Format papirja

Priročnik za študentska dela

Witches Zene

Ime in priimek Razred Datum

Angelo Caroselli, Witches Zene. Dostopno v javni lastnini.

Podrobnosti

Umetnik
Angelo Caroselli wahooart.com/sl/artists/angelo-caroselli/
Datumi rojstva in smrti umetnika
1585 – 1652

V kontekstu

Witches Zene — Angelo Caroselli

Kdaj bi bilo to lahko slikano?

  1. 1580
  2. 1590
  3. 1600
  4. 1610
  5. 1620
  6. 1630
  7. 1640
  8. 1650

Osenčeno: življenjsko obdobje Angelo Caroselli (1585–1652)

Za ta posnetek ni v evidenci natančne leta — glede na življenjsko dobo umetnika in slog dela, za katero desetletje bi ugledali?

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: wahooart.com/sl/art/similar/angelo-caroselli-witches-zene-A29T8E-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Phthalo Green #14181c

    Shranjena paleta

    • #14181C
    • #895E30
    • #C9AA4C
    • #423428
    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Phthalo Green
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Bold V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Balanced Harmony Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Deep_shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Subtle Color Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Umetnik in muzej

    Umetnik

    Angelo Caroselli

    Rojen v Rome, Italy

    Angelo Caroselli: A Baroque Painter of Rome

    Early Life and Background

    Angelo Caroselli was born in Rome, Italy, in 1585. Little is known about his early training; sources indicate he did not formally apprentice under a single master, a factor that would later influence the trajectory of his career. This lack of traditional grounding led to an eclectic style and a somewhat precarious professional life.

    Artistic Style and Influences

    Caroselli operated during the Baroque period, and his work reflects the dynamism and dramatic flair characteristic of that era. He was significantly influenced by two key artistic currents: Caravaggism – the style pioneered by Michelangelo Merisi da Caravaggio, emphasizing strong contrasts of light and shadow (tenebrism) and realistic depictions – and the Bamboccianti, a group of Dutch and Flemish painters in Rome known for their genre scenes depicting everyday life. His style blended these influences, resulting in works that were both dramatic and grounded in reality.

    Career and Challenges

    Caroselli’s career was marked by instability. Contemporary accounts, particularly those of Giovanni Battista Passeri, describe him as lacking consistent patronage. He traveled to Naples and Piedmont de Liso seeking employment, but his independent nature and perhaps a somewhat questionable reputation hindered his success. A notable incident involved accusations of creating forgeries in the style of established masters, further complicating his professional life.

    Personal Life

    Caroselli experienced personal loss, being widowed twice. His second marriage connected him to a prominent artistic family; he married Brigitta Lauwers, daughter of the Flemish landscape painter Balthasar Lauwers, becoming brother-in-law to Filippo and Francesco Lauwers. He also trained pupils including Pietro Paolini and his son Carlo Caroselli.

    Major Works and Achievements

    Religious Paintings: Caroselli completed significant religious commissions, including a Pieta and depictions of prophets for the chapel to the right of the entrance of Santa Maria in Vallicella.

    Chapel Decorations: He painted three canvases for the chapel to the left of the entrance of Santa Maria Nuova in Campo Vaccino, notably the “Martyrdom of St. Placidus” and “St. Gregory Celebrating Mass before the People.”

    San Gregorio Magno: A canvas depicting "The Massacre of Saints and Martyrs in Japan" adorns the church of San Gregorio Magno.

    Quirinal Palace: He created a painting of St. Wenceslaus for the Quirinal Palace.

    Guardian Angel: Caroselli painted a “Guardian Angel” for the episcopal church in Ferrara.

    Historical Significance and Legacy

    While not as widely celebrated as some of his Baroque contemporaries, Angelo Caroselli represents an interesting facet of Roman art during the 17th century. His eclectic style and independent spirit set him apart. He demonstrates the diverse artistic currents flowing through Rome at the time and provides insight into the challenges faced by artists operating outside established patronage networks. His pupils continued to spread his influence, ensuring a modest but lasting legacy.

    Preberite več

    Preverite na spletu

    QR koda za dostop do strani za prenos Witches Zene

    wahooart.com/sl/art/download/angelo-caroselli-witches-zene-A29T8E-en/

    Navodila za citiranje umetniškega dela

    MLA
    Caroselli, Angelo. Witches Zene. n.d., https://wahooart.com/sl/art/angelo-caroselli-witches-zene-A29T8E-en/
    APA
    Caroselli, Angelo (n.d.). Witches Zene [Painting]. https://wahooart.com/sl/art/angelo-caroselli-witches-zene-A29T8E-en/
    Chicago
    Angelo Caroselli. Witches Zene. n.d. https://wahooart.com/sl/art/angelo-caroselli-witches-zene-A29T8E-en/
    Harvard
    Caroselli, Angelo (n.d.) Witches Zene. Available at: https://wahooart.com/sl/art/angelo-caroselli-witches-zene-A29T8E-en/

    Poglejte pozornije

    Witches Zene — Angelo Caroselli

    Poglejte bližje

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Oglejte si Rest on the Flight into Egypt (1630), ki ste ga že videli v tem priročniku. Navedite dve stvari, ki jih deli z tem delom, in eno, ki je drugačnja.
    4. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?
    5. Če bi lahko umetniku zastavili le eno vprašanje o tem delu, katero bi to bilo?

    Vaš odgovor

    Napišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.