Format papirja

Priročnik za študentska dela

Pijeta

Ime in priimek Razred Datum

Carlo Crivelli, Pijeta (1493), Pinacoteca di Brera. Dostopno v javni lastnini.

Podrobnosti

Umetnik
Carlo Crivelli wahooart.com/sl/artists/carlo-crivelli_sl/
Datumi rojstva in smrti umetnika
1435 – 1495
Naslikano
1493
Material
Akril na platnu
Prvotna velikost
128 x 241 cm
Gibanje
Early Renaissance The first generation to rebuild depth and lifelike bodies in painting after the Middle Ages.
Na lokaciji
Pinacoteca di Brera wahooart.com/sl/museums/pinacoteca-di-brera-milan_sl/
Artistic style
conservative gothic
Influences
Vivarini, Mantegna
Notable elements or techniques
trompe l'oeil
Subject or theme
religious lamentation

In context

Pijeta — Carlo Crivelli

How big is it?

The original measures 128 × 241 cm (height × width), drawn here beside an adult of average height.

Kdaj je bilo to naslikano?

  1. 1430
  2. 1440
  3. 1450
  4. 1460
  5. 1470
  6. 1480
  7. 1490

Osenčeno: življenjsko obdobje Carlo Crivelli (1435–1495) ▲ to delo, 1493

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: wahooart.com/sl/art/similar/carlo-crivelli-pijeta-D39DVY-sl/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Glinasto rdeča #985840

    Shranjena paleta

    • #985840
    • #522E26
    • #FCFCFB
    • #D0A07A
    Paleta barv
    Nevtralne barve Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Glinasto rdeča
    Intenzivnost
    Uravnotežen Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Izjava V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Združena paleta Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Svetel Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Ravnovesje mehkote Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    O tem umetniškem delu

    Pijeta — Carlo Crivelli

    Čudovita Pietà Karla Črivellija: Pogled v srce zgodovine umetnosti

    Carlo Crivellijev "Pietà" je mojstrovsko delo zgodbe o ljubezni, žalosti in veri – umetniška stvaritev, ki resonira skozi čas. Naslikana leta 1493 je bila ena izmed najpomembnejših zgodovinskih umetnosti svojega časa, kjer je italijanski mojster Črivelli prikazal Marijo, ki nežno objema Kristusa po smrti, kar je simbolično predstavljajoča lepota in globina občutkov.

    Žanr: Religijska slikarska dela

    Štila: Četrta zgodovinska umetnost

    Teknik: Tempera – tehnika, ki je znana po svoji živahnosti barv in podrobnosti. Črivellijev pristop je bil zelo natančen, kar je bilo značilno za njegovo obdobje.

    Slikarska zgodovina kaže na velikega vpliva Vivarinia in drugih mojstrov svojega časa. Črivalijevo delo je bilo izjemno pomembno za raziskovanje tematik vere in človeške lepote. Pogled na svetovno umetnost danes nam omogoča lep pogled skozi oči mojstra iz zgodovine.

    Material: Temna barva

    Razmerje stranic: Širina 241 cm, Višina 128 cm

    Kraj hranjenja: Pinacoteca di Brera, Milan, Italija

    Črivalijeva "Pietà" ni samo lep umetniški izraz; njeno simbolično vrednost je treba razumeti v kontekstu zgodovine. Kristusovo telo leži na ljubečem zavetniku Marije, kar izraža najgločnejšo žalost nad smrtjo Jezusa Kristusa. Črivalijeva pozornost za podrobnosti in uporaba svetlih barv so še posebej impresivne.

    Znaki umetnosti: Trompe l'oeil tehnika – uporabljena je bila pri ustvarjanju iluzije globine, kar je bilo zelo pogosto uporabljeno v zgodovinski umetnosti.

    Čustveni učinek: Pogled na umetniško stvaritev povzroči občutek ljubezni, empatije in razmišljanje o človeški lepoti.

    Črivalijeva Pietà je brez dvoma ena izmed najbolj osupljivih umetniških stvaritev svojega časa – umetniška stvaritev, ki še danes navdija gledalce po svetu.

    Umetnik in muzej

    Umetnik

    Carlo Crivelli

    Born in Benetke, italija

    zgodnje življenje in izobraževanje

    Italski renesančni slikar Carlo Crivelli se je rodil v Benetkah okoli leta 1430–35. Izrasil se je v družini slikarjev, svojo umetniško pot pa je začel oblikovati v Benetkah in Padovi. Verjame se, da je svoje prve korake v umetnosti naredil pod mentorstvom Jacobella del Fioreja, ki je bil aktiven še leta 1436. Svoje znanje je dopolnil tudi z študijem v šoli družine Vivarini v Benetkah.

    zrazitvena pot in slog

    Svojo mladost je Crivelli preživel v regiji Veneto, kjer je z globoko občutljivostjo vpijal vplive mojstrov, kot so Vivarini, Squarcione in Mantegna. Zaradi želje po lastni umetniški poti je leta 1458 zapustil Veneto in večino svoje kariere posvetil regiji Marca d'Ancona. Tam je razvil izjemno prepoznaven, osebni slog, ki se močno razlikuje od dela njegove beneškega sodobnice Giovanna Bellinija. Crivellovo delo prepoznamo po konzervativni dekorativni občutljivosti pozne gotike, ki jo odlikuje linearna natančnost, neustavljiva pozornost do detajlov in čarobna uporaba tehnike trompe l'oeil, ki gledalca zavede v iluzijo realnosti.

    izstopajoča dela in sodelovanja

    Eden najlepših primerov njegove umetniške virtuoznosti predstavlja slika "Madonna in otrok na prestolu" (106 x 55 cm), ki se danes nahaja v muzeju lepih umetnosti v Budapešti. Svojo umetnost je pogosto bogatoval z družinskimi povezavami; s svojim mlajšim bratom Vittorio Crivellijem je sodeloval na številnih projektih. V njegovem umetniškem krogu je mesto našel tudi Pietro Alemanno, slikar, ki se je iz Nemčije in Avstrije preselil v regijo Marca d'Ancona, in postal njegov učenec ter tesni sodelovalec.

    muzeji in zbirke

    Crivellova umetnost ostaja živa v prestižnih evropskih zbirkah. V milanski Pinacotechi di Brera lahko občudujemo več njegovih dragocenih del, vključno z čustveno močno "Pietà" (128 x 241 cm). Prav tako mu pripadajo deli, ki jih najdemo v beneškem muzeju San Giovanni in Bragora, ki v svoji zbirki hrani umetniška dela iz različnih obdobij in slogov.

    Oglejte si umetniška dela Carla Crivellija na AllPaintingsStore.com

    Raziskujte dela Jacopa Robustija na AllPaintingsStore.com

    Preberite več o Carlu Crivelliju na Wikipediji

    Crivellijeva dediščina še danes navdihuje ljubitelje umetnosti in strokovnjake, saj njegovo del ostaja nepozabno spomenika trajni moči dekorativne občutljivosti pozne gotike.

    Muzej

    Pinacoteca di Brera

    On show in Milan, Italia

    A Sanctuary of Italian Masterpieces: Unveiling the Pinacoteca di Brera

    Nestled within the heart of Milan, Italy, the Pinacoteca di Brera is more than merely a museum; it’s an immersive experience, a pilgrimage through centuries of artistic evolution. Originally conceived as a Jesuit convent in the 17th century and dramatically transformed under the visionary hands of Francesco Maria Richini and Giuseppe Piermarini, the Palazzo Brera now stands as a magnificent testament to architectural harmony – a seamless blend of Baroque opulence and Neoclassical grace. Stepping through its grand doors is akin to entering a living narrative, where the echoes of artistic innovation and scholarly pursuit resonate within the very stones, inviting contemplation alongside the masterpieces housed within.

    A Chronicle of Transformation: From Convent to Cultural Hub

    The Palazzo Brera’s history is as captivating as its artistic treasures. Originally designed as a Jesuit residence, it underwent significant transformations under the guidance of Francesco Maria Richini and later Giuseppe Piermarini, evolving into a vibrant hub for art, science, and culture. The building's architecture is a captivating blend of Baroque and Neoclassical styles – an elegant backdrop that enhances the viewing experience. Constructed as a Jesuit residence and later embellished by Piermarini, it houses an astronomical observatory and served as the seat of the Brera Academy for decades—a space that embodies both artistic grandeur and intellectual fervor. The grand halls, with their soaring ceilings and intricate details, evoke a sense of timeless beauty and scholarly pursuit.

    Integral to the Pinacoteca’s experience is the Palazzo Brera itself – a magnificent building that has served as both a convent and a cultural center for centuries. Originally conceived as a Jesuit residence, it underwent significant transformations under the guidance of Francesco Maria Richini and later Giuseppe Piermarini, evolving into a vibrant hub for art, science, and culture. The architecture is a captivating blend of Baroque and Neoclassical styles – an elegant backdrop that enhances the viewing experience. The building’s history isn't confined to its artistic function; it has housed an astronomical observatory and served as the seat of the Brera Academy for decades, contributing to a rich intellectual atmosphere that permeates the space. The Palazzo Brera is not merely a container for art; it is art – a testament to the enduring power of beauty and knowledge.

    A Treasury of Italian Art: Collection Highlights

    The Pinacoteca boasts an extraordinary assemblage of artworks, spanning from the 13th century to the late 20th. The collection is meticulously organized, offering visitors a chronological journey through Italian painting. Key highlights include Raphael’s breathtaking “Sposalizio” (The Marriage of the Virgin), a masterpiece of Renaissance grace and composition; Andrea Mantegna's powerfully evocative works imbued with classical gravitas, particularly his depictions of the St. Sebastian; Piero della Francesca’s geometric precision lending an ethereal quality to his portraits; Giovanni Bellini’s Venetian grace and spirituality; Francesco Hayez’s historical paintings capturing emotional intensity – notably “Il Bacio” (The Kiss), a quintessential symbol of Italian romanticism; Giandomenico Tiepolo's Punchinello scenes, rendered with vibrant color and playful energy, showcasing his fresco artistry; Carlo Francesco Nuvolone (“the Guido of Lombardy”), renowned for his dramatic and expressive portraits; and numerous other significant works by artists representing the diverse schools and movements that shaped Italian art history.

    Beyond the Paintings: Architectural Jewel and Historical Context

    Established in 1776, the Brera Academy’s mission was to foster artistic excellence by providing students with access to seminal artworks. This commitment to scholarly engagement continues to shape the museum's identity and programming. The Pinacoteca regularly hosts exhibitions exploring diverse themes – retrospectives dedicated to prominent Italian painters, thematic displays examining Venetian art’s influence on European culture, and explorations of specific artistic techniques or periods. The building itself is a significant historical landmark, having served as both a Jesuit residence and the seat of the Brera Academy for decades, fostering an environment of intellectual curiosity and civic pride. The Pinacoteca's location within Palazzo Brera adds another layer to its appeal, offering visitors the opportunity to appreciate the architectural beauty of this historic building alongside its remarkable collection of art.

    For those seeking a deeper understanding of the Pinacoteca’s collection and its historical context, we recommend visiting the museum’s website at

    https://pinacotecabrera.org/en/

    for information on current exhibitions, events, and educational programs.

    Notable Exhibitions & Further Exploration:

    Recent events have included retrospectives dedicated to Giandomenico Tiepolo, exploring the evolution of his style and artistic vision.

    Architectural Significance:

    Palazzo Brera’s blend of Baroque and Neoclassical styles creates a stunning setting for appreciating Italian art history.

    Educational Programs:

    The Pinacoteca offers engaging workshops and lectures for visitors interested in delving deeper into artistic concepts.

    Website Resources:

    Explore current exhibitions, events, and educational programs at

    https://pinacotecabrera.org/en/

    Preberite več

    Preverite na spletu

    QR koda za dostop do strani za prenos Pijeta

    wahooart.com/sl/art/download/carlo-crivelli-pijeta-D39DVY-sl/

    Navodila za citiranje umetniškega dela

    MLA
    Crivelli, Carlo. Pijeta. 1493, Pinacoteca di Brera. https://wahooart.com/sl/art/carlo-crivelli-pijeta-D39DVY-sl/
    APA
    Crivelli, Carlo (1493). Pijeta [Painting]. Pinacoteca di Brera. https://wahooart.com/sl/art/carlo-crivelli-pijeta-D39DVY-sl/
    Chicago
    Carlo Crivelli. Pijeta. 1493. Pinacoteca di Brera. https://wahooart.com/sl/art/carlo-crivelli-pijeta-D39DVY-sl/
    Harvard
    Crivelli, Carlo (1493) Pijeta. Pinacoteca di Brera. Available at: https://wahooart.com/sl/art/carlo-crivelli-pijeta-D39DVY-sl/

    Look closely

    Pijeta — Carlo Crivelli

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: religious scene, virgin mary, christ figure. Do you agree? What would you add, or take away?
    4. Look back at Virgin and Child (1482), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Early Renaissance: The first generation to rebuild depth and lifelike bodies in painting after the Middle Ages. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.