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Compostion Painting

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Albert Eugene Gallatin, Compostion Painting (1940). Dostopno v javni lastnini.

Podrobnosti

Umetnik
Albert Eugene Gallatin wahooart.com/sl/artists/albert-eugene-gallatin/
Datumi rojstva in smrti umetnika
1881 – 1952
Naslikano
1940

V kontekstu

Compostion Painting — Albert Eugene Gallatin

Kdaj je bilo to naslikano?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950

Osenčeno: življenjsko obdobje Albert Eugene Gallatin (1881–1952) ▲ to delo, 1940

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Barve

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    Glavna barva

    Clay #886a35

    Shranjena paleta

    • #886A35
    • #536B75
    • #B6A377
    • #342A1B
    Paleta barv
    Earthy Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Clay
    Intenzivnost
    Balanced Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Balanced V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Strong Color Unity Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Balanced Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Balanced Soft Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    Umetnik in muzej

    Umetnik

    Albert Eugene Gallatin

    Rojen v Villanova, United States of America

    Albert Eugene Gallatin: A Pioneer of American Modern Art

    Early Life and Family Background

    Born: Villanova, Pennsylvania, 1881.

    Gallatin came from a wealthy and socially prominent family. His great-grandfather was Albert Gallatin, a Swiss-American ethnologist, linguist, politician, and diplomat who served as the United States Secretary of the Treasury.

    He developed an early interest in art and literature, beginning to collect works by artists like Max Beerbohm and James McNeill Whistler while still a teenager.

    Artistic Development and Influences

    Initially drawn to the decorative qualities of Beardsley and Whistler’s work, Gallatin focused on elegance of line and aesthetic value over narrative content.

    Around 1910, his interests shifted towards American artists associated with the Ashcan School – Everett Shinn, William Glackens, Ernest Lawson, and John Sloan.

    He was also influenced by artists like John Marin and Boardman Robinson.

    Gallatin’s exposure to European modernism, particularly Cubism, proved pivotal in shaping his artistic vision.

    Artistic Style and Key Works

    Park Avenue Cubism: Gallatin developed a distinctive style often referred to as “Park Avenue Cubism,” characterized by geometric forms, muted tones, and a sophisticated aesthetic.

    Notable works include "Compostion Painting" and "Number 28 (Still Life)", exemplifying his Synthetic Cubist approach.

    He also created “Map of the Indian tribes of North America”, showcasing diverse artistic interests.

    Gallatin’s paintings often reflect a balance between abstraction and recognizable forms, demonstrating his unique interpretation of Cubism.

    Contributions to the American Art Scene

    Collector & Writer: Gallatin was not only an artist but also a prolific writer and collector. He authored numerous articles and monographs on modern art, advocating for its acceptance and understanding.

    Gallery of Living Art: In 1936, he founded the Gallery of Living Art at New York University (NYU), providing a platform for showcasing contemporary American artists and fostering dialogue about abstract art.

    He actively promoted the work of emerging artists and played a crucial role in establishing a vibrant modern art community in New York City.

    Legacy and Historical Significance

    Donations to Museums: Gallatin’s extensive collection of modern art was generously donated to the Philadelphia Museum of Art and the Museum of Modern Art (MoMA) in New York, enriching their holdings and contributing to the preservation of artistic heritage.

    He is remembered as a visionary figure who championed abstract art at a time when it faced resistance and skepticism.

    His contributions helped pave the way for the acceptance and appreciation of modern art in America, leaving an enduring impact on the world of contemporary art.

    Gallatin died in New York City in 1952, leaving behind a legacy as one of the great figures in early 20th-century American culture.

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    Navodila za citiranje umetniškega dela

    MLA
    Gallatin, Albert Eugene. Compostion Painting. 1940, https://wahooart.com/sl/art/albert-eugene-gallatin-compostion-painting-D9PJV2-en/
    APA
    Gallatin, Albert Eugene (1940). Compostion Painting [Painting]. https://wahooart.com/sl/art/albert-eugene-gallatin-compostion-painting-D9PJV2-en/
    Chicago
    Albert Eugene Gallatin. Compostion Painting. 1940. https://wahooart.com/sl/art/albert-eugene-gallatin-compostion-painting-D9PJV2-en/
    Harvard
    Gallatin, Albert Eugene (1940) Compostion Painting. Available at: https://wahooart.com/sl/art/albert-eugene-gallatin-compostion-painting-D9PJV2-en/

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    Compostion Painting — Albert Eugene Gallatin

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    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Oglejte si Number 28 (Still Life) (1940), ki ste ga že videli v tem priročniku. Navedite dve stvari, ki jih deli z tem delom, in eno, ki je drugačnja.
    4. Albert Eugene Gallatin je bil star približno 59, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot delo umetnika v tej dobi?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

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