Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
Jane Kim wahooart.com/sl/artists/jane-kim_sl/
Datumi rojstva in smrti umetnika
1981 –
Naslikano
2015
Tehnika
Acrylic
V mestu/lokaciji
Cornell Lab of Ornithology wahooart.com/sl/museums/cornell-lab-of-ornithology-ithaca_sl/
Artistic style
Wildlife illustration
Influences
Science illustration
Notable elements
Mural detail of bird
Subject or theme
Bird conservation

V kontekstu

Jocotoco Antpitta — Jane Kim

Kdaj je bilo to naslikano?

  1. 1980
  2. 1990
  3. 2000
  4. 2010

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja, pri čemer se leta od rojstva štejejo od 0 naprej.

Naslikano, ko je bil avtor star 34. 0 od 55 datiranih del tega umetnika v našem katalogu je nastalo prej.

▲ to delo, 2015 vsaka datirana slika, desetletje za desetletjem

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več podobnih del za kombiniranje z tem: wahooart.com/sl/art/similar/jane-kim-jocotoco-antpitta-DD2KAF-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Cobalt Violet #808daa

    Katalogirana paleta

    • #808DAA
    • #D2D0C9
    • #474B67
    • #1D1F30

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Neutrals Prevladujoča barvna družina na sliki.
    Ime glavne barve
    Cobalt Violet
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Discordant Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Brilliant Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Jane Kim v zadnjih dvanajst mesecih — skupaj 2 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Kitajska 85,7%1.200 obiskov
    2. 2 Združene države Amerike 14,3%200 obiskov

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    17 najbolj gledanih del umetnika Jane Kim

    1. 1 South America mural detail, 2015 11,8%200 obiskov
    2. 2 Sapayoa, 2015 5,9%100 obiskov
    3. 3 Shoebill, 2015 5,9%100 obiskov
    4. 4 Gray-crowned Babbler, 2015 5,9%100 obiskov
    5. 5 Oilbird, 2015 5,9%100 obiskov
    6. 6 Magpie Goose, 2015 5,9%100 obiskov
    7. 7 American Oystercatcher, 2015 5,9%100 obiskov
    8. 8 Pale-winged Trumpeter, 2015 5,9%100 obiskov
    9. 9 Black Caiman, 2015 5,9%100 obiskov
    10. 10 Oriental Darter, 2015 5,9%100 obiskov
    11. 11 Europe and Eurasia mural detail, 2015 5,9%100 obiskov
    12. 12 Gastornis, 2015 5,9%100 obiskov
    13. 13 Africa and Madagascar mural detail, 2015 5,9%100 obiskov
    14. 14 Pelagornis, 2015 5,9%100 obiskov
    15. 15 Microraptor, 2015 5,9%100 obiskov
    16. 16 Tiktaalik, 2015 5,9%100 obiskov
    17. — Jocotoco Antpitta, 2015 ta slika 0,0%0 obiskov

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 55 del te umetnice, pri čemer je bilo 16 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    O tem umetniškem delu

    Jocotoco Antpitta — Jane Kim

    The Enigmatic Antpitta: Jane Kim's Conservation Canvas

    Jane Kim’s “Jocotoco Antpitta” isn’t merely a painting; it’s an immersive experience, a vibrant testament to the fragility and beauty of a vanishing species. This striking artwork, rendered in meticulous detail and imbued with a palpable sense of urgency, captures the elusive Jocotoco Antpitta – a critically endangered bird endemic to the cloud forests of Ecuador – alongside its young. The image transcends simple representation, becoming a powerful plea for conservation within a broader narrative of ecological awareness.

    The piece immediately draws the eye to the central figure: a magnificent black antpitta, radiating an almost regal presence amidst a flurry of smaller birds. Its posture is one of quiet authority, yet its gaze holds a hint of vulnerability. Flanking it are two juvenile birds, their plumage softer and less defined, symbolizing the future of this threatened lineage. The background, a carefully constructed blend of cerulean sky and wispy clouds, provides a serene counterpoint to the intensity of the avian subjects, suggesting the delicate balance within its natural habitat.

    A Fusion of Science and Art: Technique and Process

    Kim’s masterful technique is evident in every brushstroke. The painting employs a layered approach, building up texture and depth through multiple applications of acrylic and latex paints on canvas. The artist's background as a science illustrator shines through – the anatomical accuracy of the birds is remarkable, yet never feels sterile or clinical. Instead, it’s presented with an appreciation for their inherent beauty. The use of color is particularly noteworthy; rich, saturated hues are juxtaposed with subtle gradations and tonal variations, creating a dynamic visual rhythm that guides the viewer's eye across the composition.

    Interestingly, “Jocotoco Antpitta” was originally conceived as part of a larger mural project – "From So Simple a Beginning" – commissioned by Ink Dwell Studio for Ithaca, New York. This context is crucial to understanding the artwork’s intent: it's not just about depicting a single bird but about raising awareness of biodiversity loss and the importance of habitat preservation. The mural served as a visual education tool, bringing the plight of the Jocotoco Antpitta directly into the community.

    Symbolism and Ecological Resonance

    The Jocotoco Antpitta itself carries significant symbolic weight. As one of the rarest birds in the world, it represents the vulnerability of entire ecosystems. Its depiction alongside its young underscores the urgency of conservation efforts – a reminder that every individual plays a role in safeguarding future generations. The surrounding avian community—a diverse array of species—further emphasizes this interconnectedness, illustrating the delicate web of life within the cloud forest.

    Furthermore, Kim’s work resonates with broader themes of environmental stewardship and human responsibility. The mural's location in Ithaca, a region increasingly focused on sustainability and ecological awareness, amplifies its message. It invites viewers to contemplate their own relationship with nature and consider the impact of their choices.

    A Legacy of Conservation: Jane Kim’s Vision

    Jane Kim’s artistic practice is deeply rooted in advocacy. Her work extends beyond individual paintings; she actively uses her art to promote conservation causes, as evidenced by her involvement with organizations like the California Working Families Party and her dedication to creating impactful murals. “Jocotoco Antpitta” stands as a powerful example of this commitment – a beautiful, informative, and ultimately hopeful reminder of the importance of protecting our planet’s most vulnerable species. Reproductions of this artwork offer a tangible connection to this vital message, allowing viewers to bring a piece of this conservation story into their own spaces.

    Umetnik in muzej

    Umetnik

    Jane Kim

    Rojen v New York, Združene države Amerike

    The Art of Advocacy: The Visionary World of Jane Kim

    Jane Kim stands at the intersection of fine art and scientific precision, a painter and science illustrator whose work serves as a vibrant bridge between humanity and the natural world. Born in 1981 and raised in Mount Prospect, Illinois, Kim’s artistic journey is deeply rooted in an intimate observation of life. Her practice, often executed through her Ink Dwell studio, transcends mere decoration; it is a form of visual advocacy designed to promote the protection and celebration of our planet's diverse ecosystems. By blending the meticulous detail of scientific illustration with the grand scale of public murals, she transforms urban landscapes into immersive educational experiences.

    Kim’s formal training provided the technical foundation for her unique aesthetic. She earned her B.F.A. in printmaking from the Rhode Island School of Design in 2003, a period that likely honed her appreciation for texture and layered composition. Seeking to deepen the connection between art and ecology, she later attended California State University, Monterey Bay, where she studied scientific illustration, graduating in 2010. This dual expertise allows her to capture the iridescent qualities of plumage and the delicate anatomy of flora with an accuracy that honors the biological reality of her subjects while maintaining a profound emotional resonance.

    A Symphony of Scale and Species

    The true impact of Kim’s work is perhaps most felt in her large-scale murals, which turn city walls into windows onto vanishing habitats. Her projects are often much more than aesthetic endeavors; they are ecological narratives. One of her most ambitious undertakings was the Migrating Mural, a series of six works spanning 120 miles along California’s Highway 395, featuring the Sierra Nevada bighorn sheep. Such works demonstrate her ability to use public space to foster a sense of shared stewardship for local wildlife.

    Her mastery of detail is equally evident in her more concentrated works, such as the monumental Wall of Birds at Cornell University's Lab of Ornithology. Completed in 2015, this massive piece depicts 243 modern bird families, rendered at life size and superimposed upon a map of the earth. In pieces like South Island Wren or Jocotoco Antpitta, Kim invites viewers into a meditative state, using a layered painting technique that builds richness through visible brushstrokes and a vibrant palette. Through these works, she captures the fragility of endangered species, turning every stroke of paint into a plea for conservation.

    Legacy and Ecological Connection

    Beyond the technical execution, Kim’s significance lies in her ability to weave social and historical narratives into the natural landscape. Her Flora From Fauna series in Redwood City, California, serves as a poignant example, commemorating the lost chrysanthemum industry of the 1920s and the history of Japanese immigrants in the region. This ability to intertwate human history with ecological study defines her contribution to contemporary art.

    Whether through her residency at the de Young Museum or her presence on corporate campuses, Kim continues to push the boundaries of where art can live and what it can achieve. Her work remains a testament to the power of observation, reminding us that by truly seeing the intricate beauty of a single bird or a hidden flower, we might find the inspiration necessary to protect the entire tapestry of life.

    Muzej

    Cornell Lab of Ornithology

    Na razstavi v Ithaca, Združene države Amerike

    Svet ptic: Raziskovanje Cornell Lab of Ornithology

    V valovitih gričih Ithace, New York, se nahaja Cornell Lab of Ornithology, ki presega običajno definicijo raziskovalnega inštituta; je živahno pričevanje o našem trajanju povezanosti z ptičjim svetom. Ustanovljen leta 1915 s strani Arthura A. Allena – vizionarja, ki je zagovarjal formalno študijo ptic – se je Lab razvil v globalno središče ornitološke znanosti, ohranjanja narave in angažmana državljanov. Od skromnih začetkov znotraj oddelka za entomologijo na univerzi Cornell do trenutnih najsodobnejših objektov v zavarovanem območju Sapsucker Woods Sanctuary je zgodba Cornealla Lab zgodba strastne predanosti in revolucionarnih odkritij. Je kraj, kjer znanstvena natančnost pleše s splošnim navdušenjem, spodbuja edinstveno okolje, ki vabi vsakogar, da pogleda navzgor in prisluhne. Bistvo Laba leži v njegovi zmožnosti preoblikovanja občasnih opazovalcev ptic v dragocene znanstvene sodelavce, s čimer utira pot duhu kolektivnega opazovanja, ki je revolucioniralo naše razumevanje ptičjega življenja.

    Moč kolektivnega opazovanja: eBird in širše

    V srcu te institucije bije zavezanost izkoriščanju moči deljenega znanja. Za razliko od tradicionalnih raziskovalnih okolij Cornell Lab aktivno vabi k sodelovanju ljubiteljev ptic vseh ravni. Ta pionirska duha najbolj jasno uteleša eBird, spletna baza podatkov, ki je temeljito spremenila naše razumevanje porazdelitve in migracijskih vzorcev ptic. Predstavljajte si zemljevid v realnem času, ki ga nenehno posodabljajo tisoče opazovalcev in razkriva zapleteno gibanje pernatega potovanja po celinah! To je osupljiva vizualizacija medsebojne povezanosti, ki prikazuje, kako se posamezne ugotovitve združijo v celovito sliko ptičjega življenja na Zemlji. Dopolnjuje jo digitalni čudež All About Birds, nagrajena spletna stran, ki ponuja izčrpne profile severnoameriških vrst – zakladnico nasvetov za identifikacijo, podrobnosti o življenjskem ciklu in očarljivih zvočnih posnetkov. Ti viri niso le informativni; spodbuja poglobitev občudovanja lepote in kompleksnosti ptičjega obstoja, sproža radovednost in navdihuje prizadevanja za ohranjanje narave.

    Arhitekturna harmonija z naravo

    Fizični prikaz te predanosti je Center Imogene Powers Johnson za ptice in biotsko raznolikost, odprt leta 2003 in nedavno izboljšan z večmilijonskim prenovo, končano junija 2024. Obiskovalni center ni le kraj za ogled razstav; je poglobljena izkušnja, zasnovana tako, da obiskovalce poveže s naravnim svetom. Sama arhitektura odraža to etiko in se brezhibno zlije z okoličnim zavarovanem območjem Sapsucker Woods – 300-hektarskega rezervata, ki se ponaša s petimi miljami vijugastih poti in je dom več kot 230 vrstam ptic. Sprehod po teh poteh lahko resnično razumete, zakaj je Arthur Allen izbral to lokacijo, sprva očaran z vzrejajočim parom rumenobelih dleskarjev, ki so dali zavarovanemu območju ime. Prenovljeni Obiskovalni center ponuja interaktivne razstave, ki oživljajo ptičjo ekologijo in jo naredijo dostopno in privlačno za vse starosti. Je prostor, kjer se obiskovalci ne le učijo o pticah; čutijo povezanost z njimi.

    Več kot muzej: Svetilnik upanja

    Cornell Lab of Ornithology ni zgolj muzej ali raziskovalni center; je svetilnik upanja za ptičjo biotsko raznolikost. Je kraj, kjer se znanstvena natančnost sreča s splošnim angažmanom, kjer se neguje radovednost in kjer lahko preprosto opazovanje ptice prispeva k večjemu razumevanju – in končno zaščiti – dragocene naravne dediščine našega planeta. Stoji kot močan opomin, da ima vsak od nas vlogo pri varovanju prihodnosti teh veličastnih bitij in ekosistemov, v katerih živijo. Trajna zapuščina Laba ni samo v njegovih znanstvenih odkritjih, temveč tudi v njegovi zmožnosti navdihniti občutek čudeža in odgovornosti pri generacijah, ki bodo sledile.

    Kje si lahko preberete več

    Skenirajte za več informacij

    QR koda za dostop do strani za prenos Jocotoco Antpitta

    wahooart.com/sl/art/download/jane-kim-jocotoco-antpitta-DD2KAF-en/

    Citiranje umetniškega dela

    MLA
    Kim, Jane. Jocotoco Antpitta. 2015, Cornell Lab of Ornithology. https://wahooart.com/sl/art/jane-kim-jocotoco-antpitta-DD2KAF-en/
    APA
    Kim, Jane (2015). Jocotoco Antpitta [Painting]. Cornell Lab of Ornithology. https://wahooart.com/sl/art/jane-kim-jocotoco-antpitta-DD2KAF-en/
    Chicago
    Jane Kim. Jocotoco Antpitta. 2015. Cornell Lab of Ornithology. https://wahooart.com/sl/art/jane-kim-jocotoco-antpitta-DD2KAF-en/
    Harvard
    Kim, Jane (2015) Jocotoco Antpitta. Cornell Lab of Ornithology. Available at: https://wahooart.com/sl/art/jane-kim-jocotoco-antpitta-DD2KAF-en/

    Oglejte si bližje

    Jocotoco Antpitta — Jane Kim

    Poglejte bližje

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Naš katalog to delo uvršča pod: jocotoco antpitta, bird conservation, wildlife mural. Se strinjate? Bi kaj dodali ali odvzeli?
    4. Oglejte si Velika Žarna (2015), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    5. Jane Kim je bil star približno 34, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot značilno za umetnika v tem obdobju?

    Vaš odgovor

    Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Umetniški kviz

    Jocotoco Antpitta — Jane Kim

    Kako dobro poznate to umetniško delo?

    Za vsako od spodnjih 5 vprašanj izberite en odgovor. Vsako ima natanko en pravilni odgovor.

    1. 1. What is the primary subject of Jane Kim’s painting, ‘Jocotoco Antpitta’?

      • A A colorful tropical bird
      • B A small, endangered antbird species
      • C A large predatory mammal
    2. 2. According to the provided information, in what year was Jane Kim’s painting ‘Jocotoco Antpitta’ created?

      • A 2012
      • B 2015
      • C 2020
    3. 3. Jane Kim is primarily known for her work in which field?

      • A Abstract Expressionism
      • B Conservation murals and science illustration
      • C Portrait painting
    4. 4. The image description mentions a blue sky and clouds in the background of the painting. What does this suggest about the setting?

      • A A dense, tropical rainforest
      • B A mountainous region with clear weather
      • C A coastal environment
    5. 5. What is Jane Kim’s artistic style primarily associated with?

      • A Impressionism
      • B Blending art and advocacy, promoting awareness of the natural world through stunning wildlife depictions.
      • C Cubism

    Moj rezultat: ____ od 5

    Ključ odgovorov — za učitelje

    To se začne na novi tiskani strani, zato lahko te strani pri kopiranju preprosto izpustite.

    1A · 2B · 3A · 4B · 5A

    Preverite vsak odgovor v primerjavi z zapisom v katalogu za to sliko

    Vprašanja in odgovori

    Ali obstajajo dela, podobna delu "Jocotoco Antpitta"?

    Umetninice, podobne delu "Jocotoco Antpitta" avtorja Jane Kim, so zbrane na strani Podobna dela te umetnine.

    Kdo je ustvaril "Jocotoco Antpitta" in v letu katerega?

    "Jocotoco Antpitta" je ustvaril Jane Kim leta 2015.

    Kakšno vzdušje bi v prostor prineslo "Jocotoco Antpitta"?

    "Jocotoco Antpitta" avtorja Jane Kim ima Calm vzdušje in se priporoča za Living Room. Razpoloženje je tisto, kar delo vnese v okoliški prostor.