Najznámejším obrazom umelca William Beechey je John Jervis, 1. Earl St Vincent (1807), ktorý sa nachádza v múzeu Government Art Collection v meste Londín. Spolu s Mirza Abu'l Hasan Khan, Envoy Extraordinary from the King of Persia to the Court of George III (1810) a Horatio, Viscount Nelson (1801) tak dopĺňa trojicu diel, ktoré pozná každý. Náš katalóg obsahuje 366 diel od umelca William Beechey; nižšie uvádzených 100 je tých, na ktoré sa svet pozerá najčastejšie, pričom pri každom uvádzame rok vytvorenia, múzeu, v ktorom sa nachádza, a dôvod jeho významu.
Poriadkované podľa nášho skóre popularity, ktoré kombinuje počet vyhľadávaní, návštev a objednávok pre každé dielo. Aktualizované október 2026. Každé majstrovské dielo na tejto stránke si môžete objednať ako ručne maľovanú olejobraskovú reprodukciu múzeálnej kvality alebo ako umeleckú tlač, v rozmeroch podľa vašej voľby.
Sir William Beechey’s depiction of John Jervis, 1st Earl of St Vincent, transcends mere representation; it embodies the spirit of British naval leadership during a period defined by ambition and triumph. Completed in 1807, this monumental oil painting captures St Vincent at the height of his career – a commanding figure seated in profile against a subtly textured dark background that serves to elevate his presence.
A Regal Portrait Amidst Intellectual Pursuits: Exploring Sir William Beechey’s Depiction of Mirza Abu'l Hasan Khan The portrait of Mirza Abu'l Hasan Khan, Envoy Extraordinary from the King of Persia to the Court of George III, commissioned in 1810 by Lord Bathurst, stands as a testament to both artistic skill and the burgeoning intellectual climate of Regency England. Painted by Sir William Beechey, a celebrated Royal Academician known for his…
Sir William Beechey’s portrait of Horatio Nelson (1801) stands as an enduring emblem of British naval heroism during the Napoleonic Wars, capturing not merely a likeness but also the spirit of a man who embodied courage, intellect, and unwavering devotion to duty. Commissioned by Norwich Civic Portrait Collection, it resides today in St Andrew’s Hall, Norwich Castle Museum and Art Gallery, offering visitors a glimpse into an era defined by…
This formal and dignified oil-on-canvas self-portrait depicts a man in his middle years. Executed in a Neoclassical style, the work focuses on realistic portraiture and utilizes dramatic chiaroscuro. The composition is presented in a three-quarter view, with the subject positioned slightly off-center. He faces towards the right while looking directly at the viewer. The perspective is a close-up, creating an intimate connection between the subject and the observer. In the…
In this 1800 oil on canvas, we encounter a man of quiet, perhaps even somber, gravity. The Reverend Edmund Nelson is presented in a half-length pose, his gaze directed toward the viewer with a steady, stern expression that suggests a life of disciplined reflection. He is dressed in the sober attire of his calling, wearing a plain black coat and the white clerical bands that signify his position as Rector…
The oil on canvas painting titled Mark Pringle was executed by the artist William Beechey in 1797. This work is a portrait of a man identified as Mark Pringle, who appears to be of middle age. The subject is presented in a three-quarter view, shown from the chest up against a dark, indistinct background. He is depicted with light-colored, powdered hair styled in a manner typical of the late 18th…
In this portrait of a gentleman by William Beechey, we encounter an elderly man presented in a three-quarter length composition. The sitter is positioned slightly off-center, a choice that lends a sense of natural poise to his dignified presence. He holds a green umbrella, the ribbed texture of which provides a subtle tactile contrast to the smooth, heavy fabric of his dark coat. His expression remains calm and composed, projecting…
The sitter occupies the center of a quiet, structured world. He wears a heavy red coat, a garment that holds the weight of his status and the gravity of his years. A white wig frames a face etched with the composure of a man accustomed to the weight of decisions. He stands near a chair, its cushion a soft contrast to the rigid lines of his attire. Behind him, the…
![Portrait of John Greenwood [junior] (1795) od William Beechey](/media/artworks/images-thumb/54/cf/54cf18065749d9446008d919c9a16eda.jpg)
Lady Beechey and Her Baby is a portrait painting by the artist William Beechey. Created about 1800, this oil on canvas work depicts Harriet Siddons in the role…
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The subject sits in a three-quarter view, a figure of quiet authority emerging from a deep, dark red background. Her skin possesses a soft, luminous quality, catching a…
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Sir William Beechey's "John Philip Kemble," painted in 1799, is more than just a portrait; it’s a window into the world of Georgian theatre and a testament to…
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In the quiet grandeur of Sir William Beechey’s 1817 masterpiece, “William Gordon of Fyvie,” one finds much more than a mere likeness of a Scottish nobleman. This commanding…
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William Beechey's captivating portrait of Admiral Edward Pellew, painted in 1817, transcends the simple depiction of a naval officer. It is a meticulously crafted tableau vivant—a moment frozen…
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The oil on canvas titled Mr and Mrs John Custance of Norwich and Their Daughter Frances captures a quiet domesticity from 1786. The artist, William Beechey, renders the…
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Sir William Beechey’s depiction of George Maltby, Esq., completed circa 1782, stands as a quintessential example of late Georgian portraiture—a genre defined by its meticulous realism and unwavering…
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Sir William Beechey’s “Portrait of the Duchess of York,” painted in 1800, is more than just a likeness; it's a meticulously crafted window into the refined world of…
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This arresting portrait captures John Jervis, the first Earl St Vincent, in a moment of profound contemplation. Dating from 1807, the painting serves not merely as a likeness…
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Sir William Beechey’s “Filmer Honywood,” painted circa 1795, is more than a simple likeness; it's a carefully constructed tableau of Georgian society, imbued with the subtle elegance and…
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The portrait of Matthew Boulton, painted by Sir William Beechey around 1802-1803, is more than just a likeness; it’s a carefully constructed statement about the man who fundamentally…
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Sir William Beechey’s “Edward George Lind and His Son Montague” is more than just a portrait; it's a carefully constructed tableau of Victorian domesticity, imbued with a profound…
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Sir William Beechey rendered this portrait of James Wyatt in 1805. The subject was a prominent architect and a member of the Royal Academy of Arts. Through this…
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In the quiet dignity of Sir William Beechey’s 1790 portrait, we encounter more than just a likeness; we meet the very essence of British naval authority. Rear Admiral…
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To stand before this portrait is to step directly into the refined drawing rooms of late eighteenth-century Britain. It captures not merely a likeness, but an entire epoch—an…
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In the quiet intimacy of Self Portrait, painted in 1793, we are invited into a profound moment of introspection. This work serves as more than just a likeness;…
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Capturing a Quiet Moment in Early 19th‑Century England The portrait of Kitty Packe, painted by Sir William Beechey in 1820, invites the viewer into an intimate domestic scene…
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In the quiet, dignified halls of the Walker Art Gallery in Liverpool, there exists a portal to a bygone era of British refinement. Sir William Beechey’s “Portrait of…
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Štyri témy, ktoré sa v týchto majstrovskách najčastejšie vyskytujú, spolu s ich najkrajšími príkladmi.
8 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca William Beechey | Obrazy z tohto zoznamu |
|---|---|---|---|
 Royal Collection |
Londýn | 14 | Charlotte, Princess Royal (1766-1828), Princess Elizabeth (1770-1840), Princess Augusta (1768-1840) |
 National Maritime Museum |
Londýn | 11 | The Reverend Edmund Nelson (1722–1802), Rear Admiral Sir John Jervis (1735–1823), Earl of St Vincent, Admiral Sir Charles Hamilton (1767–1849) |
 Britská knižnica |
London | 5 | Mirza Abu'l Hasan Khan, Envoy Extraordinary from the King of Persia to the Court of George III, Admiral Edward Pellew (1757–1833), 1st Viscount Exmouth, Mirza Abu'l Hasan Khan, Envoy Extraordinary from the King of Persia to the Court of George III |
 Yale Center for British Art |
New Haven | 4 | Portrait of a Girl, Portrait of a Boy, Edward George Lind and his Son Montague |
 National Portrait Gallery |
Londýn | 16 | Henry Phipps, 1st Earl of Mulgrave, Adelaide Amelia Louisa Theresa Caroline Of Saxe-coburg Meiningen |
 Blackfriars' Hall |
Norwich | 3 | Horatio, Viscount Nelson, John Staniforth Patteson, Mayor of Norwich |
 Detroit Institute of Arts |
Detroit | 3 | Self Portrait, Lady Beechey and Her Baby |
 Government Art Collection |
Londín | 2 | John Jervis, 1. Earl St Vincent, John Jervis (1735–1823), 1st Earl St Vincent |
The oil on canvas painting titled Mark Pringle was executed by the artist William Beechey in 1797. This work is a portrait of a man identified as Mark…
Sir William Beechey’s depiction of John Jervis, 1st Earl of St Vincent, transcends mere representation; it embodies the spirit of British naval leadership during a period defined by…
A Regal Portrait Amidst Intellectual Pursuits: Exploring Sir William Beechey’s Depiction of Mirza Abu'l Hasan Khan The portrait of Mirza Abu'l Hasan Khan, Envoy Extraordinary from the King…
John Jervis, 1. Earl St Vincent (1807), Government Art Collection, Londín. Nasledujú Mirza Abu'l Hasan Khan, Envoy Extraordinary from the King of Persia to the Court of George III (1810) a Horatio, Viscount Nelson (1801).
54 rokov: John Jervis, 1. Earl St Vincent vzniklo v roku 1807 a William Beechey sa narodil/a v roku 1753.
John Jervis, 1. Earl St Vincent, Mirza Abu'l Hasan Khan, Envoy Extraordinary from the King of Persia to the Court of George III, Horatio, Viscount Nelson, Self Portrait, The Reverend Edmund Nelson (1722–1802), Mark Pringle, Portrait of a Gentleman, Alderman John Boydell (1720–1804), Publisher, Portrait of John Cook of Norwich a Johann Peter Salomon. Vyššie uvedené hodnotenie uvádza rok a múzeu každého z nich.
Náš katalóg obsahuje 366 diel umelca William Beechey z perioda od 1769 do 1830.
Väčšina z nich sa nachádza v Royal Collection (Londýn), National Maritime Museum (Londýn) a Britská knižnica (London). Tabuľka vyššie uvádza jednotlivé múzeá.
V období 1800s: 35 z 100 diel na tejto stránke pochádza z tohto obdobia, pričom medzi nimi je John Jervis, 1. Earl St Vincent.
Najstaršie dielo na tejto stránke pochádza z George Udney (after Mason Chamberlin) (1769), najnovšie z Portrait of Miss Elizabeth Buckler (1830).
Portraiture (13), Portrait (12) a Man (8), z celkového počtu 100 diel na tejto stránke.
Oil On Canvas: 22 z 100 diel na tejto stránke.
Romantic realism, ako to dokazujú obrazy na tejto stránke.
Charlotte, Princess Royal (1766-1828), Princess Elizabeth (1770-1840) a Princess Augusta (1768-1840) sa nachádzajú medzi 9 dielami na tejto stránke, ktoré vlastní Royal Collection, Londýn.
Áno. Každý obraz na tejto stránke si môžete objednať ako ručne maľovanú olejobraskovú reprodukciu múzeálnej kvality alebo ako umeleckú tlač, v požadovanom rozмере, priamo na stránke daného obrazu.
