Still Life with Green Bowl (1935) je najznámejším obrazom umelca Hermann Euler, ktorý sa nachádza v múzeu Bavarské štátne múzeá výtvarného umenia v meste Mních. Z 2 diel umelca Hermann Euler v našom katalógu sme vybrali tých 2, na ktoré sa kolecionéri a návštevníci múzeí pozerajú najčastejšie, spolu s rokom, múzeom a príbehom každého diela.
Poriadkované podľa nášho skóre popularity, ktoré kombinuje počet vyhľadávaní, návštev a objednávok pre každé dielo. Aktualizované november 2026.
Múzeum, ktoré vlastní najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca Hermann Euler | Obrazy z tohto zoznamu |
|---|---|---|---|
 Bavarské štátne múzeá výtvarného umenia |
Mních | 2 | Still Life with Green Bowl, Strauss |
1935 je rok každého datovaného majstrovského diela umelca Hermann Euler na tejto stránke: tu sú, zoradené podľa slávy.
Still Life with Green Bowl (1935)
35 rokov: Still Life with Green Bowl vzniklo v roku 1935 a Hermann Euler sa narodil/a v roku 1900.
Náš katalóg obsahuje 2 diel od Hermann Euler.
Väčšina z nich sa nachádza v Bavarské štátne múzeá výtvarného umenia (Mních). Tabuľka vyššie uvádza jednotlivé múzeá.
V období 1935: 2 z 2 diel na tejto stránke pochádza z tohto obdobia, pričom medzi nimi je Still Life with Green Bowl.
Still Life with Green Bowl a Strauss sa nachádzajú medzi 2 dielami na tejto stránke, ktoré vlastní Bavarské štátne múzeá výtvarného umenia, Mních.
Born in Aschaffenburg, Germany, Hermann Euler was the son of Konrad Euler and Meta Hein. His artistic path began in Munich, where he initially pursued painting without formal training before attending the Malschule of Moritz Heymann. He later studied at the Academy of Fine Arts Munich, first in the class of Heinrich von Zügel and subsequently under Angelo Jank, from whom he graduated as a master student in 1927. In 1925, he joined the Künstlervereinigung Münchner Secession. His travels to Norway and France, often accompanied by his wife, the painter Daisy Campi, were significant to his development. In 1934, Euler moved his family from Munich to a farm in Eichbichl am Rinssee. His later years included travels to Italy, Yugoslavia, France, and Spain, until his death in 1970.
Euler’s work evolved from impressionistic subject dissolution toward a cultivated expressive handwriting. His paintings are characterized by a certain rhythm and decisiveness in form, often appearing as if written onto the canvas with a vigorous gesture. He was a skilled draftsman, and in his later years, he frequently utilized a black brushstroke over a more glazing paint application. His technique involved applying oil paint alla prima onto a primed canvas, resulting in surfaces that varied from thick impasto to matte, glazing layers. His subject matter often drew from the immediate surroundings of his farm, including walled cottage gardens and still lifes placed within landscapes, which challenged traditional perceptions of scale and proportion.