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An Old Cistern

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Žak Josip Tisot, An Old Cistern (1889). Dostopno v javni lastnini.

Podrobnosti

Umetnik
Žak Josip Tisot wahooart.com/sl/artists/zak-josip-tisot_sl/
Datumi rojstva in smrti umetnika
1836 – 1902
Naslikano
1889
Prvotna velikost
23 x 15 cm
Gibanje
Realism Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander.

V kontekstu

An Old Cistern — Žak Josip Tisot

Kakšna je velikost?

Originalne dimenzije so 23 × 15 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890
  8. 1900

Osenčeno: življenjsko obdobje Žak Josip Tisot (1836–1902) ▲ to delo, 1889

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Več del, ki bi jih postavili ob to: wahooart.com/sl/art/similar/jacques-joseph-tissot-an-old-cistern-8XYAQD-en/

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    Paleta barv
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    Intenzivnost
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    Gentle V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
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    Umetnik in muzej

    Umetnik

    Žak Josip Tisot

    Rojen v Nantes, Francija

    Early Life and Artistic Beginnings

    Jacques Joseph Tissot, born October 15, 1836, in Nantes, France, was destined for a life steeped in artistic passion from his earliest years. His father, a drapery merchant, instilled in him an appreciation for craftsmanship and detail—qualities that would profoundly shape his artistic vision. Simultaneously, his mother, a milliner, nurtured his sensitivity to beauty and fashion, exposing him to the vibrant world of Parisian society. Despite familial responsibilities, Tissot relentlessly pursued his artistic ambitions, enrolling at the École des Beaux-Arts in Paris where he honed his skills under the tutelage of luminaries like Ingres, Flandrin, and Lamothe. This formative period cemented his commitment to painting as a vocation and established him firmly within the influential Parisian art milieu.

    The Salon Years and Recognition

    Tissot’s debut at the Paris Salon in 1861 marked a pivotal moment—the unveiling of “The Meeting of Faust and Marguerite,” a dramatic tableau that captivated audiences and garnered considerable acclaim from critics. Purchased by the state for inclusion in the Luxembourg Gallery, this ambitious undertaking signaled Tissot's burgeoning reputation as a painter capable of capturing complex narratives and conveying profound emotion. Subsequent Salon exhibitions solidified his position within the artistic establishment, showcasing his evolving style and attracting commissions from prominent patrons. His early successes fueled confidence and propelled him toward exploring new subjects and techniques—a trajectory that would ultimately define his illustrious career.

    Genre Painting and Parisian Society

    Tissot’s artistic breakthrough arrived with his series “La Femme à Paris,” a meticulously observed depiction of the demi-mondaine world of late Victorian London. These paintings, characterized by their luminous color palettes and masterful rendering of textures—particularly fabrics—became synonymous with capturing the allure and dynamism of Parisian high society. Tissot's meticulous attention to detail extended beyond mere visual representation; he sought to convey not only appearances but also psychological nuances, reflecting the anxieties and aspirations of his subjects. His work stands as a testament to Impressionistic influences blended with realism, offering an unparalleled glimpse into the social customs and artistic sensibilities of the Belle Époque.

    Biblical Themes and Japonisme

    Throughout his prolific output, Tissot embraced diverse artistic inspirations—ranging from medieval narratives to biblical scenes—demonstrating remarkable versatility. His depictions of religious subjects, imbued with spiritual depth and emotional resonance, showcased his ability to elevate visual storytelling into profound contemplation. Simultaneously, he was captivated by Japonisme—the fascination with Japanese art and aesthetics that swept across Europe during the Victorian era—evident in compositions infused with asymmetrical arrangements and subtle color harmonies reminiscent of Japanese prints. This stylistic fusion underscored Tissot’s intellectual curiosity and his willingness to experiment with innovative artistic approaches.

    Later Years and Legacy

    Tissot's life took a dramatic turn when he enlisted in the Franco-Prussian War, serving on the French side—an experience that undoubtedly shaped his worldview. Following the war’s conclusion, he relocated to London where he pursued etching alongside Sir Seymour Haden and honed his artistic skills through portrait commissions and caricatures for Vanity Fair. His relationship with Kathleen Newton blossomed into a passionate companionship, providing him with enduring inspiration for numerous paintings. Tragically, Newton succumbed to tuberculosis in 1882—a profound loss that deeply affected Tissot’s creative output. Despite this sorrowful chapter, he continued to produce exceptional artwork until his death in 1902. Today, Jacques Joseph Tissot's legacy resides in museums across Europe and North America—most notably the Musée National Jean-Jacques Henner in Paris—where his celebrated paintings continue to inspire admiration for their artistic brilliance and evocative portrayal of Victorian life and faith. His enduring influence on genre painting and Impressionism secures his place as one of France’s most distinguished artists of the 19th century.

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    Navodila za citiranje umetniškega dela

    MLA
    Tisot, Žak Josip. An Old Cistern. 1889, https://wahooart.com/sl/art/jacques-joseph-tissot-an-old-cistern-8XYAQD-en/
    APA
    Tisot, Žak Josip (1889). An Old Cistern [Painting]. https://wahooart.com/sl/art/jacques-joseph-tissot-an-old-cistern-8XYAQD-en/
    Chicago
    Žak Josip Tisot. An Old Cistern. 1889. https://wahooart.com/sl/art/jacques-joseph-tissot-an-old-cistern-8XYAQD-en/
    Harvard
    Tisot, Žak Josip (1889) An Old Cistern. Available at: https://wahooart.com/sl/art/jacques-joseph-tissot-an-old-cistern-8XYAQD-en/

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    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Naš katalog to delo uvršča pod: buildings. Se strinjate? Bi kaj dodali ali odvzeli?
    4. Oglejte si October (1878), ki ste ga že videli v tem priročniku. Navedite dve stvari, ki jih deli z tem delom, in eno, ki je drugačnja.
    5. Realism: Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander. Kje lahko to opazite v tem delu?

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