Vodnik po študentskem umetniškem delu
Avtorske pravice To del je v javni domeni. Balthasar Permoser je umrl/a leta 1732; avtorska pravica velja 70 let po smrti avtorja, zato je pretekla leta 1802.
V kontekstu
Torch Holders — Balthasar Permoser
Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 81 ob smrti.
Naslikano, ko je bil avtor star 29. Umetnik je doživel 81 let. 0 od 8 datiranih del tega umetnika v našem katalogu je nastalo prej.
Osenčeno: življenjsko obdobje Balthasar Permoser (1651–1732) ▲ to delo, 1680 vsaka datirana slika, desetletje za desetletjem
Prva dela: do 1689 Glavni delovni leti: 1689–1700 Pozna dela: od 1700
Ti trije pasovi razdelijo dela v tem katalogu, za katera imamo datum, na prvo četrtino, srednjo polovico in zadnjo četrtino. Ne predstavljajo umetnikove popolne produkcije: tanjka obdobja lahko pomeni luknjo v arhivu in ne le obdobje manj intenzivnega ustvarjanja. Iste leta, ki spremljajo življenjsko pot umetnika
Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.
Več podobnih del za kombiniranje z tem: wahooart.com/sl/art/similar/balthasar-permoser-torch-holders-8XZT3E-en/
Izmerjeno na podlagi slike
Glavna barva
Phthalo Green #302320
Katalogirana paleta
Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi
Deset vodilnih držav
Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.
Skupaj ti deli predstavljajo 100,0% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 10 del te umetnice, pri čemer je bilo 3 vsaj enkrat ogledanih. Ta slika v tem obdobju še ni bila ogledana — zaključuje seznam brez uvrstitve. Isto velja tudi za posamezne mesece
Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.
Umetnik in muzej
Rojen v Salzburg, Austria
Balthasar Permoser stands as one of the most commanding figures in the history of European sculpture, a virtuoso whose hands breathed life into marble, ivory, and stone. His artistic journey was a grand odyssey across the cultural heart of Europe, beginning in Salzburg. Born in Kammer bei Waging, his early training took place within the workshop of Wolf Weißenkirchner the Younger before he moved to Vienna, where he mastered the delicate and intricate art of ivory carving. This foundational period instilled in him a precision that would later allow him to navigate the transition from the dramatic intensity of the late Baroque to the more graceful, light-filled nuances of the early Rococo.
The maturation of Permoser’s style was profoundly shaped by his long sojourn in Florence. For fourteen years, he worked within the studio of Giovanni Battista Foggini, an experience that infused his German roots with the warmth and theatricality of the Italian tradition. This period of immersion allowed him to absorb the classical elegance and emotional depth necessary to create works that were not merely decorative, but profoundly narrative. His ability to blend these diverse influences—the meticulousness of ivory carving, the structural strength of German sculpture, and the fluid grace of Italian Baroque—set the stage for his rise as a premier sculptor of his generation.
Permoser’s career reached its zenith when he was called to Dresden in 1689 by Johann Georg III, Elector of Saxony. It was here that his monumental vision found its most enduring canvas. Working alongside the architect Matthäus Daniel Pöppelmann, Permoser became a central figure in the creation of the Zwinger palace. His contributions to this architectural masterpiece are legendary; he provided the sculptural details for the Nymphenbad fountain and, most famously, sculpted the festive, flexing, and grimacing atlantes for the Wallpavillon. These figures, characterized by their muscular tension and expressive vitality, remain some of his most celebrated achievements, embodying the very essence of the Roman Baroque.
His reach extended far beyond the borders of Saxony, as evidenced by his significant works in other European centers:
In Salzburg, he sculpted the powerful atlantes for the west doorway of the Hofstallung.
During his time near Berlin, between 1704 and 1710, he contributed to the splendor of the Schloß Charlottenburg.
His masterpiece, the Apotheosis of Prince Eugene, created in the early 18th century, stands as a breathtaking marble testament to his ability to orchestrate theatrical, divine events in stone.
Throughout his life, Permoser’s work served as a powerful tool of political and spiritual propaganda, elevating historical figures to celestial heights. Whether capturing the agony of Marsyas or the seasonal personifications of winter, his sculptures possess an inimitable ability to capture both the physical form and the underlying emotional truth. He remains a pivotal figure whose evolving style bridged two eras, leaving behind a legacy of stone that continues to resonate with the grandeur of a bygone age.
wahooart.com/sl/art/download/balthasar-permoser-torch-holders-8XZT3E-en/
Oglejte si bližje
Torch Holders — Balthasar Permoser
Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.
Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.
Tisk dela "Torch Holders" avtorja Balthasar Permoser lahko naročite neposredno na njegovi strani Kakovostna umetniška tiskanina: umetniška grafika na bombažnem platnu ali arhivskem papirju za platno.
Delo "Torch Holders" avtorja Balthasar Permoser si lahko ogledate v obliki diaporame na strani Slidešov za to umetniško delo.
"Torch Holders" avtorja Balthasar Permoser odlikuje Muted saturacija in Monochromatic intenzivnost barv.