Najznámejším obrazom umelca Pontormo je Deposition. Spolu s Navštíviť (1528) a Halberdier (1520) tak dopĺňa trojicu diel, ktoré pozná každý. Náš katalóg obsahuje 176 diel od umelca Pontormo; nižšie uvádzených 100 je tých, na ktoré sa svet pozerá najčastejšie, pričom pri každom uvádzame rok vytvorenia, múzeu, v ktorom sa nachádza, a dôvod jeho významu.
Poriadkované podľa nášho skóre popularity, ktoré kombinuje počet vyhľadávaní, návštev a objednávok pre každé dielo. Aktualizované október 2026. Každé majstrovské dielo na tejto stránke si môžete objednať ako ručne maľovanú olejobraskovú reprodukciu múzeálnej kvality alebo ako umeleckú tlač, v rozmeroch podľa vašej voľby.
Pontormo executed the Deposition between 1525 and 1528. Commissioned by Lodovico Capponi in 1526, the work occupies the Capponi Chapel within the Church of Santa Felicita in Florence. The subject matter focuses on the deposition of Christ's body following the crucifixion.
Jacopo Carucci, známy ako Pontormo, vytvoril túto nádhernú fresku v roku 1528 a zachytil moment hlbokého náboženského významu svojím charakteristickým manieristickým štýlom. „Navštíviť“ je svedectvom Pontormovej majstrovstva v kompozícii, farebnej tvorbe a emocionálnej hĺbky, čo z tohto diela robí vysoce vyhľadávaný kus pre milovníkov umenia aj zberateľov.
Úchvatný portrét sily a individuality Toto pôsobivé umelecké dielo zachytáva dominantnú postavu, ktorá stelesňuje odolnosť, sebavedomie a kultúrnu hrdosť. Predmetom obrazu je mladý muž v tradičnom odeve, držiac menšič, z ktorého vyžaruje pocit autority a dôstojnosti. Jeho priamy pohľad okamžite oslovuje diváka a pozýva ho do momentu introspekcie a obdivu. Majstrovské zobrazenie umelca zdôrazňuje fyzickú prítomnosť aj emocionálnu hĺbku postavy, čo z neho robí pútavý stredobod akejkoľvek zbierky alebo interiéru.…
The painting presents an intimate, oval-shaped arrangement of two figures set against a dark, indeterminate background. The Virgin Mary occupies the upper portion of the frame, her head tilted slightly as she looks toward the Christ Child. Her skin possesses a smooth, porcelain-like texture, illuminated by a focused light source that creates a sharp contrast against the shadows. She wears a deep crimson red garment, while a dark, midnight blue…
To gaze upon this study of a woman is to step directly into the charged atmosphere of mid-sixteenth-century Florence. It is not merely a portrait, but an intimate psychological excavation, capturing the ephemeral grace and profound introspection characteristic of the Italian Mannerist period. The subject, rendered with exquisite delicacy, possesses a serene yet enigmatic quality; her direct gaze seems to meet the viewer's own, inviting a silent communion across the…
Jacopo Pontormo's "Ten Thousand Martyrs," painted in 1529, is not merely a depiction of historical suffering; it’s a visceral plunge into the heart of religious trauma and defiant resistance. This monumental fresco, now rendered in exquisite detail as a hand-painted reproduction by WahooArt.com, captures a pivotal moment from early Christian history – the brutal execution of ten thousand soldiers who had converted to Christianity during the reign of Emperor Decius.…
The work before us is Supper at Emmaus, a significant oil on canvas painted by Pontormo in 1525. This piece captures the specific biblical moment of the apparition of Christ to the Apostles, a narrative drawn from the Gospel of Luke, specifically chapter 24, verses 13 through 35. It is a scene of profound recognition, documenting the instant the disciples realize the identity of the man they are dining with…
The year is 1520, and within the bustling artistic landscape of Florence, Jacopo Carucci Pontormo—a name now inextricably linked with both innovation and melancholy—crafted a portrait that transcends mere likeness. “Portrait of Francesco da Castiglione” isn’t simply a depiction of an elderly man; it's a carefully constructed meditation on age, wisdom, and the quiet dignity of a life well-lived. The painting immediately draws the eye with its rich, earthy palette…
Cupid and Apollo is a painting by the Italian Mannerist painter Pontormo. The work depicts a mythological encounter between the figures of Apollo and Cupid. This composition centers on the interaction between a standing male figure in classical armor on the left and a winged youth on the right. The scene is set against a dark, void-like background that isolates the two subjects.
In this dramatic scene by Pontormo, the air crackles with the sudden, frantic energy of a chase reaching its breaking point. The painting, created about 1513, captures the very moment of metamorphosis from Ovid's myth. Apollo reaches out, his fingers straining to grasp the nymph, but his pursuit is met with a terrifying transformation. Daphne is no longer merely a fleeing woman; she is caught in the midst of becoming…
The air in the room feels heavy, thick with the scent of charcoal and the quiet intensity of a private moment. Three figures occupy a space that feels…
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The air in the fresco feels heavy, thick with the dust of lime and the silence of a shared secret. Within a shallow, arched space, the figures of…
This work, titled Saint Francis, was executed by the Italian artist Pontormo around 1517. The subject is depicted in a kneeling posture, captured in a moment of prayer…
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A solitary figure kneels in a space of profound isolation, his body a landscape of tension and sudden movement. The reddish-brown tones of the medium cling to the…
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We are looking at a Study of nude by the Florentine artist Pontormo. This particular work, created about 1518, offers a glimpse into the artist's process during the…
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The Archangel Michael emerges from the shadows of history, a figure rendered by the hand of Pontormo. This painting, created about 1519, captures a moment of celestial conflict…
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A circle of light and shadow holds the saint in a sudden, spiritual grip. St. Matthew leans into the void, his body a series of elongated, twisting lines…
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Executed in 1527, this frescoed scene occupies the wall of the Capponi Chapel in the church of Santa Felicita, Florence, Italy. It surrounds a window, creating a spatial…
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The gaze of the subject meets us in Portrait of a Young Man (Alessandro de Medici ), a work that captures a fleeting moment of introspection. The artist,…
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The Holy Family by Pontormo depicts a traditional religious scene centered on the figures of Mary, Joseph, and Jesus. Executed in about 1525, the oil on canvas work…
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The scene captures the moment of recognition between the resurrected Christ and Mary Magdalene. Set against a hazy, atmospheric landscape, the two figures occupy a space that feels…
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The Portrait of Niccolò Ardinghelli is a painting by the Florentine artist Pontormo. Created in 1542, the work captures a man of quiet presence. He is presented in…
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The man sits in a quiet, heavy stillness, his gaze meeting the observer with a weight that feels both intellectual and deeply personal. He is positioned in a…
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A seated figure rests in a quiet, heavy stillness. The body is stripped of ornament, rendered in the raw language of anatomical study. Light falls softly across the…
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In the quiet, tension-filled corridors of 16th-century Florence, a new kind of portraiture began to emerge—one that sought not to flatter the sitter with outward glory, but to…
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Two men occupy a narrow, intimate space, their presence pressing close against the viewer as if we have just stepped into their private circle. One man, wearing a…
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Madonna and Child is a religious painting by the Florentine Mannerist Jacopo Pontormo. Executed in 1532, the work emerged during a period of significant stylistic transition in the…
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The Portrait of Alessandro de' Medici by Pontormo dates to 1535. This work captures the likeness of Alessandro de' Medici, a figure of significant political weight in sixteenth-century…
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Jacopo Pontormo's 1515 depiction of Saint Sebastian is not merely a portrait; it’s an immersion into the heart of Mannerist emotion, a profound exploration of faith, suffering, and…
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The image before you – Jacopo Carucci’s “Reclining Male Nude” (1540) – isn't merely a depiction of the human form; it’s a carefully constructed meditation on stillness, vulnerability,…
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Narozdenie Jána Krčných Jacopo Pontormo, známy ako Pontórmo (1494 – 1557/7), predstavuje unikátny hlas v florentskom manierizmu – maliara, ktorý sa odmietol držať konvencií a vybojoval si vlastnú…
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Jacopo Carucci's *Supper at Emmaus*, painted in 1525, is more than just a depiction of a biblical scene; it’s a profound meditation on faith, betrayal, and the human…
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Jacopo Carucci, universally known as Pontormo, gifted Florence with an extraordinary series of portraits during the tumultuous years of the late 16th century. Among these, his depiction of…
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In the quiet evolution of the Italian Renaissance, few figures cast as long and enigmatic a shadow as Jacopo Carucci, known to the world as Pontormo. His masterpiece,…
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Štyri témy, ktoré sa v týchto majstrovskách najčastejšie vyskytujú, spolu s ich najkrajšími príkladmi.
8 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Pontormo | Obrazy z tohto zoznamu |
|---|---|---|---|
 Galleria degli Uffizi |
Florencia | 10 | Study of a Woman, possibly Maria Salviati, Ten thousand martyrs, Narozdenie Jána Krčných |
 Palazzo Pitti |
Florencia | 3 | Portrait of Francesco da Castiglione, Cosimo I de' Medici |
 J. Paul Getty Museum |
Los Angeles | 1 | Halberdier |
 Yale University Art Gallery |
New Haven | 1 | Virgin and Child, known as the Madonna del Libro |
 St Andreas Picture Gallery |
Empoli | 1 | Archangel Michael |
 Casa Buonarroti |
Florencia | 1 | Noli me tangere |
 Art Institute of Chicago |
Chicago | 1 | Alessandro de' Medici |
 Museum of John Paul II Collection |
Warsaw | 1 | Madonna and Child |
Cupid and Apollo is a painting by the Italian Mannerist painter Pontormo. The work depicts a mythological encounter between the figures of Apollo and Cupid. This composition centers…
Jacopo Carucci, známy ako Pontormo, vytvoril túto nádhernú fresku v roku 1528 a zachytil moment hlbokého náboženského významu svojím charakteristickým manieristickým štýlom. „Navštíviť“ je svedectvom Pontormovej majstrovstva v…
The scene captures the moment of recognition between the resurrected Christ and Mary Magdalene. Set against a hazy, atmospheric landscape, the two figures occupy a space that feels…
The painting presents an intimate, oval-shaped arrangement of two figures set against a dark, indeterminate background. The Virgin Mary occupies the upper portion of the frame, her head…
The man sits in a quiet, heavy stillness, his gaze meeting the observer with a weight that feels both intellectual and deeply personal. He is positioned in a…
Deposition. Nasledujú Navštíviť (1528) a Halberdier (1520).
Deposition, Navštíviť, Halberdier, Virgin and Child, known as the Madonna del Libro, Study of a Woman, possibly Maria Salviati, Ten thousand martyrs, Supper at Emmaus, Portrait of Francesco da Castiglione, Cupid and Apollo a Apollo and Daphne. Vyššie uvedené hodnotenie uvádza rok a múzeu každého z nich.
Náš katalóg obsahuje 176 diel umelca Pontormo z perioda od 1513 do 1550.
Väčšina z nich sa nachádza v Galleria degli Uffizi (Florencia), Palazzo Pitti (Florencia) a J. Paul Getty Museum (Los Angeles). Tabuľka vyššie uvádza jednotlivé múzeá.
V období 1520s: 19 z 100 diel na tejto stránke pochádza z tohto obdobia, pričom medzi nimi je Navštíviť.
Najstaršie dielo na tejto stránke pochádza z Cupid and Apollo (1513), najnovšie z Porträt des Giovanni della Casa (1503-1556) (1550).
Man (11), Renaissance (9) a Saints (9), z celkového počtu 100 diel na tejto stránke.
Oil On Panel: 11 z 100 diel na tejto stránke.
Manierizmus, ako to dokazujú obrazy na tejto stránke.
Study of a Woman, possibly Maria Salviati, Ten thousand martyrs a Narozdenie Jána Krčných sa nachádzajú medzi 6 dielami na tejto stránke, ktoré vlastní Galleria degli Uffizi, Florencia.
Áno. Každý obraz na tejto stránke si môžete objednať ako ručne maľovanú olejobraskovú reprodukciu múzeálnej kvality alebo ako umeleckú tlač, v požadovanom rozмере, priamo na stránke daného obrazu.
