Obraz, ktorý priniesol slávu A. Patrick, je Mrs. Benajah Johnson (1830); visí v galérii Smithsonian American Art Museum, Washington, D.C.. Z 2 diel umelca A. Patrick v našom katalógu je týchto 2 najobdivovanejších, pričom každá je prezentovaná s dátumom jej vytvorenia, názvom múzeja a unikátnými vlastnostvami.
Poriadkované podľa nášho skóre popularity, ktoré kombinuje počet vyhľadávaní, návštev a objednávok pre každé dielo. Aktualizované november 2026.
Múzeum, ktoré vlastní najviac obrazov z tejto stránky.
| Múzeá | Mesto | Diela umelca A. Patrick | Obrazy z tohto zoznamu |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 2 | Mrs. Benajah Johnson, Benajah Johnson |
Každé datované majstrovské dielo umelca A. Patrick na tejto stránke pochádza z roku 1830: tu sú.
Mrs. Benajah Johnson (1830)
Náš katalóg obsahuje 2 diel od A. Patrick.
Väčšina z nich sa nachádza v Smithsonian American Art Museum (Washington, D.C.). Tabuľka vyššie uvádza jednotlivé múzeá.
V období 1830: 2 z 2 diel na tejto stránke pochádza z tohto obdobia, pričom medzi nimi je Mrs. Benajah Johnson.
Mrs. Benajah Johnson a Benajah Johnson sa nachádzajú medzi 2 dielami na tejto stránke, ktoré vlastní Smithsonian American Art Museum, Washington, D.C..
The brush meets the canvas in a quiet studio, capturing the likeness of the Benajah Johnson family. In 1830, A. Patrick works with oil on canvas, a medium that demands patience and a steady hand. The light settles on the subjects, freezing a specific moment of nineteenth-century life within the frame. These are not mere sketches; they are deliberate records of identity, preserved through the careful application of pigment.
The work exists now within the halls of the Smithsonian American Art Museum in Washington, D.C. Here, the portraits of Benajah Johnson and Mrs. Benajah Johnson remain as physical remnants of a bygone era. The textures of the oil paint hold the weight of their history, surviving long after the sitters themselves have passed into memory.
The artist's output is defined by these specific, documented encounters with his subjects. His technique focuses on the formal requirements of portraiture during this period, ensuring the likenesses remain accurate for posterity. The collection of his work highlights a specific focus on the individuals of the time:
A. Patrick remains a figure defined by these specific contributions to the American portraiture tradition. While the broader details of his personal life remain obscured by time, his technical presence is confirmed by the preservation of his work in major institutions. The gift of Mrs. Frank Cummings Cook in 1966 ensured that these specific oils would continue to exist, allowing the faces of 1830 to remain visible to the modern eye.