Format papirja

Priročnik za študentska dela

Beville

Ime in priimek Razred Datum

Georges Mathieu, Beville (1972). Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Podrobnosti

Umetnik
Georges Mathieu wahooart.com/sl/artists/georges-mathieu/
Datumi rojstva in smrti umetnika
1921 – 2012
Naslikano
1972
Prvotna velikost
50 x 66 cm
Gibanje
Tachisme

V kontekstu

Beville — Georges Mathieu

Dimenzije

Prvotne dimenzije so 50 × 66 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000
  10. 2010

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 91 ob smrti.

Naslikano, ko je bil avtor star 51. Umetnik je živel 91. 4 od 5 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje Georges Mathieu (1921–2012) ▲ to delo, 1972 vsaka datirana slika, desetletje za desetletjem

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: wahooart.com/sl/art/similar/georges-mathieu-beville-D3FMUJ-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Phthalo Green #282723

    Shranjena paleta

    • #282723
    • #C3B7BF
    • #DBD0D3
    • #736A68

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Phthalo Green
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Softly Mixed Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Muted Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    3 najbolj gledanih del umetnika Georges Mathieu

    1. 1 Le Massacre de la Saint Barthélémy, 1959 66,7%
    2. 2 Untitled 33,3%
    3. — Beville, 1972 ta slika 0,0%

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 9 del te umetnice, pri čemer je bilo 2 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za vsak posamezen mesec

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in to: navedite eno stvar, ki bi lahko naredila sliko znano, oltre tem, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Georges Mathieu

    Rojen v Boulogne-sur-Mer, France

    A Pioneer of Lyrical Abstraction: The Life and Art of Georges Mathieu

    Born in the coastal town of Boulogne-sur-Mer, France, in 1921, Georges Mathieu emerged as a pivotal figure in the post-war European art landscape. His journey began not within the traditional confines of an art school, but through a diverse academic path encompassing English literature and law at the University of Lille. This unconventional foundation, coupled with experiences as an English teacher and interpreter for the American army during wartime, broadened his horizons and fostered a unique perspective that would profoundly shape his artistic vision. These early years weren’t devoid of artistic inclination; Mathieu's mother, Madeleine Durpé, nurtured his talent by providing drawing lessons, laying the groundwork for a lifelong dedication to visual expression. However, it was a pivotal moment in 1944, influenced by writers like Edward Crankshaw and Joseph Conrad, that truly ignited his revolutionary approach – the realization that painting need not be tethered to representation to possess meaning and power.

    From Figurative Roots to Lyrical Freedom

    Initially experimenting with figurative works in 1942, Mathieu swiftly transitioned towards non-figurative art, a bold move reflecting the burgeoning spirit of artistic experimentation following World War II. In 1946, he founded “L’imaginaire,” an influential group showcasing artists like Wols, Jean-Michel Atlan, Hartung, Bryen, and Riopelle – a collective that became a breeding ground for new ideas and approaches to abstract expression. This marked the formal genesis of what would become known as Lyrical Abstraction, a movement Mathieu championed with fervent conviction. He recognized the seismic shift occurring across the Atlantic, keenly observing the groundbreaking work of American Abstract Expressionists like Jackson Pollock and Alton Tobey. Crucially, he wasn’t merely an admirer; Mathieu actively introduced these influences to a French audience, bridging a crucial gap between European and American artistic currents. His canvases began to embody spontaneity, emotion, and gestural marks – qualities that defined Lyrical Abstraction as a distinct branch of informalism.

    Technique, Themes, and the Performance of Painting

    Mathieu’s signature style is immediately recognizable for its dynamic energy and expressive force. He favored large-scale canvases, applying paint directly from tubes with long brushes, creating an immediacy that captured the raw essence of his creative impulse. His paintings are characterized by calligraphic gestures – sweeping lines and bold strokes that convey a sense of movement and vitality. While abstract in form, Mathieu’s work wasn't devoid of meaning; he frequently imbued his titles with references to historical events or figures from French history, adding layers of intellectual depth to the visual experience. But perhaps most strikingly, Mathieu blurred the boundaries between painting and performance. He began creating artworks before live audiences, often dressed in costume, transforming the act of painting into a theatrical spectacle – anticipating later developments in performance art and Happenings. This wasn’t simply about demonstrating technique; it was about revealing the emotional and intellectual process behind the creation, inviting viewers to witness the birth of an artwork firsthand.

    Legacy and Lasting Influence

    Georges Mathieu's contributions to the world of modern art are undeniable. Recognized as a founding father of Lyrical Abstraction, his work has been exhibited internationally in major museums and galleries, solidifying his place within the canon of post-war European art. Numerous retrospective exhibitions, including a significant showcase at the Grand Palais in 1978, have celebrated his prolific career. He received prestigious accolades such as the Legion of Honour and became a Commander of Arts and Letters, acknowledging his profound impact on French culture. Today, his works are held in over ninety museums worldwide, ensuring that his artistic legacy will continue to inspire generations to come. Mathieu’s role wasn't merely that of an artist; he was also a theorist and writer who actively contributed to the discourse surrounding abstract art, shaping its historical context and challenging conventional notions of artistic expression. He played a vital role in fostering dialogue between European and American artists, enriching both traditions and paving the way for new forms of creative exploration. His emphasis on gestural abstraction and emotional intensity continues to resonate with contemporary artists, cementing his position as a true innovator and visionary within the history of art.

    Preberite več

    Preverite na spletu

    QR koda za dostop do strani za prenos Beville

    wahooart.com/sl/art/download/georges-mathieu-beville-D3FMUJ-en/

    Navodila za citiranje umetniškega dela

    MLA
    Mathieu, Georges. Beville. 1972, https://wahooart.com/sl/art/georges-mathieu-beville-D3FMUJ-en/
    APA
    Mathieu, Georges (1972). Beville [Painting]. https://wahooart.com/sl/art/georges-mathieu-beville-D3FMUJ-en/
    Chicago
    Georges Mathieu. Beville. 1972. https://wahooart.com/sl/art/georges-mathieu-beville-D3FMUJ-en/
    Harvard
    Mathieu, Georges (1972) Beville. Available at: https://wahooart.com/sl/art/georges-mathieu-beville-D3FMUJ-en/

    Poglejte bližje

    Beville — Georges Mathieu

    Poglejte rafinirano

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Oglejte si Le Massacre de la Saint Barthélémy (1959), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    4. Georges Mathieu je bil star približno 51, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot delo umetnika v tem obdobju?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

    Vaš odgovor

    Zapišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Kako se slog dela "Beville" povezuje z dobo njegove ustvarjalke ali ustvarjalca?

    "Beville" avtorja Georges Mathieu uvrščamo v smer Tachisme, v obdobje Modern svojega ustvarjalca.

    Kakšne barve uporablja "Beville"?

    "Beville" avtorja Georges Mathieu uporablja Earthy barvno paleto. Paleta povzema splošni barvni značaj dela.

    Koliko je bil Georges Mathieu star ob ustvarjanju dela "Beville" leta 1972?

    Georges Mathieu je bil/a star/a 51 let, ko je ustvaril/a "Beville" leta 1972. Starost je izračunana na podlagi leta rojstva umetnika, 1921.