Najbolj znano delo umetnika George Hayter je Queen Victoria (1863), ki se nahaja v muzeju National Portrait Gallery v mestu London. Z Portrait of Sophia S. Kiselyova (1801-1875) (1831) in Feodora, Princess of Hohenlohe-Langenburg with her daughter Princess Adelaide (1840) se dopolnjujejo tri dela, ki jih vsi prepoznajo. Naš katalog vsebuje 143 del avtorja George Hayter; spodaj je 100 del, ki jih svet najbolj obišče, od katerih vsaka vključuje leto nastanka, muzej, ki jo hrani, in razlog za njen pomen.
Uvrščeno glede na naš skoraj priljubljenosti, ki združuje število iskanj, obiskov in naročil za vsako delo. Posodobljeno oktober 2026. Vsako podobno delo na tej strani je mogoče naročiti kot muzejsko kakovostno ročno slikano oljno reprodukcijo ali umetniški natisk v izbrani velikosti.
This portrait of Queen Victoria, painted by George Hayter, offers a formal study of the monarch during a significant period of her reign. Created in 1863, the work captures the sovereign in a moment of ceremonial dignity. It is an oil on canvas that seeks to document the presence of the Queen through the lens of official portraiture.
A Study in Crimson and Gold The sitter emerges from a dark, atmospheric void, her presence defined by the play of light across pale skin. She wears a deep red bodice, laced tightly across the chest, which anchors the composition with a heavy, saturated weight. A golden shawl drapes over her shoulders, its silken sheen catching the directional light from the upper left. Around her head, a wreath of autumnal…
The air in the portrait feels heavy with the scent of velvet and the quiet stillness of a private chamber. Feodora, Princess of Hohenlohe-Langenburg, sits with a poised grace, her presence anchored by a deep crimson dress that catches the light in its heavy folds. Beside her, the young Princess Adelaide offers a soft contrast, her small form draped in a gown of pure, luminous white. The two figures occupy…
The oil on panel titled Queen Victoria Taking the Coronation Oath, June 28, 1838, captures a singular moment of transition. Sir George Hayter rendered this scene in 1850, long after the actual ceremony took place. The work focuses on the young Queen Victoria, draped in her heavy coronation regalia. She is a figure of quiet gravity amidst the weight of her ceremonial robes.
In this 1835 portrait, George Hayter presents Victoria, Duchess of Kent, within a setting that feels both intimate and grand. The subject is positioned slightly off-center, standing amidst a lush, natural landscape that provides a sense of serenity. There is a quiet dignity in her posture, a stillness that suggests the weight of her station without the need for overt displays of power. The composition relies on the fluid, organic…
In the quiet, commanding presence of George Hayter’s 1832 masterpiece, Portrait of Countess Yelizaveta Vorontsova, one finds more than a mere likeness of nobility; one encounters a window…
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8 muzejev, ki vsebujo največ slik na tej strani.
| Muzej | Mesto | Sloga George Hayter | Slike iz tega seznama |
|---|---|---|---|
 Kraljeva zbirka |
London | 20 | The Assumption of the Virgin, Louise, Queen of the Belgians (1812-1850), William Lamb, 2nd Viscount Melbourne (1799-1848) |
 National Portrait Gallery |
London | 18 | Queen Victoria, Charles Wood, 1st Viscount Halifax, Philip Stanhope, 5th Earl Stanhope |
 Buckingham Palace |
London | 5 | Feodora, Princess of Hohenlohe-Langenburg with her daughter Princess Adelaide, Victoria, Duchess of Kent (1786-1861), Queen Victoria (1819-1901) |
 Yale Center for British Art |
New Haven | 3 | Queen Victoria Taking the Coronation Oath, June 28, 1838, Studies for the Duke of Wellington, Portrait Study of Martha, Lady Hayter |
 Ermitaž |
Sankt Peterburg | 2 | Portrait of Sophia S. Kiselyova (1801-1875), Portrait of Countess Yelizaveta Vorontsova |
 National Gallery of Ireland |
Dublin | 2 | Portrait of George Tierney (1761-1830), MP and English Statesman, Portrait of Richard Burke, Son of Edmund Burke, Parliamentary Agent of the Catholic Committee (1758-1794) |
 National Maritime Museum |
London | 2 | Thomas Brunton, 1774-1833, Captain William Stanway Parkinson |
 Museum of Fine Arts |
Houston | 2 | Henry Winston Barron, M.P., Fitzstephen French, M.P. |
A Study in Crimson and Gold The sitter emerges from a dark, atmospheric void, her presence defined by the play of light across pale skin. She wears a…
The air in the portrait feels heavy with the scent of velvet and the quiet stillness of a private chamber. Feodora, Princess of Hohenlohe-Langenburg, sits with a poised…
The oil on panel titled Queen Victoria Taking the Coronation Oath, June 28, 1838, captures a singular moment of transition. Sir George Hayter rendered this scene in 1850,…
This portrait of Queen Victoria, painted by George Hayter, offers a formal study of the monarch during a significant period of her reign. Created in 1863, the work…
Queen Victoria (1863), National Portrait Gallery, London. Nato sledeta Portrait of Sophia S. Kiselyova (1801-1875) (1831) in Feodora, Princess of Hohenlohe-Langenburg with her daughter Princess Adelaide (1840).
71 let: delo Queen Victoria iz leta 1863, pri čemer je George Hayter rodil/a v 1792.
Queen Victoria, Portrait of Sophia S. Kiselyova (1801-1875), Feodora, Princess of Hohenlohe-Langenburg with her daughter Princess Adelaide, Queen Victoria Taking the Coronation Oath, June 28, 1838, Victoria, Duchess of Kent (1786-1861), The Assumption of the Virgin, Studies for the Duke of Wellington, Portrait of George Tierney (1761-1830), MP and English Statesman, Thomas Brunton, 1774-1833 in Charles Wood, 1st Viscount Halifax. Zgornja lestica prikazuje leto in muzej za vsako od njih.
V našem katalogu je navedenih 143 del avtorja George Hayter, datiranih od 1818 do 1863.
Večina njih se nahaja v Kraljeva zbirka (London), National Portrait Gallery (London) in Buckingham Palace (London). Zgornja tabela navaja muzeje posamezno.
V obdobju 1830s: 15 od 100 del na tej strani izvira iz tega obdobja, med katerimi je Portrait of Sophia S. Kiselyova (1801-1875).
Najstarejšo delo na tej strani je iz The Assumption of the Virgin (1818), najnovejše pa iz Queen Victoria (1863).
Victorian era (15), Portraiture (12) in Portrait (12), med 100 dela na tej strani.
Oil On Canvas: 5 od 100 del na tej strani.
Neoclassicism, kot to pokažejo slike na tej strani.
The Assumption of the Virgin, Louise, Queen of the Belgians (1812-1850) in William Lamb, 2nd Viscount Melbourne (1799-1848) so med 17 dela na tej strani, ki jih hrani Kraljeva zbirka, London.
Da. Vsako sliko na tej strani lahko naročite kot muzejsko kakovostno ročno naslikano oljno reprodukcijo ali umetniški natisk v izbrani velikosti neposredno s strani posamezne slike.