Bernardo Strozzi, 1581 – 1644

100 najznámejších obrazov umelca Bernardo Strozzi

Obraz, ktorý priniesol slávu Bernardo Strozzi, je Spánok Dieťa; visí v galérii Residenzgalerie, Salzbursk. Banquet at the House of Simon (detail) (1630) a David with the Head of Goliath (1635) ich nasledujú v srdciach zberateľov a návštevníkov múzeí. Z 118 diel umelca Bernardo Strozzi v našom katalógu je týchto 100 najobdivovanejších, pričom každá je prezentovaná s dátumom jej vytvorenia, názvom múzeja a unikátnými vlastnostvami.

Poriadkované podľa nášho skóre popularity, ktoré kombinuje počet vyhľadávaní, návštev a objednávok pre každé dielo. Aktualizované október 2026. Každé majstrovské dielo na tejto stránke si môžete objednať ako ručne maľovanú olejobraskovú reprodukciu múzeálnej kvality alebo ako umeleckú tlač, v rozmeroch podľa vašej voľby.

Portrét Bernardo Strozzi
Bernardo Strozzi · 1581 – 1644
Narodený · zomrel
1581 – 1644, Genova
Pohyb
Baroque realism
Diela v našom katalógu
118
Najznámejšie
Spánok Dieťa
Najviac diel v
Gallerie dell'Accademia di Venezia

Bernardo Strozzi: desať majstrovských diel

Spánok Dieťa od Bernardo Strozzi
1

Spánok Dieťa

Olej na plátne · Residenzgalerie, Salzbursk

Pokojné majstrovstvo: Zachytenie nevinnosti v diele „Spiacu dieťa“ Predmet: Chvíľa čistého pokoja „Spiacu dieťa“ od Bernarda Strozziho predstavuje dojmovité zobrazenie novorodenca v pokojnom spánku. Toto umelecké dielo zachytáva samotnú podstatu nevinnosti a zraniteľnosti, pričom divákom ponúka okamih tichej reflexie. Dieťaťa pokojný výraz a uvoľnené postoj vyvolávajú pocit vnútorného kľudu, čo z tohto diela robí nadčasovú reprezentáciu detskej čistoty. Štýl a technika: Barokný realizmus Strozzi, významný taliansky barokný maliar, využíva realistický…

Banquet at the House of Simon (detail) (1630) od Bernardo Strozzi
2

Banquet at the House of Simon (detail)

1630 · Oil On Canvas · Gallerie dell'Accademia di Venezia, Venezia

To gaze upon Bernardo Strozzi's Banquet at the House of Simon is to be instantly transported into the vibrant, intoxicating heart of the seventeenth century. This monumental canvas does more than merely depict a meal; it captures an entire atmosphere—a moment suspended in rich color and human connection. The air seems thick with the scent of exotic spices, spilled wine, and lively conversation. Strozzi masterfully orchestrates a scene of pure…

David with the Head of Goliath (1635) od Bernardo Strozzi
3

David with the Head of Goliath

1635 · Oil On Canvas · Hermitáž, Petrohrad

To stand before Bernardo Strozzi's depiction of David with the Head of Goliath is to confront a moment suspended between brutal conflict and sublime victory. This painting, executed in 1635, does more than merely record a biblical episode; it captures the very essence of human courage pitted against overwhelming odds. The composition immediately draws the eye to the central figure—David—whose bearing suggests not just physical prowess, but an unshakeable moral…

Allegory of Arts (1640) od Bernardo Strozzi
4

Allegory of Arts

1640 · Oil On Canvas · Hermitáž, Petrohrad

To stand before Bernardo Strozzi’s Allegory of Arts is to step directly into the vibrant, intellectual heart of the Baroque era. This magnificent oil painting from 1640 captures more than just three figures; it encapsulates a profound celebration of human creativity and the enduring power of female genius. The composition draws the eye immediately to the interplay between the three elegantly draped women, their poses suggesting a moment suspended in…

Saint Catherine of Alexandria (1615) od Bernardo Strozzi
5

Saint Catherine of Alexandria

1615 · Oil On Canvas · Los Angeles County Museum of Art, Los Angeles

The light descends from the upper left, cutting through a heavy, dark void to illuminate a figure of profound grace. Saint Catherine of Alexandria sits in a pyramidal arrangement, her presence commanding the space with a quiet, regal strength. She does not look at the viewer; instead, her eyes are turned upward, caught in a moment of spiritual ecstasy or perhaps a silent communion with the divine. Her skin possesses…

St Maurice and the Angel (1640) od Bernardo Strozzi
6

St Maurice and the Angel

1640 · Oil On Canvas · Hermitáž, Petrohrad

Bernardo Strozzi’s “St Maurice and the Angel,” painted in 1635, stands as a testament to the flourishing artistic spirit of Venice during its Golden Age. This monumental canvas embodies the baroque style's dramatic flair and masterful use of color—a visual feast that continues to captivate viewers centuries later.

St Francis of Assisi adoring the Crucifix (1615) od Bernardo Strozzi
7

St Francis of Assisi adoring the Crucifix

1615 · Oil On Canvas · Art Gallery of South Australia, Adelaide

The air in the room feels heavy, thick with the scent of old wood and the weight of silent devotion. St. Francis of Assisi leans upward, his body a vessel for a sudden, overwhelming surge of religious ecstasy. His gaze is fixed upon the figure of Christ on the cross, eyes wide and upturned as if searching for a connection that transcends the physical realm. The light does not merely…

St. Gerardo Sagredo, Bishop of Csanád (1630) od Bernardo Strozzi
8

St. Gerardo Sagredo, Bishop of Csanád

1630 · Oil On Canvas · Art Institute of Chicago, Chicago

To stand before this portrait is to encounter a figure emerging from an immense, dark void. The Bishop of Csanád does not demand attention through movement, but rather through a quiet, heavy stillness. There is a profound sense of weight here, found in the way the light catches the textured folds of his white alb and the stiff, embroidered edges of his liturgical vestments. The background remains indeterminate, a deep…

Portrait of Nikola Kuchi (1637) od Bernardo Strozzi
10

Portrait of Nikola Kuchi

1637 · Oil On Canvas · Národná galéria Arménska, Jerevan

An elderly man gazes toward the viewer's right, his eyes meeting the observer with a steady, dignified presence. He is rendered in three-quarter length, positioned slightly off-center against an atmospheric background of deep browns and blacks. A strong light source strikes the side of his face and the front of his heavy red cloak, leaving the remainder of his figure to recede into deep shadow. This dramatic use of light…

Viac majstrovských diel od Bernardo Strozzi, od 11 do 100

Old Coquette (1625) od Bernardo Strozzi
#12

Old Coquette

1625

A woman sits centered in a white dress, her hair gathered into a tight bun. She leans toward a mirror held aloft by a servant, seeking a glimpse…

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Bishop Alvise Grimani (1633) od Bernardo Strozzi
#14

Bishop Alvise Grimani

1633 · National Gallery of Art

The portrait presents a three-quarter length view of Bishop Alvise Grimani, positioned against a dark, indeterminate background. Directional light enters from the upper left, carving the subject's features…

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Saint Francis (1612) od Bernardo Strozzi
#17

Saint Francis

1612 · Museum Boijmans Van Beuningen

The oil on canvas before us presents Saint Francis, a figure caught in a moment of profound spiritual weight. This portrait of the saint emerges from the shadows,…

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Doge Francesco Erizzo (1566-1646) (1631) od Bernardo Strozzi
#18

Doge Francesco Erizzo (1566-1646)

1631 · Kunsthistorisches Museum

A three-quarter length portrait presents an elderly man, identified as Doge Francesco Erizzo, positioned centrally against a dark, indeterminate background. The subject possesses a prominent white beard and…

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St Cecilia (1620) od Bernardo Strozzi
#19

St Cecilia

1620 · Nelson-Atkins Museum of Art

In the heart of the Baroque era, few works capture the intersection of earthly texture and divine grace as poignantly as Bernardo Strozzi’s St Cecilia. Painted around 1620,…

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David with Goliaths Head (1635) od Bernardo Strozzi
#20

David with Goliaths Head

1635 · Museum Boijmans Van Beuningen

The artwork titled David with Goliaths Head is a painting by the artist Bernardo Strozzi. Created in 1635, this work depicts a specific biblical scene involving the figures…

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Berenice (1640) od Bernardo Strozzi
#44

Berenice

1640 · El Paso Museum of Art

In this intimate portrait of Berenice by Bernardo Strozzi, the composition is tightly framed, focusing our attention on the subject’s face and upper body. The artist employs a…

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Gamba Player (1635) od Bernardo Strozzi
#49

Gamba Player

1635 · Gemäldegalerie

Bernardo Strozzi’s captivating portrait, *Gamba Player*, transports us directly into the vibrant, emotionally charged atmosphere of 17th-century Italian life. At its heart stands a woman, poised with an…

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The Madonna of Justice (1620) od Bernardo Strozzi
#51

The Madonna of Justice

1620 · Louvre

To stand before Bernardo Strozzi's "The Madonna of Justice" is to be enveloped in the dramatic fervor of the Baroque age. This magnificent oil on canvas, dating from…

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The Annunciation (1643) od Bernardo Strozzi
#54

The Annunciation

1643 · Szépművészeti Múzeum

To stand before this depiction of The Annunciation is to step across the threshold into a moment suspended between the earthly and the divine. Bernardo Strozzi, master of…

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The Cook (1640) od Bernardo Strozzi
#55

The Cook

1640 · Scottish National Gallery

In the soft, amber glow of a domestic afternoon, Bernardo Strozzi captures a scene of profound, unassuming stillness. The Cook is not merely a portrait of a woman…

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Old Woman at the Mirror (1615) od Bernardo Strozzi
#56

Old Woman at the Mirror

1615 · Pushkin State Museum

In the quiet intimacy of Bernardo Strozzi’s Old Woman at the Mirror, we are invited to witness more than a mere moment of grooming; we are pulled into…

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St Cecilia (1623) od Bernardo Strozzi
#57

St Cecilia

1623 · Thyssen-Bornemisza Museum

In the heart of the Baroque era, few works capture the intersection of earthly texture and divine grace as poignantly as Bernardo Strozzi’s St Cecilia. Painted between 1623…

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The Tribute Money od Bernardo Strozzi
#58

The Tribute Money

Národné múzeum

A single coin catches the light, a small metallic weight that anchors the tension of the scene. The composition centers on a figure in a crimson tunic, his…

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Portrait of a Knight (detail) (1640) od Bernardo Strozzi
#72

Portrait of a Knight (detail)

1640 · Gallerie dell'Accademia di Venezia

This work, titled Portrait of a Knight (detail), was executed by the Italian artist Bernardo Strozzi. Created around 1640, the painting offers a focused view of a nobleman.…

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The Release of St. Peter (1635) od Bernardo Strozzi
#75

The Release of St. Peter

1635 · Art Gallery of New South Wales

The Release of St. Peter is an oil on canvas work by the Italian Baroque painter Bernardo Strozzi. Created around 1635, this piece captures the moment of the…

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Lute Player (1630) od Bernardo Strozzi
#76

Lute Player

1630 · Kunsthistorisches Museum

In the heart of the Venetian Baroque era, amidst the vibrant textures and dramatic light of Italy, Bernardo Strozzi captured a moment that transcends the mere act of…

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Salome (1630) od Bernardo Strozzi
#77

Salome

1630 · Gemäldegalerie

The oil on canvas painting titled Salome was executed by the Italian Baroque painter Bernardo Strozzi. This work dates to 1630. The composition depicts a biblical scene involving…

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Berenice od Bernardo Strozzi
#79

Berenice

Bavarské štátne múzeá výtvarného umenia

Bernardo Strozzi's Berenice represents a significant subject from the first half of the 17th century. The work identifies the figure as Queen Berenice, the daughter of the King…

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Joseph Telling his Dreams (1626) od Bernardo Strozzi
#81

Joseph Telling his Dreams

1626 · Pallavicino Collection

In the evocative masterpiece Joseph Telling his Dreams, the Italian Baroque master Bernardo Strozzi invites us into a moment of profound narrative tension and domestic intimacy. Painted in…

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A Personification of Fame od Bernardo Strozzi
#93

A Personification of Fame

National Gallery

In this work, titled A Personification of Fame, the artist Bernardo Strozzi presents a nuanced interpretation of an allegorical subject. The painting, which dates to probably 1635-6, depicts…

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Portrait of a Knight (1640) od Bernardo Strozzi
#96

Portrait of a Knight

1640 · Gallerie dell'Accademia di Venezia

Bernardo Strozzi's “Portrait of the Knight Giovanni Grimani,” painted circa 1640, stands as a testament to the Venetian Baroque’s fascination with aristocratic grandeur and psychological depth. Executed in…

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Obrazy umelca Bernardo Strozzi podľa obdobia

Témy, ktoré Bernardo Strozzi mal najčastejšie na obrazoch

Štyri témy, ktoré sa v týchto majstrovskách najčastejšie vyskytujú, spolu s ich najkrajšími príkladmi.

Kde uvidieť obrazy umelca Bernardo Strozzi

8 múzeá, v ktorých sa nachádza najviac obrazov z tejto stránky.

Múzeá Mesto Diela umelca Bernardo Strozzi Obrazy z tohto zoznamu
Gallerie dell'Accademia di Venezia, VeneziaGallerie dell'Accademia di Venezia Venezia 5 Banquet at the House of Simon (detail), Banquet at the House of Simon, Portrait of a Knight (detail)
Kunsthistorisches Museum, ViedeňKunsthistorisches Museum Viedeň 5 Salome with the head of St John the Baptist, The Sermon of St. John the Baptist, Doge Francesco Erizzo (1566-1646)
Hermitáž, PetrohradHermitáž Petrohrad 5 David with the Head of Goliath, Allegory of Arts, St Maurice and the Angel
Bavarské štátne múzeá výtvarného umenia, MníchBavarské štátne múzeá výtvarného umenia Mních 3 Joseph as Interpreter of Dreams (Fragment), Berenice, The Parable of the Widow's Mite
Accademia Ligustica di Belle Arti, GenovaAccademia Ligustica di Belle Arti Genova 3 St John the Baptist, Lamentation over the Dead Christ, St Augustine Washing the Feet of Christ
Art Gallery of South Australia, AdelaideArt Gallery of South Australia Adelaide 2 St Francis of Assisi adoring the Crucifix, Study for St Francis of Assisi adoring the cross
National Gallery of Art, WashingtonNational Gallery of Art Washington 2 Bishop Alvise Grimani, Saint Francis in Prayer
Museum Boijmans Van Beuningen, RotterdamMuseum Boijmans Van Beuningen Rotterdam 2 Saint Francis, David with Goliaths Head

Bernardo Strozzi, dekáda po dekáde: kľúčové dielo každého obdobia

  1. 1600s
  2. 1610s
    Saint Catherine of Alexandria (1615) od Bernardo Strozzi
    Rank 5 / 100

    Saint Catherine of Alexandria

    Vek 29 – 38 · Los Angeles County Museum of Art

    The light descends from the upper left, cutting through a heavy, dark void to illuminate a figure of profound grace. Saint Catherine of Alexandria sits in a pyramidal…

  3. 1620s
    Old Coquette (1625) od Bernardo Strozzi
    Rank 12 / 100

    Old Coquette

    Vek 39 – 48

    A woman sits centered in a white dress, her hair gathered into a tight bun. She leans toward a mirror held aloft by a servant, seeking a glimpse…

  4. 1630s
    Banquet at the House of Simon (detail) (1630) od Bernardo Strozzi
    #2 z 100

    Banquet at the House of Simon (detail)

    Vek 49 – 58 · Gallerie dell'Accademia di Venezia

    To gaze upon Bernardo Strozzi's Banquet at the House of Simon is to be instantly transported into the vibrant, intoxicating heart of the seventeenth century. This monumental canvas…

  5. 1640s
    Allegory of Arts (1640) od Bernardo Strozzi
    #4 z 100

    Allegory of Arts

    Vek 59 – 63 · Hermitáž

    To stand before Bernardo Strozzi’s Allegory of Arts is to step directly into the vibrant, intellectual heart of the Baroque era. This magnificent oil painting from 1640 captures…

Majstrovské diela umelca Bernardo Strozzi: otázky a odpovede

Ktorým obrazom je Bernardo Strozzi najznámejší/najznámejšia?Zobraziť odpoveď

Spánok Dieťa, Residenzgalerie, Salzbursk. Nasledujú Banquet at the House of Simon (detail) (1630) a David with the Head of Goliath (1635).

Akých desať najväčších diel má Bernardo Strozzi?Zobraziť odpoveď

Spánok Dieťa, Banquet at the House of Simon (detail), David with the Head of Goliath, Allegory of Arts, Saint Catherine of Alexandria, St Maurice and the Angel, St Francis of Assisi adoring the Crucifix, St. Gerardo Sagredo, Bishop of Csanád, Portrait of a Genoese Nobleman a Portrait of Nikola Kuchi. Vyššie uvedené hodnotenie uvádza rok a múzeu každého z nich.

Koľko diel nakreslil/a Bernardo Strozzi?Zobraziť odpoveď

Náš katalóg obsahuje 118 diel umelca Bernardo Strozzi z perioda od 1600 do 1644.

V ktorých múzeách môžem vidieť majstrovské diela umelca Bernardo Strozzi?Zobraziť odpoveď

Väčšina z nich sa nachádza v Gallerie dell'Accademia di Venezia (Venezia), Kunsthistorisches Museum (Viedeň) a Hermitáž (Petrohrad). Tabuľka vyššie uvádza jednotlivé múzeá.

Kedy vytvoril/a Bernardo Strozzi svoje majstrovské diela?Zobraziť odpoveď

V období 1630s: 34 z 100 diel na tejto stránke pochádza z tohto obdobia, pričom medzi nimi je Banquet at the House of Simon (detail).

Aké sú prvé a posledné slavné obrazy umelca Bernardo Strozzi?Zobraziť odpoveď

Najstaršie dielo na tejto stránke pochádza z Old Man with a Pupil (1600), najnovšie z The Sermon of St. John the Baptist (1644).

Aké boli obľúbené témy Bernardo Strozzi?Zobraziť odpoveď

Man (19), Woman (10) a Portrait (8), z celkového počtu 100 diel na tejto stránke.

Ktorú techniku obľúbenou Bernardo Strozzi?Zobraziť odpoveď

Oil On Canvas: 42 z 100 diel na tejto stránke.

Do ktorého umedleckého smeru patrí Bernardo Strozzi?Zobraziť odpoveď

Baroque realism, ako to dokazujú obrazy na tejto stránke.

Aké majstrovské diela Bernardo Strozzi visia v Gallerie dell'Accademia di Venezia?Zobraziť odpoveď

Banquet at the House of Simon (detail), Banquet at the House of Simon a Portrait of a Knight (detail) sa nachádzajú medzi 5 dielami na tejto stránke, ktoré vlastní Gallerie dell'Accademia di Venezia, Venezia.

Môžem vlastniť reprodukciu majstrovského diela od Bernardo Strozzi?Zobraziť odpoveď

Áno. Každý obraz na tejto stránke si môžete objednať ako ručne maľovanú olejobraskovú reprodukciu múzeálnej kvality alebo ako umeleckú tlač, v požadovanom rozмере, priamo na stránke daného obrazu.

Život umelca Bernardo Strozzi

skoré roky a vzdelanie

Bernardo Strozzi, známy aj pod prezývkami il cappuccino či il prete genovese, bol významným talianskim barokným maliarom a ryteľom, ktorý prišiel na svet v roku 1581 v talianskom meste Genoa. Jeho rané umelecké formovanie sa odohrávalo v ateliéri Cesareho Corte, menšieho genovskeho maliara, pod ktorého vedením Strozzi precvičoval svoje schopnosti až do roku 1596. Následne sa pripojil k dieru Pietra Sorriho, inovatívneho sienského umelca, ktorý Strozziho viedol k hlbšiemu, prirodzenejšiemu štýlu.

umelecká dráha

Strozziho umelecká cesta sa dá rozdeliť do dvoch hlavných období: jeho raných rokov v Genove a neskoršej tvorby vo Venecii. V Genove sa venoval rôznym projektom, medzi ktoré patria napríklad fresky vo chóre kostola San Domenico, zadané členmi mocnej rodiny Doria.

vplyv a odkaz

Strozziho silná umelecká tvorba, vyznačujúca sa bohatou paletou farieb a širokými ťahmi štetca, mala zásadný dopad na umelecký vývoj v Genove aj vo Venecii. Uznáva sa ako jeden z hlavných zakladateľov benátskeho barokného štýlu.
  • významní patroni:
  • dóža Francesco Erizzo
  • katolícky kardinál a patriarcha Benok Federico Baldissera
  • významní benátski umelci, vrátane Claudio Monteverdiho a Barbary Strozzi

neskorší život a smrť

Strozziho neskoršie roky boli pozetčené jeho prácou ako inžinera. V roku 1644 zomrel vo Venecii a zanechal po sebe odkaz všestranného a mimoriadne plodného umelca. Pozrite si viac diel Bernarda Strozziho na WahooArt: https://WahooArt.com/@/bernardo-strozzi Preskúmajte Pinacoteca di Vicenza vo Taliansku, ktorá predstavuje diela z rôznych období a štýlov: /sk/art/show/art-d3afpd-sk/

Všetky 118 diela od Bernardo Strozzi →