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Self-Portrait

Meno Trieda Dátum

Suzanne Valadonová, Self-Portrait (1918). Pracovné dielo vo verejnej domäne. Vnímajte toto plátno pri pohyblivom svetle: kresbu, skutočnú farbu pod lakom aj čistý pigment

Fakty

Umenec
Suzanne Valadonová wahooart.com/sk/artists/suzanne-valadonova_sk/
Obdobia tvorby umelca
1865 – 1938
Maľované
1918
Pohyb
Expressionism Colour and shape deliberately distorted so the picture shows an emotion rather than a likeness.

V kontexte

Self-Portrait — Suzanne Valadonová

Kedy bolo toto vytvorené?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930

Horný riadok: roky. Dolný riadok: vek umelca na začiatku a na konci každého obdobia — 0 pri narodení, 73 pri smrti.

Namaľované v čase, keď mal umvec 53 rokov. Umenec dožil do veku 73. 17 z 46 datovaných diel tohto umelca v našom katalógu vzniklo skôr.

Shaded: životný príbeh Suzanne Valadonová (1865–1938) ▲ toto dielo, 1918 každý datovaný obraz, dekáda po dekáde

Prvé diela: až do 1909 Hlavné pracovné roky: 1909–1922 Neskoré diela: od 1922

Tieto tri pásma delia diela s uvedeným dátumom v tomto katalógu na prvú štvrtinu, strednú polovicu a poslednú štvrtinu. Ne predstavujú kompletný výsadok umelca: tento úzky úsek môže byť skôr chýbajúc záznam v archíve než obdobie menšej aktivity. Rovnaké roky, v ktorých sa odráža život umelca

Porovnajte s

Vyberte si jedno z vyššie uvedených diel: uveďte dve veci, ktoré má spoločné s týmto, a jednu vec, v ktorej sa líšia.

Ďalšie diela, ktoré sa k tomuto hodia: wahooart.com/sk/art/similar/suzanne-valadon-self-portrait-8XZ2BN-en/

Farby

Zmerané z obrazu

    Hlavná farba

    Brown #ad0b09

    Katalogizovaná paleta

    • #AD0B09
    • #E1857B
    • #451011
    • #FABAB0

    Tieto farby v rámci celej umeleckej palety Nájdite ďalšie obrazy podľa farby

    Paleta
    Dark Dominantná farebná skupina na obraze.
    Názov hlavnej farby
    Brown
    Intenzita
    Vivid Ako veľmi sýte a rozmanité sú farby, od jedného tlmeného odtieňa až po mnoho jasných.
    Kontrast
    Statement Miera rozdielov v jasnosti a saturácii farieb v rámci celého obrazu.
    Harmónia
    Unified Palette Ako dobre spolu pôsobia farby, od kontrastných až po úplne harmonické.
    Jasnosť
    Balanced Celková svetlostrávenosť obrazu, od hlbokých tieňov až po jasné svetlé miesta.
    Saturácia
    Clear Color Presence Aký čistý a sýty je farebný rozsah, od takmer sivej až po plne živé tóny.

    Kde na svete sa na tento obraz pozırı?

    • menej ako 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a viac
    Tento jediný obraz má príliš málo zaznamenaných návštevníkov na to, aby sa dal zmapovať, preto táto karta uvádza každé dielo od Suzanne Valadonová za posledných dvanásteros月的 — celkovo 15 krajín. Pôvod týchto údajov

    Desať vedúcich krajín

    1. 1 Čína 38,6%2 200 visits
    2. 2 Francúzsko 15,8%900 visits
    3. 3 Spojené štáty americké 7,0%400 visits
    4. 4 Španielsko 5,3%300 visits
    5. 5 T1 5,3%300 visits
    6. 6 Brazília 3,5%200 visits
    7. 7 Kolumbia 3,5%200 visits
    8. 8 Česko 3,5%200 visits
    9. 9 Nemecko 3,5%200 visits
    10. 10 Hongkong 3,5%200 visits
    11. · 5 ostatné krajiny 10,5%600 visits

    Na mape nájdite tri najtmavšie krajiny. Nachádza sa v ktorej z nich múzeum, ktoré uchováva tento obraz? Napíšte jeden dôvod, prečo by naň mohli prísť ľudia zďaleka.

    20 najsledovanejších diel umelca Suzanne Valadonová

    1. 1 Izba Modrá, 1923 50,0%5 500 visits
    2. 2 My Son, 1896 6,4%700 visits
    3. 3 Casting the Net, 1914 4,5%500 visits
    4. 4 Nude on the Red Sofa (Nu au canapé rouge) - Suzanne Valadon, 2026 4,5%500 visits
    5. 5 The Abandoned Doll 3,6%400 visits
    6. 6 Portrait of Erik Satie, 1892 2,7%300 visits
    7. 7 Bouquet and a Cat, 1919 2,7%300 visits
    8. 8 Portrait of a Woman, 1917 2,7%300 visits
    9. 9 Woman with a Double Bass, 1908 1,8%200 visits
    10. 10 Femme a la Toilette, 1913 1,8%200 visits
    11. 11 Nude on the sofa, 1920 1,8%200 visits
    12. 12 Raminou sitting on a cloth, 1920 1,8%200 visits
    13. 13 Female Nude, washing herself 1,8%200 visits
    14. 14 Nude Woman with Drapery, 1919 0,9%100 visits
    15. 15 Farm Montcorin, 1918 0,9%100 visits
    16. 16 Louson and Raminou, 1920 0,9%100 visits
    17. 17 Miss Lily Walton, 1922 0,9%100 visits
    18. 18 The Two Bathers, 1923 0,9%100 visits
    19. 19 View from My Window in Genets (Brittany), 1922 0,9%100 visits
    20. — Self-Portrait, 1918 tento obraz 0,0%0 visits

    Spolu tieto diela si 차지li 91,5% celkového záujmu, ktorý si za posledných dvanásterí mesiacov získali obrazy tohto umelca. Katalóg obsahuje 57 diel tohto umelca, z ktorých bolo 28 aspoň raz pozretých. Tento obraz si v tomto období nikto ešte nepozeral — uzatvára zoznam bez uvedeného poradia. Stále to platí, mesiac po mesiaci

    Prúžky predstavujú mieru pozornosti, nie kvalitu. Vyberte si dielo na vrchole a toto jedno: uveďte jednu vec, ktorá by mohla urobiť obraz slávnym okrem toho, ako dobre je namalovaný.

    Umenec a múzeum

    Umenec

    Suzanne Valadonová

    Narodený v Bénesse-sur-Gartempe, Francúzsko

    Suzanne Valadon: A Rebel’s Palette – Shaping a New Vision of the Female Form

    Suzanne Valadon, born Marie-Clémentine Valadon in 1865 amidst the rural landscapes of Bénesse-sur-Gartempe, France, didn't simply inherit an artistic destiny; she forged it with unwavering determination and a spirit that defied the constraints of her time. Her life story is not merely one of an artist’s journey but a testament to resilience, a bold assertion of female agency within a world dominated by male expectations. From humble beginnings as the illegitimate daughter of a laundress, Valadon navigated a childhood marked by poverty and hardship in Montmartre—a district then rapidly transforming into the vibrant, bohemian heart of Paris. This early exposure to the gritty realities of urban life, coupled with her innate curiosity and independent nature, would profoundly shape her artistic vision, imbuing it with an honesty and raw emotion rarely seen in contemporary art.

    From Model to Master: A Unique Artistic Development

    Valadon’s path into the art world began not as a creator but as a model – a role she embraced with remarkable shrewdness and observation. For nearly a decade, she worked alongside some of the most influential artists of her era, including Pierre-Auguste Renoir, Henri de Toulouse-Lautrec, and Edgar Degas. These sessions weren’t merely transactional; they were invaluable lessons in technique, composition, and the very essence of artistic process. She meticulously studied the masters at work, absorbing their methods with an almost obsessive attention to detail. Toulouse-Lautrec, recognizing her innate talent and perceptive eye, encouraged her to take up drawing, providing a crucial foundation for her future development. Degas, similarly, offered more formal guidance, solidifying her foundational skills in line and form. Crucially, Valadon wasn’t simply a passive subject; she was an active observer, dissecting the artistic gaze, analyzing the way light and shadow played across surfaces, and internalizing the principles of composition. This period of modeling proved to be a transformative apprenticeship, laying the groundwork for her eventual emergence as a truly independent artist.

    Challenging Conventions and Embracing Boldness

    It was within this crucible of observation that Valadon began to develop her own distinctive style – one characterized by a remarkable directness and emotional intensity. Rejecting the idealized representations of women prevalent in academic art, she boldly depicted the female form with an unflinching honesty rarely seen at the time. Her paintings are imbued with a palpable sense of vitality, capturing not just physical appearance but also psychological depth and lived experience. She wasn’t interested in creating pretty pictures; she sought to reveal the complexities of human emotion, the vulnerability beneath strength, and the raw beauty of the female body. Works like Nu à la draperie blanche (Nude with White Drapery) and Nu debout (Standing Nude) exemplify this approach, showcasing the female form not as an object of passive admiration but as a subject of active observation and profound empathy. Her use of line is particularly striking – bold, decisive strokes that convey both strength and vulnerability. Furthermore, she deliberately avoided the soft, pastel colors favored by many of her contemporaries, opting instead for a palette of rich, earthy tones that enhanced the dramatic impact of her compositions.

    A World Beyond the Canvas: Maurice Utrillo and Personal Connections

    Valadon’s life was inextricably linked to the artistic community of Montmartre, and her personal relationships profoundly influenced her work. Her most enduring connection was with her son, Maurice Utrillo, whose fatherhood remained uncertain for many years. Despite a complicated and often turbulent relationship, Utrillo became a lifelong companion and collaborator, sharing both his artistic struggles and his unwavering support for his mother’s career. Her friendship with Henri de Toulouse-Lautrec also played a significant role in her development as an artist, providing her with invaluable insights into the world of Parisian nightlife and the bohemian spirit that defined Montmartre. These connections not only enriched her life but also provided her with a unique perspective on the human condition – one shaped by both joy and sorrow, beauty and hardship.

    Legacy and Lasting Impact

    Suzanne Valadon’s achievements extended far beyond her artistic innovations. In 1894, she achieved a landmark victory when she was admitted to the Société Nationale des Beaux-Arts—a prestigious Parisian art society that had previously been closed to women. This momentous event signaled a significant shift in the perception of female artists and paved the way for future generations to pursue their creative ambitions without facing the same barriers. Her work, particularly her depictions of the female nude, challenged conventional notions of beauty and sexuality, offering a fresh and empowering perspective on the human form. Today, Valadon is recognized as a pioneering figure in Post-Impressionism and a precursor to feminist art movements, with her honest and unapologetic portrayals of women resonating deeply with contemporary audiences. Her story serves as a powerful reminder that true artistry transcends social boundaries and celebrates the diversity of human experience – a legacy that continues to inspire artists around the world.

    Kde si prečítať viac informácií

    Nájdite si toto online

    QR kód odkazujúci na stránku na stiahnutie Self-Portrait

    wahooart.com/sk/art/download/suzanne-valadon-self-portrait-8XZ2BN-en/

    Citovať toto dielo

    MLA
    Valadonová, Suzanne. Self-Portrait. 1918, https://wahooart.com/sk/art/suzanne-valadon-self-portrait-8XZ2BN-en/
    APA
    Valadonová, Suzanne (1918). Self-Portrait [Painting]. https://wahooart.com/sk/art/suzanne-valadon-self-portrait-8XZ2BN-en/
    Chicago
    Suzanne Valadonová. Self-Portrait. 1918. https://wahooart.com/sk/art/suzanne-valadon-self-portrait-8XZ2BN-en/
    Harvard
    Valadonová, Suzanne (1918) Self-Portrait. Available at: https://wahooart.com/sk/art/suzanne-valadon-self-portrait-8XZ2BN-en/

    Pozrite si bližšie

    Self-Portrait — Suzanne Valadonová

    Pozrite si bližšie

    Odpovedajte vlastnými slovami. Neexistujú tu žiadne nesprávne odpovede – len také, ktoré dokážete vysvetliť.

    1. Čo vás pri pohľade na toto dielo upúta ako prvé a prečo?
    2. Ktoré farby alebo tvary vytvárajú atmosféru — a aká je táto atmosféra?
    3. Koľko tvárí dokážete nájsť? ____ (náš katalóg ich počíta na 1 — súhlasíte?)
    4. V našom katalógu je toto dielo zaúčtované pod: portrait painting, female subject, bold brushstrokes. Súhlasíte s tým? Čo by ste pridali alebo odobrali?
    5. Späť sa pozrite na dielo Izba Modrá (1923), o ktorom ste čítali skôr v tomto sprievodcovi. Vymeňte dve veci, ktoré má toto dielo spoločné s týmto, a jednu, ktorá je odlišná.

    Vaša odpoveď

    Napíšte krátky odstavec o tomto umeleckom diele. Využite informácie z predchádzajúcich častí tohto sprievodcu a svoje vyššie uvedené odpovede.

    Otázky a odpovede

    Kde môžem kúpiť print diela „Self-Portrait“ od Suzanne Valadonová?

    Ak si chcete objednať print diela „Self-Portrait“ od Suzanne Valadonová, stačí si ho objednať priamo na jeho stránke Fine art tlač: umelecká tlač na bavlnenom plátne alebo archivnom plátnovom papieri.

    Ktorý umvec a ktorý štýl stoja za dielom „Self-Portrait“?

    Suzanne Valadonová vytvoril/a dielo „Self-Portrait“ v rámci smeru Expressionism.

    Je „Self-Portrait“ od Suzanne Valadonová svetlé alebo tmavé dielo?

    Vnímaná jasnosť diela „Self-Portrait“ od Suzanne Valadonová je balanced. Je možné ju prispôsobiť osvetleniu určeného priestoru.