Najznámejším obrazom umelca Peter Parler je Self-portrait (1379), ktorý sa nachádza v múzeu Katedrála v meste Praha. Spolu s Head of Charles IV (1375) a Sebeportrét (1379) tak dopĺňa trojicu diel, ktoré pozná každý. Náš katalóg obsahuje 4 diel od umelca Peter Parler; nižšie uvádzených 4 je tých, na ktoré sa svet pozerá najčastejšie, pričom pri každom uvádzame rok vytvorenia, múzeu, v ktorom sa nachádza, a dôvod jeho významu.
Poriadkované podľa nášho skóre popularity, ktoré kombinuje počet vyhľadávaní, návštev a objednávok pre každé dielo. Aktualizované október 2026. Každé majstrovské dielo na tejto stránke si môžete objednať ako ručne maľovanú olejobraskovú reprodukciu múzeálnej kvality alebo ako umeleckú tlač, v rozmeroch podľa vašej voľby.
To look upon this relief is to encounter a man caught in a moment of quiet contemplation. Carved from stone around 1379, this bust offers a rare, intimate glimpse into the identity of Peter Parler. He presents himself not as a distant figure of authority, but as a man of flesh and bone, rendered with a startling degree of naturalism. The head is slightly tilted, a subtle movement that breaks…
A heavy silence resides in the gray stone of this bust. The face of Charles IV emerges from the material, a study in rigid dignity and the weight of a crown. Light falls across the brow, catching the deep-set eyes and the sharp, carved lines of a beard that seems to hold the dust of centuries. It is a portrait of a man who shaped a kingdom, rendered in the…
Peter Parlerova Sebaobrazovka – Monumentálna Výstava Zvukovej Umelosti Sebaobrazovka Petra Parlera predstavuje fascinujúci príklad vrcholného gotického umenia, ktorý sa stretol s výrazným vplyvom nového estetického smeru – raného renesansu. Tento detailný obraz vytvoril významný architekt a sculptor Pia Cavallini okolo roku 1379, čím zabezpečil svoj pozostatok medzi najvýznamnejšími dielami doby. Jeho umelecké dielo sa nachádza v rámci katedrály svätého Víta v Prahe, čo nám poskytuje kontext bohatého historického prostredia a…
Štyri témy, ktoré sa v týchto majstrovskách najčastejšie vyskytujú, spolu s ich najkrajšími príkladmi.
2 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Peter Parler | Obrazy z tohto zoznamu |
|---|---|---|---|
 Katedrála |
Praha | 3 | Self-portrait, Head of Charles IV, Sebeportrét |
 Katedrála sv. Vigila |
Prague | 1 | Tomb of Ottokar II |
Peter Parler tvoril len 5 rokov, od 1375 do 1379. Tu je prehľad tejto krátkej kariéry rok po roku prostredníctvom jeho najznámejších obrazov.
A heavy silence resides in the gray stone of this bust. The face of Charles IV emerges from the material, a study in rigid dignity and the weight…
To look upon this relief is to encounter a man caught in a moment of quiet contemplation. Carved from stone around 1379, this bust offers a rare, intimate…
Peter Parlerova Sebaobrazovka – Monumentálna Výstava Zvukovej Umelosti Sebaobrazovka Petra Parlera predstavuje fascinujúci príklad vrcholného gotického umenia, ktorý sa stretol s výrazným vplyvom nového estetického smeru – raného…
Self-portrait (1379), Katedrála, Praha. Nasledujú Head of Charles IV (1375) a Sebeportrét (1379).
49 rokov: Self-portrait vzniklo v roku 1379 a Peter Parler sa narodil/a v roku 1330.
Náš katalóg obsahuje 4 diel umelca Peter Parler z perioda od 1375 do 1379.
Väčšina z nich sa nachádza v Katedrála (Praha) a Katedrála sv. Vigila (Prague). Tabuľka vyššie uvádza jednotlivé múzeá.
V období 1379: 2 z 4 diel na tejto stránke pochádza z tohto obdobia, pričom medzi nimi je Self-portrait.
Najstaršie dielo na tejto stránke pochádza z Head of Charles IV (1375), najnovšie z Self-portrait (1379).
Stone: 2 z 4 diel na tejto stránke.
Self-portrait, Head of Charles IV a Sebeportrét sa nachádzajú medzi 3 dielami na tejto stránke, ktoré vlastní Katedrála, Praha.
Áno. Každý obraz na tejto stránke si môžete objednať ako ručne maľovanú olejobraskovú reprodukciu múzeálnej kvality alebo ako umeleckú tlač, v požadovanom rozмере, priamo na stránke daného obrazu.
In the heart of the Late Middle Ages, a period defined by soaring spires and profound devotion, Peter Parler emerged as one of the most influential architects and sculptors of his era. Born into a distinguished dynasty of master builders, he carried the weight of tradition while simultaneously forging a new, expressive language for European architecture. Known variously as Peter von Gemünd or Petr Parléř, his identity was inextricably linked to the Parler family, a lineage of craftsmen whose influence stretched across much of Central Europe. His journey began in the town of Schwäbisch Gmünd, Germany, where he received his early training, eventually leading him to work at significant medieval building sites including Strasbourg, Cologne, and Nuremberg.
The trajectory of Parler’s career reached its zenith when he moved to Prague, the capital of the Kingdom of Bohemia. Here, under the patronage of the Holy Roman Empire, he was able to realize a vision of architectural grandeur that would define the skyline of the city for centuries. His work at St. Vitus Cathedral stands as his most enduring legacy, a monumental achievement where he utilized complex networks of ribbed vaults to create an interior that seems to defy gravity. Through his engineering brilliance, the heavy stone walls appear light and ethereal, allowing for expansive windows that transform the cathedral into a vessel for celestial light.
Parler was not merely a builder of structures but a sculptor of profound emotional depth. His ability to breathe life into cold stone allowed him to bridge the gap between the rigid forms of earlier Gothic traditions and a more naturalistic, human-centric approach. This mastery is perhaps most intimately captured in his Self-Portrait, an evocative piece that offers a rare glimpse into the artist's own contemplative soul. In this work, one can observe the meticulous craftsmanship required to render the subtle textures of hair and the serene expression of a man deeply engaged with both his faith and his craft.
His sculptural contributions often complemented his architectural feats, creating a unified aesthetic experience within the sacred spaces he designed. Notable works such as the Head of Charles IV demonstrate his ability to capture individual character and royal dignity through the Late Gothic style. His achievements were not isolated incidents but part of a broader movement of artistic innovation that saw:
Through his hands, the stone became a chronicle of history, an enduring testament to the skill of the Parler family. His life's work remains etched in the very fabric of Europe, serving as a bridge between the medieval world and the burgeoning complexities of the later centuries.