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Priročnik za študentska dela

Clock face

5 parts 1 The artwork2 In context3 About this artwork4 Artist and museum5 Look closely

Ime in priimek Razred Datum
andré-charles boulle, Clock face (1715), Wallace Collection. Dostopno v javni lastnini.

Podrobnosti

Umetnik
andré-charles boulle wahooart.com/sl/artists/andre-charles-boulle/
Datumi rojstva in smrti umetnika
1642 – 1732
Naslikano
1715
Material
Gold Leaf
Prvotna velikost
43 x 43 cm
Gibanje
Rococo Light, playful, pastel-coloured pictures of leisure, made for private rooms rather than public halls.
Obdobje
Early Modern
Na lokaciji
Wallace Collection wahooart.com/sl/museums/wallace-collection-london_sl-1/

In context

Clock face — andré-charles boulle

How big is it?

The original measures 43 × 43 cm (height × width), drawn here beside an adult of average height.

Kdaj je bilo to naslikano?

  1. 1640
  2. 1650
  3. 1660
  4. 1670
  5. 1680
  6. 1690
  7. 1700
  8. 1710
  9. 1720
  10. 1730

Osenčeno: življenjsko obdobje andré-charles boulle (1642–1732) ▲ to delo, 1715

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: wahooart.com/sl/art/similar/andre-charles-boulle-clock-face-8Y3UDR-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Black #22110c

    Shranjena paleta

    • #22110C
    • #D2CBBE
    • #6A4020
    • #A57940
    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Black
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Strong Color Unity Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Deep_shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Balanced Soft Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    O tem umetniškem delu

    Clock face — andré-charles boulle

    Notes on this work

    Written for this guide from published sources. The catalogue record itself is on the first part of this guide.

    Artistic style
    Neoclassical
    Influences
    Classical Antiquity
    Notable elements or techniques
    Intricate marquetry
    Subject or theme
    Timekeeping

    A Symphony of Gold and Tortoiseshell

    In the grand tapestry of French decorative arts, few names resonate with as much prestige as André-Charles Boulle. His 1715 masterpiece, the Clock Face, serves as a breathtaking testament to the opulent aesthetic of the Louis XIV era—a period where craftsmanship was not merely a skill, but a conduit for royal power and divine right. To gaze upon this piece is to step into a realm of unparalleled luxury, where the boundaries between functional object and fine art dissolve into a shimmering display of Rococo grandeur. The artwork immediately captivates the viewer through its masterful use of light and texture, dominated by an expansive, radiant gold leaf that reflects brilliance from every angle.

    The technical virtuosity of Boulle is most evident in the exquisite interplay of materials. The clock face is a masterclass in the "Boulle work" technique, featuring intricate panels of tortoiseshell inlay that mimic the organic, fossilized beauty of nature. This precious material, paired with the luminous sheen of gilded brass, creates a visual drama that is both tactile and profound. For the discerning collector or interior designer, this piece offers more than just decoration; it provides a focal point of historical weight, bringing the sophisticated atmosphere of a 18th-century Parisian salon into a contemporary setting.

    The Dance of Neoclassical Order and Rococo Flourish

    While the initial impression of the clock is one of exuberant ornamentation, a closer inspection reveals a sophisticated tension between opposing artistic movements. The piece embodies the flamboyant spirit of the Rococo style, characterized by its flowing, asymmetrical lines and organic curves that seem to pulse with life. Yet, beneath this decorative surface lies a subtle foundation of Neoclassical restraint. Boulle masterfully incorporates geometric patterns within the frame, providing a structural counterbalance to the more whimsical elements of the design.

    This delicate balance is most beautifully realized in the depiction of the cherubs that flank the central timepiece. These angelic figures are not mere embellishments; they are deeply symbolic actors in a larger narrative of time and eternity. As they adorn the gilded frame, their soft, rounded forms contrast with the rigid precision of the clock's mechanics, suggesting the eternal nature of the divine amidst the relentless, ticking march of human hours. The presence of these figures imbues the work with a sense of spiritual aspiration, transforming a mechanical device into a meditative object of beauty.

    An Enduring Legacy for the Modern Collector

    Owning or displaying a high-quality reproduction of Boulle’s work is an invitation to engage with history. The Clock Face remains a pinnacle of the "furniture jeweler" tradition, representing a time when every detail was meticulously executed to inspire awe. For those seeking to infuse a space with character and historical depth, this piece offers an unparalleled opportunity to celebrate the intersection of artistry and engineering.

    Whether placed in a curated gallery or serving as a centerpiece in a luxurious residential interior, the emotional impact of the clock is undeniable. It evokes a sense of permanence, elegance, and the timeless allure of the French Golden Age. To bring this piece into one's collection is to preserve the legacy of André-Charles Boulle, ensuring that the dazzling brilliance of his craftsmanship continues to illuminate the modern world.

    Umetnik in muzej

    Clock face — andré-charles boulle

    Umetnik

    andré-charles boulle

    Born in Paris, France

    The Architect of Louis XIV Style

    André-Charles Boulle (1642 – 1732) stands as a titan amongst French cabinetmakers, his name synonymous with opulent craftsmanship and the very embodiment of Louis XIV’s grandeur. More than just a furniture maker, Boulle was an innovator who fundamentally reshaped European taste, establishing a distinctive style—the ‘Boulle’ marquetry—that captivated royalty and aristocrats alike for decades to come. His legacy continues to inspire artisans today, cementing his place as one of the most influential figures in 17th-century decorative arts.

    Born in Paris around 1642, he descended from a family steeped in artisanal tradition; his father, Jean Boulle, was himself a respected cabinetmaker. This familial connection provided him with an invaluable grounding in the craft, instilling within him not merely skill but also a deep appreciation for meticulous detail and artistic vision. While biographical details of his early years remain shrouded in the mists of time, his training undoubtedly prepared him for the extraordinary achievements that would follow, allowing him to rise to the prestigious position of ébéniste du roi.

    The Revolution of Marquetry

    Boulle’s genius resided primarily in his mastery of marquetry—a technique involving inlaying decorative materials like tortoiseshell, brass, pewter, and ivory into ebony or walnut veneers.

    Muzej

    Wallace Collection

    On show in London, Združeno kraljestvo

    Raziskovanje Elegance: Pogled na Galerijo Wallace

    Galerija Wallace predstavlja izjemno bogato umetniško nasledje francoskega Rocoka in Neoklasicizma, ki je bila ustvarjena z velikim predanim trudom Sir Richarda Wallacea in njegove družine. Ta veličastna palača v Hertfordovem domu na Manchesterovem kvadratu ni le muzej; gre za popolnoma ohranjeno okno v obdobje aristokratske lepote ter izjemnega življenjskega sloga. Že prvi korak skoči v svet, kjer so svilena odeja in šepetajoče pogovori še vedno prisotni vzdušju – svet, ki je bil oblikovan z občutkom za umetnost kot življenje sam. Galerija ni samo predstavitev lepote; gre za zgodbo o umetniški evoluciji, ki odraža spreminjanje zavestnosti naroda.

    Osrednja pozornost galerije so osujetilni francoski umetniški predmeti iz Rocoka in Neoklasicizma. Časovnice so nam pokazale lepoto svetega Françoisa Bouchera, ki je ustvarjal slike z ljubečimi likami, ki plešejo med pastelnimi barvami in mitološkimi scenami. Življenje aristokratov je bilo zajeto z občutkom za umetnost kot življenje sam – galerija Wallace ponuja možnost vpogleda v zgodovino umetnosti.

    Hertfordova Palača: Arhitektura Časa

    Galerija Wallace se izstopa od drugih muzejev tudi zaradi svoje arhitekture - Hertfordova palača je bila prvotno zgrajena leta 1776 za Earl of Hertford, kasneje pa jo je dom našel Sir Richard Wallace in njegova družina.

    Preberite več

    Preverite na spletu

    QR koda za dostop do strani za prenos Clock face

    wahooart.com/sl/art/download/andre-charles-boulle-clock-face-8Y3UDR-en/

    Navodila za citiranje umetniškega dela

    MLA
    boulle, andré-charles. Clock face. 1715, Wallace Collection. https://wahooart.com/sl/art/andre-charles-boulle-clock-face-8Y3UDR-en/
    APA
    boulle, andré-charles (1715). Clock face [Painting]. Wallace Collection. https://wahooart.com/sl/art/andre-charles-boulle-clock-face-8Y3UDR-en/
    Chicago
    andré-charles boulle. Clock face. 1715. Wallace Collection. https://wahooart.com/sl/art/andre-charles-boulle-clock-face-8Y3UDR-en/
    Harvard
    boulle, andré-charles (1715) Clock face. Wallace Collection. Available at: https://wahooart.com/sl/art/andre-charles-boulle-clock-face-8Y3UDR-en/

    Look closely

    Clock face — andré-charles boulle

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. How many faces can you find? ____ (our catalogue counts 2 — do you agree?)
    4. Our catalogue files this work under: ornate clockwork, gilded luxury design, 18th century france. Do you agree? What would you add, or take away?
    5. Look back at Wardrobe and clock (1715), earlier in this guide. Name two things it shares with this work, and one that is different.

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.