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Priročnik za študentska dela

Number 28 (Still Life)

Ime in priimek Razred Datum

Albert Eugene Gallatin, Number 28 (Still Life) (1940). Dostopno v javni lastnini.

Podrobnosti

Umetnik
Albert Eugene Gallatin wahooart.com/sl/artists/albert-eugene-gallatin/
Datumi rojstva in smrti umetnika
1881 – 1952
Naslikano
1940
Prvotna velikost
61 x 51 cm
Gibanje
Cubism Objects broken apart and shown from several viewpoints at once, all flattened onto one surface.

V kontekstu

Number 28 (Still Life) — Albert Eugene Gallatin

Kakšna je velikost?

Originalne dimenzije so 61 × 51 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950

Osenčeno: življenjsko obdobje Albert Eugene Gallatin (1881–1952) ▲ to delo, 1940

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: wahooart.com/sl/art/similar/albert-eugene-gallatin-number-28-still-life-D2U6Y3-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Espresso #34241c

    Shranjena paleta

    • #34241C
    • #A49C85
    • #715B46
    • #E9ECF2
    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Espresso
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Statement V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Balanced Harmony Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Subtle Color Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Umetnik in muzej

    Umetnik

    Albert Eugene Gallatin

    Rojen v Villanova, United States of America

    Albert Eugene Gallatin: A Pioneer of American Modern Art

    Early Life and Family Background

    Born: Villanova, Pennsylvania, 1881.

    Gallatin came from a wealthy and socially prominent family. His great-grandfather was Albert Gallatin, a Swiss-American ethnologist, linguist, politician, and diplomat who served as the United States Secretary of the Treasury.

    He developed an early interest in art and literature, beginning to collect works by artists like Max Beerbohm and James McNeill Whistler while still a teenager.

    Artistic Development and Influences

    Initially drawn to the decorative qualities of Beardsley and Whistler’s work, Gallatin focused on elegance of line and aesthetic value over narrative content.

    Around 1910, his interests shifted towards American artists associated with the Ashcan School – Everett Shinn, William Glackens, Ernest Lawson, and John Sloan.

    He was also influenced by artists like John Marin and Boardman Robinson.

    Gallatin’s exposure to European modernism, particularly Cubism, proved pivotal in shaping his artistic vision.

    Artistic Style and Key Works

    Park Avenue Cubism: Gallatin developed a distinctive style often referred to as “Park Avenue Cubism,” characterized by geometric forms, muted tones, and a sophisticated aesthetic.

    Notable works include "Compostion Painting" and "Number 28 (Still Life)", exemplifying his Synthetic Cubist approach.

    He also created “Map of the Indian tribes of North America”, showcasing diverse artistic interests.

    Gallatin’s paintings often reflect a balance between abstraction and recognizable forms, demonstrating his unique interpretation of Cubism.

    Contributions to the American Art Scene

    Collector & Writer: Gallatin was not only an artist but also a prolific writer and collector. He authored numerous articles and monographs on modern art, advocating for its acceptance and understanding.

    Gallery of Living Art: In 1936, he founded the Gallery of Living Art at New York University (NYU), providing a platform for showcasing contemporary American artists and fostering dialogue about abstract art.

    He actively promoted the work of emerging artists and played a crucial role in establishing a vibrant modern art community in New York City.

    Legacy and Historical Significance

    Donations to Museums: Gallatin’s extensive collection of modern art was generously donated to the Philadelphia Museum of Art and the Museum of Modern Art (MoMA) in New York, enriching their holdings and contributing to the preservation of artistic heritage.

    He is remembered as a visionary figure who championed abstract art at a time when it faced resistance and skepticism.

    His contributions helped pave the way for the acceptance and appreciation of modern art in America, leaving an enduring impact on the world of contemporary art.

    Gallatin died in New York City in 1952, leaving behind a legacy as one of the great figures in early 20th-century American culture.

    Preberite več

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    QR koda za dostop do strani za prenos Number 28 (Still Life)

    wahooart.com/sl/art/download/albert-eugene-gallatin-number-28-still-life-D2U6Y3-en/

    Navodila za citiranje umetniškega dela

    MLA
    Gallatin, Albert Eugene. Number 28 (Still Life). 1940, https://wahooart.com/sl/art/albert-eugene-gallatin-number-28-still-life-D2U6Y3-en/
    APA
    Gallatin, Albert Eugene (1940). Number 28 (Still Life) [Painting]. https://wahooart.com/sl/art/albert-eugene-gallatin-number-28-still-life-D2U6Y3-en/
    Chicago
    Albert Eugene Gallatin. Number 28 (Still Life). 1940. https://wahooart.com/sl/art/albert-eugene-gallatin-number-28-still-life-D2U6Y3-en/
    Harvard
    Gallatin, Albert Eugene (1940) Number 28 (Still Life). Available at: https://wahooart.com/sl/art/albert-eugene-gallatin-number-28-still-life-D2U6Y3-en/

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    Number 28 (Still Life) — Albert Eugene Gallatin

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    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Naš katalog to delo uvršča pod: still life, geometric art, cubism. Se strinjate? Bi kaj dodali ali odvzeli?
    4. Oglejte si Compostion Painting (1940), ki ste ga že videli v tem priročniku. Navedite dve stvari, ki jih deli z tem delom, in eno, ki je drugačnja.
    5. Cubism: Objects broken apart and shown from several viewpoints at once, all flattened onto one surface. Kje lahko to opazite v tem delu?

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