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Circassian Cavalry Awaiting Their Commanding Officer At The Door Of A Byzantine Monument; Memory Of The Orient

Alberto Pasini, 1880

Ime in priimek Razred Datum
Alberto Pasini, Circassian Cavalry Awaiting Their Commanding Officer At The Door Of A Byzantine Monument; Memory Of The Orient (1880). Dostopno v javni lastnini.

Podrobnosti

Umetnik
Alberto Pasini wahooart.com/sl/artists/alberto-pasini_sl/
Datumi rojstva in smrti umetnika
1826 – 1899
Naslikano
1880
Prvotna velikost
65 x 55 cm
Gibanje
Orientalism European pictures of North Africa and West Asia — often imagined rather than observed, and worth questioning.

Avtorske pravice To del je v javni domeni. Alberto Pasini je umrl/a leta 1899; avtorska pravica velja 70 let po smrti avtorja, zato je pretekla leta 1969.

Vir: WahooArt.com — dostopano dne 24. avgust 2026

Circassian Cavalry Awaiting Their Commanding Officer At The Door Of A Byzantine Monument; Memory Of The Orient — Alberto Pasini Part 1 · The artwork

In context

Circassian Cavalry Awaiting Their Commanding Officer At The Door Of A Byzantine Monument; Memory Of The Orient — Alberto Pasini

How big is it?

The original measures 65 × 55 cm (height × width), drawn here beside an adult of average height.

Kdaj je bilo to naslikano?

  1. 1820
  2. 1830
  3. 1840
  4. 1850
  5. 1860
  6. 1870
  7. 1880
  8. 1890

Osenčeno: življenjsko obdobje Alberto Pasini (1826–1899) ▲ to delo, 1880

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: wahooart.com/sl/art/similar/alberto-pasini-circassian-cavalry-awaiting-their-commanding-offic-8DNUYR-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Driftwood #a38f71

    Shranjena paleta

    • #A38F71
    • #D2C4AB
    • #2B1816
    • #6C5543
    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Driftwood
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Strong Color Unity Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Balanced Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Subtle Color Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Vir: WahooArt.com — dostopano dne 24. avgust 2026

    Circassian Cavalry Awaiting Their Commanding Officer At The Door Of A Byzantine Monument; Memory Of The Orient — Alberto Pasini Part 2 · In context

    O tem umetniškem delu

    Circassian Cavalry Awaiting Their Commanding Officer At The Door Of A Byzantine Monument; Memory Of The Orient — Alberto Pasini

    The painting Circassian Cavalry Awaiting Their Commanding Officer At The Door Of A Byzantine Monument; Memory Of The Orient by Alberto Pasini is a captivating piece of art that showcases the artist's skill in depicting Orientalist subjects. Created in 1880, this oil on canvas painting measures 65 x 55 cm and is a prime example of the Orientalism art movement.

    Orientalism Art Movement

    Orientalism emerged during the 19th century, primarily in Europe, characterized by an interest in depicting the Eastern world. This style was influenced by various forms of art, including painting and literature. The term 'Orientalism' has since been used to refer to a general passion for the exotic and mysterious aspects of the East.

    Painting Description

    The image depicts a group of people gathered outside a building with a large archway, set in the Middle East or North Africa. There are 13 individuals in the painting, including men and women, engaged in conversation or waiting for something near the entrance to the building. Several horses are visible in the scene, some standing close to the people while others are further away. The architecture of the building features an archway that spans across a large portion of the image, with a clock visible on one side. A bird perched near the bottom left corner adds a touch of life and movement to the scene.

    Artist Background

    Alberto Pasini was an Italian painter born in Busseto on September 3, 1826. He is best known for his Orientalist subjects depicted in a late-Romantic style. His father was a commissioner for his district, but after his father's death in 1828, his mother moved to Parma, where he enrolled at the age of 17 years old.

    Relevant Paintings by Alberto Pasini

    - Lion Hunt (Persia) - Le Cucine Del Topkapi - Horsemen In Shiraz

    Museum Information

    This painting is part of the collection at the Art Institute of Chicago. For more information on this and other artworks, visit https://AllPaintingsStore.com.

    Purchase Handmade Oil Painting Reproductions

    If you are interested in purchasing a handmade oil painting reproduction of Circassian Cavalry Awaiting Their Commanding Officer At The Door Of A Byzantine Monument; Memory Of The Orient, visit https://AllPaintingsStore.com. Our team of skilled artists can create high-quality reproductions that capture the essence of the original piece.

    Conclusion

    Circassian Cavalry Awaiting Their Commanding Officer At The Door Of A Byzantine Monument; Memory Of The Orient by Alberto Pasini is a remarkable example of Orientalist art. Its detailed depiction of Middle Eastern architecture and culture makes it a captivating piece for art enthusiasts.

    Vir: WahooArt.com — dostopano dne 24. avgust 2026

    Circassian Cavalry Awaiting Their Commanding Officer At The Door Of A Byzantine Monument; Memory Of The Orient — Alberto Pasini Part 3 · About this artwork

    Umetnik in muzej

    Umetnik

    Alberto Pasini

    Born in Busseto, Italija

    Zgodnje življenje in izobraževanje (1826–1853)

    Družinsko ozadje: Alberto Pasini se je rodil v Bussetu. Njegovo otroštvo je zaznamovala smrt očeta, zato se je z mamo preselil v Parmo.

    Umetniški začetki: Pri sedemnajstih letih se je vpisal na Akademijo likovnih umetnosti v Parmi, kjer se je posvetil krajinskem slikarstvu in risanju.

    Vpliv Antonia Pasinija: Njegov stric Antonio Pasini, slikar in iluminator rokopisov, ki je deloval za lokalno plemstvo, je pomembno vplival na njegov zgodnji umetniški razvoj.

    Prve razstave in litografije: Leta 1852 je Pasini razstavil serijo trideset skic, prenesenih v litografije, ki so prikazovale gradove okoli Piacenze, Lunigiane in Parme. To delo je pritegnilo pozornost slikarja Paola Toschija.

    Parizijski študij: Po spodbudi Toschija se je Pasini odpravil v Pariz, kjer je študiral pod Charlesom in Eugènom Ciceri, ki sta bila povezana z barbizonsko šolo. Njegova litografija "Večer" mu je prinesla sprejem na Pariškem salonu leta 1853 ter nadaljnji študij s Théodore Chassériauom.

    Vzhodni potovanja in umetniški razvoj (1855–1870)

    Potovanje v Perzijo: Krimska vojna je Pasiniju omogočila, da leta 1855 spremlja Nicolasa Prospera Bouréea, francoskega plenipotentnega ministra, v Perzijo. To potovanje se je izkazalo za ključno, saj ga je navdihnilo številno slikanje vzhodnjaških motivov.

    Širjenje obzorij: Po perzijski ekspediciji je Pasini nadaljeval z obsevnimi potovanji po Bližnjem vzhodu, vključno z Egiptom, Arabijo, Istanbulom in različnimi regijami Perzije. Ta potovanja so mu zagotovila bogato vizualno gradivo za njegovo umetnost.

    Umetniški slog: Njegova slikarstva iz tega obdobja so pokazala natančno pozornost do arhitektonih podrobnosti in živahno uporabo barv in svetlobe, značilno za vzhodnjaško slikarstvo. Pomembna dela vključujejo "Kavciška konjenica, ki čaka na poveljnika pred vrati bizantinskega spomenika" in "Spomin na Orient".

    Kasnejša kariera in priznanje (1870–1899)

    Vrnitev v Italijo: Po francosko-pruski vojni leta 1870 se je Pasini vrnil v Italijo in se za stalno nastanil v Cavoretu.

    Nadaljevanje razstav: Nadaljeval je z razstavljanjem svojih del na salonih in drugih razstavah po Evropi.

    Muzejski odkupi: Njegova slikarstva so bila vse bolj priznana zaradi svoje umetniške vrednosti, kar je vodilo do odkupov pomembnih muzejev, vključno z Muzejom Parme, Galerijo Uffizi v Firencah, Metropolitanskim muzejem umetnosti in drugimi.

    Poznejša dela in pokrajine Piemonta: V zadnjih letih se je Pasini posvetil tudi slikanju krajin Piemonta, zlasti prizorov okoli Cavoretta in Issogne.

    Ključne značilnosti in pomen

    Arhitekturne podrobnosti: Definirana lastnost Pasinijeve umetnosti je bila natančna upodobitev arhitektonih podrobnosti v njegovih vzhodnjaških prizorih.

    Barva in svetloba: Sposobna uporaba barv in svetlobe je ustvarila živahno in sugestivno vzdušje v njegovih slikah.

    Vzhodnjaški gibanje: Pasinijevo delo ponazarja vzhodnjaško gibanje, ki je prikazovalo kulture zunaj Evrope z različnimi stopnjami natančnosti in romantizacije.

    Vplivi in povezave: Nanj so vplivali umetniki kot Théodore Chassériau in bil povezan z barbizonsko šolo, kar dokazuje njegovo povezavo s širšimi umetniškimi trendi njegovega časa. Njegova dela danes predstavljajo pomemben del italijanske romantične tradicije in ponujajo vpogled v fascinacijo zahodne umetnosti z Orientom.

    Preberite več

    • Avtor Alberto Pasini wahooart.com/sl/artists/alberto-pasini_sl/
    • Podobna dela Več del za primerjavo wahooart.com/sl/art/similar/alberto-pasini-circassian-cavalry-awaiting-their-commanding-offic-8DNUYR-en/

    Preverite na spletu

    QR koda za dostop do strani za prenos Circassian Cavalry Awaiting Their Commanding Officer At The Door Of A Byzantine Monument; Memory Of The Orient

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    Navodila za citiranje umetniškega dela

    MLA
    Pasini, Alberto. Circassian Cavalry Awaiting Their Commanding Officer At The Door Of A Byzantine Monument; Memory Of The Orient. 1880, https://wahooart.com/sl/art/alberto-pasini-circassian-cavalry-awaiting-their-commanding-offic-8DNUYR-en/
    APA
    Pasini, Alberto (1880). Circassian Cavalry Awaiting Their Commanding Officer At The Door Of A Byzantine Monument; Memory Of The Orient [Painting]. https://wahooart.com/sl/art/alberto-pasini-circassian-cavalry-awaiting-their-commanding-offic-8DNUYR-en/
    Chicago
    Alberto Pasini. Circassian Cavalry Awaiting Their Commanding Officer At The Door Of A Byzantine Monument; Memory Of The Orient. 1880. https://wahooart.com/sl/art/alberto-pasini-circassian-cavalry-awaiting-their-commanding-offic-8DNUYR-en/
    Harvard
    Pasini, Alberto (1880) Circassian Cavalry Awaiting Their Commanding Officer At The Door Of A Byzantine Monument; Memory Of The Orient. Available at: https://wahooart.com/sl/art/alberto-pasini-circassian-cavalry-awaiting-their-commanding-offic-8DNUYR-en/

    Vir: WahooArt.com — dostopano dne 24. avgust 2026

    Circassian Cavalry Awaiting Their Commanding Officer At The Door Of A Byzantine Monument; Memory Of The Orient — Alberto Pasini Part 4 · Artist and museum

    Look closely

    Circassian Cavalry Awaiting Their Commanding Officer At The Door Of A Byzantine Monument; Memory Of The Orient — Alberto Pasini

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: orient. Do you agree? What would you add, or take away?
    4. Look back at Halte A La Mosquee, earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Orientalism: European pictures of North Africa and West Asia — often imagined rather than observed, and worth questioning. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.