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Storm Breaking Up

Ime Razred Datum

Elliott Dangerfield, Storm Breaking Up (1912). Javna lastnina. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
Elliott Dangerfield wahooart.com/sl/artists/elliott-dangerfield/
Datumi rojstva in smrti umetnika
1859 – 1932
Naslikano
1912

V kontekstu

Storm Breaking Up — Elliott Dangerfield

Kdaj je bilo to naslikano?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920
  9. 1930

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 73 ob smrti.

Naslikano, ko je bil avtor star 53. Umetnik je doživel 73 let. 13 od 25 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje Elliott Dangerfield (1859–1932) ▲ to delo, 1912 vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1893 Glavni delovni leti: 1893–1915 Pozna dela: od 1915

Ti trije pasovi razdelijo dela v tem katalogu, za katera imamo datum, na prvo četrtino, srednjo polovico in zadnjo četrtino. Ne predstavljajo umetnikove popolne produkcije: tanjka obdobja lahko pomeni luknjo v arhivu in ne le obdobje manj intenzivnega ustvarjanja. Iste leta, ki spremljajo življenjsko pot umetnika

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več podobnih del za kombiniranje z tem: wahooart.com/sl/art/similar/elliott-dangerfield-storm-breaking-up-8YE378-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Bronze #e1af3b

    Katalogirana paleta

    • #E1AF3B
    • #9A772E
    • #403510
    • #5D531C

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Dark Prevladujoča barvna družina na sliki.
    Ime glavne barve
    Bronze
    Intenzivnost
    Vivid Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Balanced V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Strong Color Unity Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Balanced Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Clear Color Presence Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Elliott Dangerfield v zadnjih dvanajst mesecih — skupaj 2 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Kitajska 60,0%600 visits
    2. 2 Združene države Amerike 40,0%400 visits

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    6 najbolj gledanih del umetnika Elliott Dangerfield

    1. 1 The Sisters (also known as Marjorie ^ Gwendoline Daingerfield), 1920 40,0%400 visits
    2. 2 Night of the Titanic, 1912 30,0%300 visits
    3. 3 The Sleepers, 1914 10,0%100 visits
    4. 4 Large Landscape (also known as Grandfather Mountain in the Mist) 10,0%100 visits
    5. 5 Westglow, 1915 10,0%100 visits
    6. — Storm Breaking Up, 1912 ta slika 0,0%0 visits

    Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 29 del te umetnice, pri čemer je bilo 5 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Elliott Dangerfield

    Rojen v West Virginia, United States of America

    The Soul of the Appalachians: The Life and Legacy of Elliott Dangerfield

    In the quiet, mist-shrouded valleys of West Virginia, a profound artistic vision was forged during the late nineteenth century. Elliott Dangerfield (1859–1932) emerged from this rugged landscape not merely as a chronicler of scenery, but as a poet of light and atmosphere. Born in Fayetteville, his early years were steeped in the natural grandeur of the American wilderness, an environment that would later serve as the primary heartbeat of his creative output. While many of his contemporaries sought the frantic energy of urban expansion, Dangerfield turned his gaze inward toward the enduring tranquility of the Appalachian mountains, finding a spiritual resonance in the subtle shifts of color and the soft, encroaching shadows of the rural landscape.

    Dangerfield’s journey from a provincial upbringing to the prestigious artistic circles of New York City represents a classic narrative of American artistic development. His formal training began under the guidance of Walter Satterlee at the National Academy of Design, where he mastered the foundational principles of tonal realism. This period of rigorous study provided him with the technical vocabulary necessary to translate the complexities of nature onto canvas. However, it was his exposure to the burgeoning American Impressionist movement that truly liberated his brush. By blending the precision of academic training with a more fluid, emotive approach to light, he began to develop a style that felt both grounded in reality and elevated by a dreamlike, nostalgic quality.

    A Mastery of Tonalism and Light

    The true essence of Dangerfield’s work lies in his sophisticated use of tonalism—a movement that sought to evoke mood and emotion through a limited palette and atmospheric effects. Unlike the high-contrast drama of some landscape painters, Dangerfield preferred the nuanced gradations of dusk, dawn, and moonlight. His canvases often feature a delicate interplay of golden light and melancholic shadows, creating a sense of "Appalachian Serenity" that invites the viewer into a state of quiet contemplation. He possessed a remarkable ability to manipulate pigments to achieve a palpable sense of humidity, mist, and warmth, making the air within his paintings feel almost tangible.

    His influences were as profound as the landscapes he painted. Drawing inspiration from luminaries such as Frederic Church and George Inness, Dangerfield embraced the idea that a landscape could serve as a vessel for the human spirit. His technique often utilized subtle impasto textures to catch the light, particularly in works like Moonlit Landscape (1915), where the interplay of silver moonlight and deep earth tones creates a dramatic yet serene nocturnal scene. Whether depicting a sun-drenched field in High Noon or the brooding tension of The Spirit of the Storm, his work remains anchored by a profound respect for the inherent dignity of the natural world.

    Historical Significance and Artistic Enduring Spirit

    Throughout his prolific career, Dangerfield remained a steadfast observer of the American countryside. While he achieved recognition within the competitive New York art scene, his heart never strayed far from the mountains of his youth. This dedication to his roots allowed him to capture a specific era of American life—a period of transition where the wild frontier was beginning to settle into the pastoral beauty of the early twentieth century. His paintings serve as vital historical documents, preserving the light and atmosphere of a landscape that has since been irrevocly changed by time.

    The legacy of Elliott Dangerfield is found in the emotional resonance of his compositions. He did not seek to overwhelm the viewer with grand, sweeping spectacles; instead, he mastered the art of the intimate moment. His contributions to American landscape art are characterized by:

    Atmospheric Precision: An unparalleled ability to render the subtle effects of light, mist, and weather.

    Emotional Depth: The use of tonalism to evoke feelings of nostalgia, peace, and a gentle, beautiful melancholy.

    Regional Devotion: A lifelong commitment to portraying the unique character and spirit of the Appalachian wilderness.

    Today, Dangerfield’s work continues to captivate collectors and historians alike, standing as a testament to the power of observation and the enduring beauty of the American landscape.

    Kje si lahko preberete več

    Skenirajte za več informacij

    QR koda za dostop do strani za prenos Storm Breaking Up

    wahooart.com/sl/art/download/elliott-dangerfield-storm-breaking-up-8YE378-en/

    Citiranje umetniškega dela

    MLA
    Dangerfield, Elliott. Storm Breaking Up. 1912, https://wahooart.com/sl/art/elliott-dangerfield-storm-breaking-up-8YE378-en/
    APA
    Dangerfield, Elliott (1912). Storm Breaking Up [Painting]. https://wahooart.com/sl/art/elliott-dangerfield-storm-breaking-up-8YE378-en/
    Chicago
    Elliott Dangerfield. Storm Breaking Up. 1912. https://wahooart.com/sl/art/elliott-dangerfield-storm-breaking-up-8YE378-en/
    Harvard
    Dangerfield, Elliott (1912) Storm Breaking Up. Available at: https://wahooart.com/sl/art/elliott-dangerfield-storm-breaking-up-8YE378-en/

    Oglejte si bližje

    Storm Breaking Up — Elliott Dangerfield

    Poglejte bližje

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Oglejte si The Spirit of the Storm (1912), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    4. Elliott Dangerfield je bil star približno 53, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot značilno za umetnika v tem obdobju?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

    Vaš odgovor

    Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Ali lahko "Storm Breaking Up" ogledam kot diaporama v celotnem zaslonu?

    Na voljo je diaporama: stran Slidešov za delo "Storm Breaking Up" avtorja Elliott Dangerfield.

    Kakšna je svetlobnost dela "Storm Breaking Up" avtorja Elliott Dangerfield?

    "Storm Breaking Up" avtorja Elliott Dangerfield ima Soft Shadow luminanco. Luminanca opisuje, koliko svetlobe se zdi, da barve odražajo.

    Ali je na voljo prenos v visoki ločljivosti za "Storm Breaking Up"?

    Digitalno sliko dela "Storm Breaking Up" avtorja Elliott Dangerfield lahko kupite na njegovi strani Visokoresolucijska digitalna slika: prenos digitalne slike visoke ločljivosti.