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Vodnik po študentskem umetniškem delu

Fire

Ime Razred Datum

Antonio Parreiras, Fire (1937), Museu Antonio Parreiras. Javna lastnina. Oglejte si to platno pod premikajočo svetlobo: risbe, pravo barvo pod lakom in golo pigmentacijo

Dejavnice

Umetnik
Antonio Parreiras wahooart.com/sl/artists/antonio-parreiras/
Datumi rojstva in smrti umetnika
1860 – 1937
Naslikano
1937
V mestu/lokaciji
Museu Antonio Parreiras wahooart.com/sl/museums/museu-antonio-parreiras-rio-de-janeiro/

V kontekstu

Fire — Antonio Parreiras

Kdaj je bilo to naslikano?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930

Zgornja vrstica: leta. Spodnja vrstica: starost umetnika na začetku in koncu vsakega obdobja — 0 ob rojstvu, 77 ob smrti.

Naslikano, ko je bil avtor star 77. Umetnik je doživel 77 let. 59 od 60 datiranih del tega umetnika v našem katalogu je nastalo prej.

Osenčeno: življenjsko obdobje Antonio Parreiras (1860–1937) ▲ to delo, 1937 vsaka datirana slika, desetletje za desetletjem

Prva dela: do 1905 Glavni delovni leti: 1905–1920 Pozna dela: od 1920

Ti trije pasovi razdelijo dela v tem katalogu, za katera imamo datum, na prvo četrtino, srednjo polovico in zadnjo četrtino. Ne predstavljajo umetnikove popolne produkcije: tanjka obdobja lahko pomeni luknjo v arhivu in ne le obdobje manj intenzivnega ustvarjanja. Iste leta, ki spremljajo življenjsko pot umetnika

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več podobnih del za kombiniranje z tem: wahooart.com/sl/art/similar/antonio-parreiras-fire-AQR246-en/

Barvna paleta

Izmerjeno na podlagi slike

    Glavna barva

    Gray #876c5f

    Katalogirana paleta

    • #876C5F
    • #311D21
    • #60403B
    • #AEA094

    Te barve v celotni umetnikovi paleti Poiščite druge slike po barvi

    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Ime glavne barve
    Gray
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Balanced V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Strong Color Unity Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Svetlina
    Shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Subtle Color Barve so izjemno čiste in močne, od skoraj sivih do popolnoma živahnih.

    Kje po svetu se gleda ta slika?

    • pod 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% in več
    Ta slika sama po sebi nima dovolj zabeleženih obiskovalcev za izdelavo zemljevida, zato plošča prikazuje vsako del avtorja Antonio Parreiras v zadnjih dvanajst mesecih — skupaj 3 držav. Vir podatkov

    Deset vodilnih držav

    1. 1 Kitajska 50,0%1.100 visits
    2. 2 Združene države Amerike 27,3%600 visits
    3. 3 Brazilija 22,7%500 visits

    Na zemljevidu poiščite tri najtemnejše države. Ali se muzej, ki čuva to sliko, nahaja v kateri izmed njih? Zapišite en razlog, zakaj bi jo lahko obiskovali ljudje z daljave.

    18 najbolj gledanih del umetnika Antonio Parreiras

    1. 1 Judgement of Filipe do Santos, 1923 16,7%500 visits
    2. 2 English Iguazu Falls Português Cataratas do Iguaçu, 1920 13,3%400 visits
    3. 3 The First Step for the Independence of Bahia, 1931 10,0%300 visits
    4. 4 Morte de Fernão Dias Paes Leme, 1920 6,7%200 visits
    5. 5 Português Morte de Fernão Dias Paes Leme English Death of Fernão Dias Paes Leme, 1920 6,7%200 visits
    6. 6 Português Morte de Virgínia, 1905 6,7%200 visits
    7. 7 Vieux Parc, Paris, 1914 3,3%100 visits
    8. 8 Houses in Piana, Corsica, 1915 3,3%100 visits
    9. 9 The Founding of São Paulo, 1913 3,3%100 visits
    10. 10 Fire, 1937 ta slika 3,3%100 visits
    11. 11 Imprisonment of Antônio Carlos, 1909 3,3%100 visits
    12. 12 Morning in the Adriatic Sea, 1887 3,3%100 visits
    13. 13 Hazy Day, 1900 3,3%100 visits
    14. 14 The End of the Romance, 1915 3,3%100 visits
    15. 15 Praça Batista Campos I, 1905 3,3%100 visits
    16. 16 Imprisonment of Tiradentes (study), 1910 3,3%100 visits
    17. 17 The Martyrs, 1927 3,3%100 visits
    18. 18 Untitled (AQR276), 1910 3,3%100 visits

    Skupaj ti deli predstavljajo 99,7% vse pozornosti, ki so platna te umetnice dobila v zadnjih dvanajst mesecih. Katalog vsebuje 61 del te umetnice, pri čemer je bilo 18 vsaj enkrat ogledanih. This painting ranks 10 of them, with 3,3% of that attention (100 visits). Isto velja tudi za posamezne mesece

    Stolpci merijo pozornost, ne kakovost. Izberite del na vrhu in ta: navedite eno stvar, ki bi lahko naredila sliko znano poleg tega, kako je dobro naslikana.

    Umetnik in muzej

    Umetnik

    Antonio Parreiras

    Antonio Parreiras: A Pioneer of Brazilian Landscape Painting

    Antônio diogo da silva parreiras (1860 – 1937) stands as a monumental figure in Brazilian art history, recognized primarily for his masterful depictions of the lush landscapes of Rio de Janeiro and Portugal. Born into a family of goldsmiths, Parreiras’ artistic journey began formally at the Academia Imperial de Belas Artes in Rio de Janeiro but was swiftly redirected by an encounter with Georg Grimm, a German immigrant artist who championed plein-air painting – immersing himself in direct observation of nature as his primary source of inspiration. This formative influence would shape his entire oeuvre and solidify his reputation as one of Brazil’s foremost landscape painters.

    Early Training & Influences: Parreiras' initial studies at the Academia Imperial exposed him to academic traditions, yet Grimm’s insistence on capturing light and atmosphere proved transformative. Grimm’s departure for the countryside spurred Parreiras’ autodidactic pursuits, fostering a deep connection with the Brazilian wilderness.

    Recognition & Patronage: A pivotal moment arrived when Emperor Pedro II purchased one of his canvases, providing crucial financial support and bolstering his confidence. This patronage enabled him to resume his formal education in Venice under Filippo Carcano, further enriching his artistic vocabulary with European techniques and stylistic considerations.

    The Escuela del Aire & Artistic Evolution

    Recognizing the limitations of traditional academic instruction, Parreiras established “La Escuela del Aire” – The Open Air School – prioritizing outdoor painting as a method for fostering genuine artistic expression. He championed this approach amongst his students, mirroring Grimm’s own dedication to plein-air painting and emphasizing the importance of capturing the immediacy of natural light and color. This commitment to observation and experimentation became a hallmark of his artistic style throughout his career. His studio in Teresópolis served as a crucible for innovation, producing breathtaking landscapes that continue to captivate viewers today.

    Commissioned Works: Parreiras excelled at executing monumental commissions for the government, notably “Allegory of Apollo and the Goddesses of the Hours” adorning the Palacio da Liberdade in Belo Horizonte – a testament to his ability to synthesize historical narrative with artistic grandeur.

    Decorative Artistry: Beyond landscapes, Parreiras’ talent extended to decorative arts, crafting intricate murals and frescoes that showcased his versatility and artistic vision.

    A Celebration of Female Nudes & Romantic Style

    Parreiras' depictions of female nudes are particularly noteworthy for their sensitivity and elegance—characterized by meticulous anatomical detail combined with graceful poses and soft lighting. These works exemplify the Romantic style prevalent during his time, prioritizing emotional expression and idealized beauty. His ability to convey profound emotion through subtle gestures and nuanced shading distinguishes him from many of his contemporaries.

    Legacy & Recognition

    Throughout his prolific career, Parreiras garnered considerable acclaim, culminating in being named Brazil’s best artist by the readers of Fon-fon magazine in 1925—a prestigious honor reflecting the widespread admiration for his artistic achievements. He authored an autobiography and was inducted into the Academia Fluminense de Letras in 1933, cementing his place among Brazil's intellectual elite. His final exhibitions showcased a lifetime devoted to art, leaving behind a rich legacy of landscapes and portraits that continue to inspire artists and scholars alike.

    Further Exploration

    You can find more information about Antônio Parreiras’ work on platforms like AllPaintingsStore: AllPaintingsStore. Also, discover Pedro Alexandrino Borges dos Santos Fernandes and Carlos Paulo Martins Carneiro's contributions to Brazilian art history.

    Muzej

    Museu Antonio Parreiras

    Na razstavi v Rio de Janeiro, Brazil

    A Sanctuary of Brazilian Romanticism: Museu Antonio Parreiras

    Museo Antonio Parreiras, nestled in the vibrant heart of Rio de Janeiro, isn’t merely a repository of art; it's an immersion into Brazil’s artistic soul. Unlike sprawling metropolitan museums, this institution offers an intimate encounter with masterpieces born from the fervor of the Romantic era and beyond—a testament to Portugal’s enduring influence on Brazilian culture. Its unassuming façade belies the profound depth of its collection and the captivating narrative woven within its walls.

    Exploring Brazilian Romantic Painting:

    The museum's core resides in its dedication to Romanticism, a movement that wrestled with emotion, imagination, and the sublime—themes powerfully reflected in canvases by luminaries like Antonio Parreiras. You’ll discover an undeniable neoclassical underpinning alongside burgeoning Realist and Symbolist tendencies, showcasing the multifaceted evolution of Brazilian artistic expression.

    Historical Echoes:

    Visitors are transported back to Brazil's formative years as they contemplate artworks depicting pivotal moments in history—the grandeur of imperial processions, evocative portrayals of indigenous landscapes, and representations of national heroes. These pieces serve as tangible reminders of the nation’s identity.

    A Building Steeped in Tradition: Architectural Elegance

    Museo Antonio Parreiras occupies a building that embodies Rio de Janeiro's architectural heritage from the early 20th century. Designed with an eye for grandeur and incorporating influences from French Renaissance, Italian Renaissance, and Neoclassical styles—a harmonious blend reflecting Portugal’s artistic legacy—the museum’s interior spaces are as impressive as its artworks. Sunlight streams through arched windows, illuminating meticulously preserved frescoes and creating a serene atmosphere conducive to contemplation.

    A Legacy of Patronage:

    Established during the reign of Emperor Pedro II, Museo Antonio Parreiras emerged from a period marked by fervent nationalist sentiment—a desire to elevate Brazilian art as a symbol of civilized progress. This patronage fueled the acquisition of significant pieces and cemented the museum’s role in preserving Brazil's artistic heritage.

    A Singular Collection:

    The museum’s holdings boast remarkable diversity, featuring works by Antonio Parreiras himself—studies like “The Foundation of Rio de Janeiro Additional Act,” alongside contributions from José J. Veiga and Carlos Oswald—artists whose literary endeavors complemented their paintings with lyrical prose.

    Featured Artwork Treasures

    Delving deeper into Museo Antonio Parreiras’ collection reveals breathtaking canvases that capture the essence of Brazilian Romanticism. “Calçada do Largo da Pólvora,” painted in 1905 by Antonio Parreiras, exemplifies impressionistic technique—a masterful depiction of Rio de Janeiro's tranquil plazas bathed in soft light. Similarly, “Praça Batista Campos I” showcases Parreiras’ ability to convey emotion through subtle color palettes and textured brushstrokes—a captivating glimpse into Brazilian landscape painting.

    Beyond the Canvas:

    Museo Antonio Parreiras transcends mere visual appreciation; it offers a profound understanding of Brazil's cultural narrative. Its curators strive to illuminate connections between art, literature, and history—enriching visitors’ experience and fostering a deeper connection with Brazilian artistic tradition.

    Why Museu Antonio Parreiras Stands Apart

    Unlike larger museums overwhelmed by crowds and sprawling galleries, Museo Antonio Parreiras prioritizes intimacy. Here, you can linger before artworks, absorb their nuances, and engage in thoughtful reflection—a rare opportunity to experience Brazilian art history on a personal level. It’s a destination for discerning collectors and interior designers seeking authentic pieces that embody Brazil's artistic spirit.

    Kje si lahko preberete več

    Skenirajte za več informacij

    QR koda za dostop do strani za prenos Fire

    wahooart.com/sl/art/download/antonio-parreiras-fire-AQR246-en/

    Citiranje umetniškega dela

    MLA
    Parreiras, Antonio. Fire. 1937, Museu Antonio Parreiras. https://wahooart.com/sl/art/antonio-parreiras-fire-AQR246-en/
    APA
    Parreiras, Antonio (1937). Fire [Painting]. Museu Antonio Parreiras. https://wahooart.com/sl/art/antonio-parreiras-fire-AQR246-en/
    Chicago
    Antonio Parreiras. Fire. 1937. Museu Antonio Parreiras. https://wahooart.com/sl/art/antonio-parreiras-fire-AQR246-en/
    Harvard
    Parreiras, Antonio (1937) Fire. Museu Antonio Parreiras. Available at: https://wahooart.com/sl/art/antonio-parreiras-fire-AQR246-en/

    Oglejte si bližje

    Fire — Antonio Parreiras

    Poglejte bližje

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Naš katalog to delo uvršča pod: fires and floods. Se strinjate? Bi kaj dodali ali odvzeli?
    4. Oglejte si The Emerald Hunter (1911), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    5. Antonio Parreiras je bil star približno 77, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot značilno za umetnika v tem obdobju?

    Vaš odgovor

    Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.

    Vprašanja in odgovori

    Ali si lahko ogledam "Fire" avtorja Antonio Parreiras pred naročilom?

    Stran Predogled dela za delo "Fire" vam omogoča ogled umetnin pred naročilom.

    V katerem muzeju se nahaja original dela "Fire"?

    Originalno delo "Fire" avtorja Antonio Parreiras se nahaja v muzeju Museu Antonio Parreiras, Rio de Janeiro, Brazil. Reprodukcija omogoča, da ta sklad prikazujete tudi v svojem domu.

    Kako lahko prenesem sliko dela "Fire" avtorja Antonio Parreiras?

    Digitalno sliko za "Fire" lahko prenesete na strani Prenos digitalne slike, kjer je na voljo možnost prenos digitalne slike visoke ločljivosti.