Format papirja

Priročnik za študentska dela

Tranquility

Ime in priimek Razred Datum

abiodun olawale olaku, Tranquility (1997), Yemisi Shyllon Museum of Art. Reproducirano v informativne namene; vse pravice so pridržane v rokah upravljavca pravic.

Podrobnosti

Umetnik
abiodun olawale olaku wahooart.com/sl/artists/abiodun-olawale-olaku/
Datumi rojstva in smrti umetnika
1958 – ?
Naslikano
1997
Prvotna velikost
128 x 72 cm
Na lokaciji
Yemisi Shyllon Museum of Art wahooart.com/sl/museums/yemisi-shyllon-museum-of-art-lagos_sl/

V kontekstu

Tranquility — abiodun olawale olaku

Dimenzije

Prvotne dimenzije so 128 × 72 cm (višina × širina), prikazane tukaj v primerjavi z odraslo osebo povprečne višine.

Kdaj je bilo to naslikano?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990

Osenčeno: življenjsko obdobje abiodun olawale olaku (1958–?) ▲ to delo, 1997

Primerjajte z

Izberite eno od zgoraj navedenih del: navedite dve stvari, ki sta si z njim skupni, in eno stvar, ki je drugačna.

Več del, ki bi jih postavili ob to: wahooart.com/sl/art/similar/abiodun-olawale-olaku-tranquility-D75W3M-en/

Barve

Izmerjeno na podlagi slike

    Glavna barva

    Sea Green #48737d

    Shranjena paleta

    • #48737D
    • #346169
    • #2E393A
    • #304E53
    Paleta barv
    Monochrome Prevladujoča barvna družina na sliki.
    Naziv primarne barve
    Sea Green
    Intenzivnost
    Monochromatic Stopnja zasičenosti in raznolikost barv, od enotnega, zamegljenega odtisa do številnih živahnih barv.
    Kontrast
    Serene V kolikšni meri se barve po svetlini in zasičenosti razlikujejo skozi celotno sliko.
    Harmonija
    Unified Palette Stopnja harmonije barv, od kontrastnih do popolnoma ujednotenih.
    Zasvetlina
    Shadow Razmera svetloosti in temnine slike v celoti, od globokih senc do svetlih visokih svetlob.
    Zasičenost
    Subtle Color Kolikograščena in močna so barve, od skoraj sivih do popolnoma živahnih.

    O tem umetniškem delu

    Tranquility — abiodun olawale olaku

    Abiodun Olawale Olaku is a contemporary Nigerian painter born in Lagos in 1958. He obtained an Ordinary National Diploma (OND) and a Higher National Diploma (HND) from the prestigious Yaba College of Technology in 1979 and 1981 respectively, majoring in painting. Over the years, Abiodun has established himself as one Nigeria’s most accomplished oil painters due to his very detailed, naturalistic expression of landscapes and Nigerian cities. His style shows meticulous attention to detail that draws every viewer closer to their imagination in reality than ever. His unique bird’s-eye rendition of landscapes shows how he has mastered his craft through utter diligence and draughtsmanship over time. Abiodun has participated in numerous exhibitions in Nigeria including the

    Umetnik in muzej

    Umetnik

    abiodun olawale olaku

    Rojen v Lagos, Nigeria

    A Legacy of Light and Color: The Art of Abiodun Olawale Olaku

    Born in the vibrant city of Lagos, Nigeria, in 1958, Abiodun Olawale Olaku’s artistic journey is a testament to dedication, profound observation, and an unwavering commitment to capturing the beauty inherent within his homeland. From humble beginnings studying at Baptist Academy, where he was instilled with a deep appreciation for art and craft, Olaku's path led him through rigorous academic training at Yaba College of Technology – a pivotal institution that shaped his technical skills under the tutelage of masters like Yusuf Grillo, Kolade Oshinowo, and Bisi Fakeye. This early foundation, combined with a keen eye for detail and an innate understanding of light and color, would become the hallmarks of his distinctive style.

    Olaku’s artistic development wasn't solely confined to formal education; it was deeply influenced by the rich cultural tapestry of Nigeria. His work frequently draws inspiration from the natural world – the lush landscapes, vibrant colors, and dynamic interactions within his environment. He sought to translate these observations onto canvas, imbuing each painting with a sense of serenity, drama, and profound connection to the land.

    Early Career and Artistic Style

    Beginning his professional career in 1984 as a full-time studio artist, Olaku quickly established himself as a master of realism. His technique is characterized by meticulous attention to detail, a deep understanding of tonal values, and an ability to capture the subtle nuances of light and shadow. Unlike purely photographic representation, however, his paintings possess a distinctly emotive quality – they are not merely depictions but rather interpretations imbued with feeling and atmosphere. He often employs a dark-to-light technique, building up layers of paint from darker underlayers towards brighter highlights, creating a sense of depth and luminosity that is truly captivating.

    Influences on Olaku’s work extend beyond the immediate Nigerian art scene. He has spoken extensively about his admiration for classical masters such as Michelangelo, Leonardo da Vinci, Rembrandt van Rijn, Claude Monet, Yusuf Grillo, Ben Enwonwu, and Kolade Oshinowo – artists whose mastery of technique and ability to evoke emotion served as a guiding light throughout his own artistic development. These influences are not replicated directly but rather absorbed and integrated into his unique visual language.

    Notable Works and Recognition

    Among Olaku’s most celebrated works is “Glimpse of Glory,” a breathtaking landscape painting that exemplifies his technical skill and ability to capture the essence of a particular moment in time. The painting's meticulous detail, vibrant colors, and evocative atmosphere have earned it recognition as one of his finest achievements. Another significant piece is "Tranquility," an oil on canvas that embodies serenity and peacefulness – a testament to Olaku’s capacity to translate profound emotions onto the canvas.

    His artistic accomplishments have been widely recognized, culminating in the Nigerian National Order of Merit (NNOM) Award in 2011. He is also a proud member of several prestigious professional organizations, including the Society of Nigerian Artists (SNA), the International Association of Art (IAA), and the Nigerian Academy of Letters (NAL). These affiliations underscore his standing within the artistic community and his commitment to fostering creativity and cultural exchange.

    Exhibitions and Legacy

    Olaku’s work has been exhibited extensively both domestically and internationally, including at the prestigious Yemisi Shyllon Museum of Art in Lagos, Nigeria. His paintings are held in private and public collections across the globe, a testament to their enduring appeal and artistic merit. Beyond his individual achievements, Olaku plays a vital role as a mentor and teacher, inspiring countless young artists in Nigeria and beyond.

    Abiodun Olawale Olaku’s legacy extends far beyond the canvases he creates. He represents a significant chapter in Nigerian art history – a period of renewed artistic expression, cultural pride, and international recognition. His dedication to his craft, combined with his deep connection to his homeland and its rich traditions, ensures that his work will continue to inspire and captivate audiences for generations to come.

    Muzej

    Yemisi Shyllon Museum of Art

    Na razstavi v Lagos, Nigerija

    Svetilnik nigerijske umetniške dediščine: Zgodovinska pot Zemašča umetnosti Yemisi Shyllon

    V srcu kampusa Pan-Atlantic University v Lekkiju, v državi Lagos v Nigeriji, stoji edinstven institucijski dragulj – Zemašče umetnosti Yemacija Shyllon. Ta prostor presega zgolj funkcijo izložbenega prostora; gre za neizneusno pričevanje vizionarske filantropije in slavljenje živahnega umetniškega dediščine Nigerije, saj predstavlja prvi univerzitetni umetniški muzej v tej državi.

    Muzej, ki je bil ustanovljen oktobra 2019 zahvalno zaradi plemenite donacije princa Yemisiya Shyllona – enega najbolj izstopajočih afriških zbirateljev umetnosti – v sebi združuje akademsko natančnost in estetsko popolnost. Njegova kreacija se je rodila iz globoke želje po spodbudjanju umetniškega uživanja znotraj univerzitetične skupnosti ter po varovanju kulturnih zakladov Nigerije za prihodnje generacije.

    Dedstvo, zazivo v strasti:

    Zgodnji začetki YSMA se povezujejo z aprillom leta 2011, ko je bil predstavljen Virtualni muzej moderne in sodobne nigerijske umetnosti, kar je razkalo Shyllonovo predanost širjenju umetniškega znanja. Kasnejše predloge drugih zbirateljev so nato utrdile vizijo o vzpostavitvi fizičnega muzeja na PAU.

    Arhitekturna harmonija:

    Muzej, ki ga je zasnoval Jess Castellote, postavlja v ospredje naravno svetlobo in odprte prostore, s čimer ustvarja vabljivo okolje, ki popolnoma dopolnjuje njegove umetniške zbirke.

    Slavljenje umetne duše Nigerije

    Ključna moč muzeja se skriva v njegovi impresivni zbirki več kot tisoč umetnin, ki razpolagajo časovno od predkolonialnega obdobja do današnjih dni. Ta dela predstavljajo celovito panoramo nigerijske umetnostne zgodovine in odražajo raznolike kulturne tradicije ter umetniške sloge.

    Skulpturalna raznolikost:

    Od zapletenih lesenih joruba skulptur avtorja Lamidija Olonade Fakeyja do monumentalnih replik glav Ife – simbolov starodavnih nigerijskih civilizacij – skulpturalna zbirka pripoveduje o izjemnem vrhunskega okusa in stilski evoluciji.

    Mojstri slikarstva:

    Pomembni umetniki, kot so Ben Enwonwu, El Anatsui, Bruce Onobrakpeya in Aina Onabolu, bogatijo slikarstvo repertoar muzeja. Njihova platna zajimajo ključne trenutke v nigerijski zgodovini in umetniškem izrazu.

    Zgodovinski pomen in kulturni vpliv

    Poleg svoje estetske privlačnosti igra YSMA ključno vlogo pri izobraževanju študentov in raziskovalcev o umetniški dediščini Nigerije. Razstave o umetnosti Ife in Benin – ki vključujejo ikonične bronaste skulpture, kot je glava Ife – nudijo neprecenljiv vpogled v bogato kulturno preteklost te regije.

    Fotografske pripovedi:

    Fotografski arhiv muzeja dokumentira pomembne nigerijske kulturne festivale, s čimer zajema dinamiko tradicij in umetniških predstavitev. Posebej izstopajo fotografije Ariyja Oguntimehina.

    Unikatni prispevek k umetnostni pedagogiki

    Zemašče umetnosti Yemisi Shyllon se loči od drugih kot prvi univerzitetni umetniški muzej v Nigeriji – pionirsko prizadevanje, ki poudarja pomen spodbudanja ustvarjalnosti in kulturnega razumevanja. Njegova misija presega zgolj izložbo; on si prizadeva spodbujati dialog, promovirati umetniško apreciacijo in prispevati k intelektualni obogatitvi svojih obiskovalcev.

    Preberite več

    Preverite na spletu

    QR koda za dostop do strani za prenos Tranquility

    wahooart.com/sl/art/download/abiodun-olawale-olaku-tranquility-D75W3M-en/

    Navodila za citiranje umetniškega dela

    MLA
    olaku, abiodun olawale. Tranquility. 1997, Yemisi Shyllon Museum of Art. https://wahooart.com/sl/art/abiodun-olawale-olaku-tranquility-D75W3M-en/
    APA
    olaku, abiodun olawale (1997). Tranquility [Painting]. Yemisi Shyllon Museum of Art. https://wahooart.com/sl/art/abiodun-olawale-olaku-tranquility-D75W3M-en/
    Chicago
    abiodun olawale olaku. Tranquility. 1997. Yemisi Shyllon Museum of Art. https://wahooart.com/sl/art/abiodun-olawale-olaku-tranquility-D75W3M-en/
    Harvard
    olaku, abiodun olawale (1997) Tranquility. Yemisi Shyllon Museum of Art. Available at: https://wahooart.com/sl/art/abiodun-olawale-olaku-tranquility-D75W3M-en/

    Poglejte bližje

    Tranquility — abiodun olawale olaku

    Poglejte rafinirano

    Odgovorite z lastnimi besedami. Tukaj ni napačnih odgovorov — so le odgovori, ki jih lahko razložite.

    1. Kaj vas najprej pritegne in zakaj?
    2. Katere barve ali oblike ustvarjajo vzdušje — in kakšno je to vzdušje?
    3. Oglejte si Glimpse of Glory (1989), ki ste ga že videli v prejšnjih delih tega priročnika. Navedite dve stvari, ki jih deli z tem delom, in eno, ki ga loči od njega.
    4. abiodun olawale olaku je bil star približno 39, ko je bilo to delo ustvarjeno. Kaj v njem opazite kot delo umetnika v tem obdobju?
    5. Kaj je imel avtor morda v mislih, ko je želel, da bi občutil?

    Vaš odgovor

    Zapišite kratek odstavek o tem umetniškem delu. Uporabite dejstva iz prejšnjih delov tega priročnika in svoje odgovore zgoraj.